Author: Eaton Stannard Barrett
Publisher:
ISBN:
Category :
Languages : en
Pages : 458
Book Description
The setting sun; or, Devil amongst the placemen. To which is added ... a parody on The beggar's opera, by Cervantes Hogg. 3 vols. [in 1].
Author: Eaton Stannard Barrett
Publisher:
ISBN:
Category :
Languages : en
Pages : 458
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 458
Book Description
The Indies of the Setting Sun
Author: Ricardo Padrón
Publisher: University of Chicago Press
ISBN: 022645567X
Category : History
Languages : en
Pages : 357
Book Description
Padrón reveals the evolution of Spain’s imagining of the New World as a space in continuity with Asia. Narratives of Europe’s westward expansion often tell of how the Americas came to be known as a distinct landmass, separate from Asia and uniquely positioned as new ground ripe for transatlantic colonialism. But this geographic vision of the Americas was not shared by all Europeans. While some imperialists imagined North and Central America as undiscovered land, the Spanish pushed to define the New World as part of a larger and eminently flexible geography that they called las Indias, and that by right, belonged to the Crown of Castile and León. Las Indias included all of the New World as well as East and Southeast Asia, although Spain’s understanding of the relationship between the two areas changed as the realities of the Pacific Rim came into sharper focus. At first, the Spanish insisted that North and Central America were an extension of the continent of Asia. Eventually, they came to understand East and Southeast Asia as a transpacific extension of their empire in America called las Indias del poniente, or the Indies of the Setting Sun. The Indies of the Setting Sun charts the Spanish vision of a transpacific imperial expanse, beginning with Balboa’s discovery of the South Sea and ending almost a hundred years later with Spain’s final push for control of the Pacific. Padrón traces a series of attempts—both cartographic and discursive—to map the space from Mexico to Malacca, revealing the geopolitical imaginations at play in the quest for control of the New World and Asia.
Publisher: University of Chicago Press
ISBN: 022645567X
Category : History
Languages : en
Pages : 357
Book Description
Padrón reveals the evolution of Spain’s imagining of the New World as a space in continuity with Asia. Narratives of Europe’s westward expansion often tell of how the Americas came to be known as a distinct landmass, separate from Asia and uniquely positioned as new ground ripe for transatlantic colonialism. But this geographic vision of the Americas was not shared by all Europeans. While some imperialists imagined North and Central America as undiscovered land, the Spanish pushed to define the New World as part of a larger and eminently flexible geography that they called las Indias, and that by right, belonged to the Crown of Castile and León. Las Indias included all of the New World as well as East and Southeast Asia, although Spain’s understanding of the relationship between the two areas changed as the realities of the Pacific Rim came into sharper focus. At first, the Spanish insisted that North and Central America were an extension of the continent of Asia. Eventually, they came to understand East and Southeast Asia as a transpacific extension of their empire in America called las Indias del poniente, or the Indies of the Setting Sun. The Indies of the Setting Sun charts the Spanish vision of a transpacific imperial expanse, beginning with Balboa’s discovery of the South Sea and ending almost a hundred years later with Spain’s final push for control of the Pacific. Padrón traces a series of attempts—both cartographic and discursive—to map the space from Mexico to Malacca, revealing the geopolitical imaginations at play in the quest for control of the New World and Asia.
The Setting Sun
Author: Eaton Stannard Barrett
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 170
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 170
Book Description
Crown of the Setting Sun
Author: James A. West
Publisher: CreateSpace
ISBN: 9781492363453
Category :
Languages : en
Pages : 312
Book Description
Chains that bind the soul are stronger than iron... In the two centuries since the Upheaval and the fall of the God King, the Faceless One's rule has encompassed the world. He is revered, worshiped, merciless, and he stands unopposed.... Sixteen-year-old Leitos crushes stone by day, and by night shivers in a cramped cell. A slave's life is brutal and short, but absolute obedience ensures the gifts of peace and bread. All that changes when his grandfather rises against their inhuman slavemasters, forcing upon Leitos a freedom that he never sought. Now, hounded by the Faceless One's demon-born Hunters, Leitos struggles to heed his grandfather's last words: "Seek the Brothers of the Crimson Shield." Those words are his only hope to discover the truth of his people's enslavement, his only guide to find a secret order of heroes ... and they are the words of a madman. Heirs of the Fallen reading order: The God King (book one) Crown of the Setting Sun (book two) Shadow and Steel (book three) Wrath of the Fallen (book four, Fall 2013) Other series by James A. West: Songs of the Scorpion Reaper of Sorrows (volume one) Lady of Regret (volume two) Dystopian Thriller Beasts of the Field Look for book two in the Fall/Winter 2013
Publisher: CreateSpace
ISBN: 9781492363453
Category :
Languages : en
Pages : 312
Book Description
Chains that bind the soul are stronger than iron... In the two centuries since the Upheaval and the fall of the God King, the Faceless One's rule has encompassed the world. He is revered, worshiped, merciless, and he stands unopposed.... Sixteen-year-old Leitos crushes stone by day, and by night shivers in a cramped cell. A slave's life is brutal and short, but absolute obedience ensures the gifts of peace and bread. All that changes when his grandfather rises against their inhuman slavemasters, forcing upon Leitos a freedom that he never sought. Now, hounded by the Faceless One's demon-born Hunters, Leitos struggles to heed his grandfather's last words: "Seek the Brothers of the Crimson Shield." Those words are his only hope to discover the truth of his people's enslavement, his only guide to find a secret order of heroes ... and they are the words of a madman. Heirs of the Fallen reading order: The God King (book one) Crown of the Setting Sun (book two) Shadow and Steel (book three) Wrath of the Fallen (book four, Fall 2013) Other series by James A. West: Songs of the Scorpion Reaper of Sorrows (volume one) Lady of Regret (volume two) Dystopian Thriller Beasts of the Field Look for book two in the Fall/Winter 2013
Archaeo–Astronometria
Author: Dean Clarke
Publisher: Xlibris Corporation
ISBN: 1477160884
Category : History
Languages : en
Pages : 139
Book Description
There have been many books on the origin of astronomy some good and some very poorly address the issues of ancient mans interests in the stars. The ancient Sumer and Egyptian notions of music mostly confirms how ancient this notion is in their chorded progressions of tone. This notion is more an Upper Paleolithic celestial idea. In a sense man during this time man was beginning to have a concept of north, south, east and west in spatial terms. It involves the curvature of the ribs of Nut the Egyptian Sky Goddess as a ribbed vaulted sky, and sometimes in a horizon sense of a bowing arch of a stars path, or the curve of a bone in the stars moving path. The half way point of this fall for say our Nut, Adam and Eve would thus be about 27,000 BC which falls in a significant period Ice Age re-emergence and a deserts expanding in equator regions. These are only a small part of what had to addressed in origins of night sky studies. The point being this piece as fake or not is that the components of the animals, man, plants and mans artifacts were very early on displayed. We might ask in such a condition what was their night sky? If we look at all of these constellations they fall below the Celestial Equator in the South Pole region mostly. It would seem that all these birds to them being placed in the night sky like the stars and as they watched what directions the birds along with stars as to where they went in order to ascertain their relations to dusk or dawn night sky. What caused the South Africa plight of 80,000 BC? The Antarctica had been growing ice forms from 170,000 BC to 80,000 BC towards the north, and then around 70,000 BC there seemed to be a melting trend back south. In an astronomy sense we can thank him for larger game entering in the pantheon of the constellations, or the leaf, otter, and some constellations lost to time like the mammoths. What does this have to do with constellations, taboos, or the advent of Cro-Magnon man well in the depictions of constellation images? Slowly from east to west the stars move, but then it did not take man not long after 70,000 BC to note that some planets or stars seemed to move retrograde in the night sky? This book address what ideas did they show or have before or after these earth changes. As ideas such as: "Maybe, it was a lasso constellation for some animals capture as a God of Capture." And, "Somewhere around the time of 50,000 BC in the region of northern England to the region above the Black Sea there occurred a melting phase between the ice ages and cultures began to spread". The evidence of this is found by different locations in Europe and Central Europe of the use of rock shadows, stars noted by hands in movement, and certain hand symbols by star images or dots as stars not just stab marks. Ironic again that Man beside Woman on the pole treetop does not have strong reminders of the Adam-Eve Tree and the Serpent as maybe Draco? The symbol anciently always shows the snake at the foot of the tree or ascended the tree at the apex of the trunk which if astronomy wise would mean an ascended constellation to the Zenith or the Pole! Draco thus deposed Adam and Eve from their own constellation garden and domain by it ascending as an ancient Pole Axis Mundi? Thus the smoke screen really is a tied between this local area of France and Late Paleolithic Mans ideas of that region in the night sky of a certain year or month period of hunting. Although we have jumped forward in the time of ancient astronomy beginnings in a way really in this sense we have not. To the real beginnings of little known ancient astronomy.
Publisher: Xlibris Corporation
ISBN: 1477160884
Category : History
Languages : en
Pages : 139
Book Description
There have been many books on the origin of astronomy some good and some very poorly address the issues of ancient mans interests in the stars. The ancient Sumer and Egyptian notions of music mostly confirms how ancient this notion is in their chorded progressions of tone. This notion is more an Upper Paleolithic celestial idea. In a sense man during this time man was beginning to have a concept of north, south, east and west in spatial terms. It involves the curvature of the ribs of Nut the Egyptian Sky Goddess as a ribbed vaulted sky, and sometimes in a horizon sense of a bowing arch of a stars path, or the curve of a bone in the stars moving path. The half way point of this fall for say our Nut, Adam and Eve would thus be about 27,000 BC which falls in a significant period Ice Age re-emergence and a deserts expanding in equator regions. These are only a small part of what had to addressed in origins of night sky studies. The point being this piece as fake or not is that the components of the animals, man, plants and mans artifacts were very early on displayed. We might ask in such a condition what was their night sky? If we look at all of these constellations they fall below the Celestial Equator in the South Pole region mostly. It would seem that all these birds to them being placed in the night sky like the stars and as they watched what directions the birds along with stars as to where they went in order to ascertain their relations to dusk or dawn night sky. What caused the South Africa plight of 80,000 BC? The Antarctica had been growing ice forms from 170,000 BC to 80,000 BC towards the north, and then around 70,000 BC there seemed to be a melting trend back south. In an astronomy sense we can thank him for larger game entering in the pantheon of the constellations, or the leaf, otter, and some constellations lost to time like the mammoths. What does this have to do with constellations, taboos, or the advent of Cro-Magnon man well in the depictions of constellation images? Slowly from east to west the stars move, but then it did not take man not long after 70,000 BC to note that some planets or stars seemed to move retrograde in the night sky? This book address what ideas did they show or have before or after these earth changes. As ideas such as: "Maybe, it was a lasso constellation for some animals capture as a God of Capture." And, "Somewhere around the time of 50,000 BC in the region of northern England to the region above the Black Sea there occurred a melting phase between the ice ages and cultures began to spread". The evidence of this is found by different locations in Europe and Central Europe of the use of rock shadows, stars noted by hands in movement, and certain hand symbols by star images or dots as stars not just stab marks. Ironic again that Man beside Woman on the pole treetop does not have strong reminders of the Adam-Eve Tree and the Serpent as maybe Draco? The symbol anciently always shows the snake at the foot of the tree or ascended the tree at the apex of the trunk which if astronomy wise would mean an ascended constellation to the Zenith or the Pole! Draco thus deposed Adam and Eve from their own constellation garden and domain by it ascending as an ancient Pole Axis Mundi? Thus the smoke screen really is a tied between this local area of France and Late Paleolithic Mans ideas of that region in the night sky of a certain year or month period of hunting. Although we have jumped forward in the time of ancient astronomy beginnings in a way really in this sense we have not. To the real beginnings of little known ancient astronomy.
Toward the Setting Sun
Author: David Boyle
Publisher: Bloomsbury Publishing USA
ISBN: 0802779786
Category : History
Languages : en
Pages : 433
Book Description
Most Americans don't look far beyond Christopher Columbus when it comes to the discovery of America, yet the simple fact that we bear the name of Amerigo Vespucci suggests there is more to the story. And indeed, there is: a trio of young Italian pioneers who were merchants more than explorers and who, while in search of glory and vast profits, battled to become the first to cross the western ocean. David Boyle reveals in Toward the Setting Sun, that the race for America was as much about commerce as it was about discovery and conquest. When Constantinople fell to the Ottoman Empire in 1453, the long established trade routes to the East became treacherous and expensive forcing merchants of all sorts to find new ways of obtaining and trading their goods. Enterprising young men took to the sea in search of new lands, new routes, and of course, new fortune. The careers of three young men--Columbus, Vespucci and Giovanni Caboto (known to us as John Cabot) would change not only their personal destinies, but that of the New World. Contrary to popular belief, the three not only knew of each other, they were well acquainted--Columbus and Vespucci at various times worked closely together; Cabot and Columbus were born in Genoa about the same time and had common friends who were interested in Western trade possibilities. They collaborated, knew of each other's ambitions and followed each other's progress. The intersection of their dreams and business ventures led the way to our modern world and ushered in the end of the medieval age. David Boyle skillfully brings together for the first time the three stories that shaped the race for America and in doing so adds a unique economic and business dimension to the earliest days of our country.
Publisher: Bloomsbury Publishing USA
ISBN: 0802779786
Category : History
Languages : en
Pages : 433
Book Description
Most Americans don't look far beyond Christopher Columbus when it comes to the discovery of America, yet the simple fact that we bear the name of Amerigo Vespucci suggests there is more to the story. And indeed, there is: a trio of young Italian pioneers who were merchants more than explorers and who, while in search of glory and vast profits, battled to become the first to cross the western ocean. David Boyle reveals in Toward the Setting Sun, that the race for America was as much about commerce as it was about discovery and conquest. When Constantinople fell to the Ottoman Empire in 1453, the long established trade routes to the East became treacherous and expensive forcing merchants of all sorts to find new ways of obtaining and trading their goods. Enterprising young men took to the sea in search of new lands, new routes, and of course, new fortune. The careers of three young men--Columbus, Vespucci and Giovanni Caboto (known to us as John Cabot) would change not only their personal destinies, but that of the New World. Contrary to popular belief, the three not only knew of each other, they were well acquainted--Columbus and Vespucci at various times worked closely together; Cabot and Columbus were born in Genoa about the same time and had common friends who were interested in Western trade possibilities. They collaborated, knew of each other's ambitions and followed each other's progress. The intersection of their dreams and business ventures led the way to our modern world and ushered in the end of the medieval age. David Boyle skillfully brings together for the first time the three stories that shaped the race for America and in doing so adds a unique economic and business dimension to the earliest days of our country.
The Collected Works of Chögyam Trungpa, Volume 9
Author: Chogyam Trungpa
Publisher: Shambhala Publications
ISBN: 0834841045
Category : Religion
Languages : en
Pages : 898
Book Description
Volume nine includes five books published between 2003 and 2009, a set of cards that present the Shambhala warrior slogans, and eighteen articles and interviews, all from 1983 or earlier. The Collected Works of Chögyam Trungpa brings together in ten volumes the writings of one of the first and most influential and inspirational Tibetan teachers to present Buddhism in the West. Organized by theme, the collection includes full-length books as well as articles, seminar transcripts, poems, plays, and interviews, many of which have never before been available in book form. From memoirs of his escape from Chinese-occupied Tibet to insightful discussions of psychology, mind, and meditation; from original verse and calligraphy to the esoteric lore of tantric Buddhism—the impressive range of Trungpa’s vision, talents, and teachings is showcased in this landmark series. Volume Nine contains an extremely diverse group of teachings. It includes both early and later talks, from an article published in 1966 in India to books published in the new millennium to material from a set of cards that present the Shambhala warrior slogans. The subject matter ranges from Zen to dharma art, from Shambhala politics to Vajrayana buddhadharma. The selected writings in this book are articles from before Chögyam Trungpa’s death in 1987 and include two interviews and several previously unpublished pieces.
Publisher: Shambhala Publications
ISBN: 0834841045
Category : Religion
Languages : en
Pages : 898
Book Description
Volume nine includes five books published between 2003 and 2009, a set of cards that present the Shambhala warrior slogans, and eighteen articles and interviews, all from 1983 or earlier. The Collected Works of Chögyam Trungpa brings together in ten volumes the writings of one of the first and most influential and inspirational Tibetan teachers to present Buddhism in the West. Organized by theme, the collection includes full-length books as well as articles, seminar transcripts, poems, plays, and interviews, many of which have never before been available in book form. From memoirs of his escape from Chinese-occupied Tibet to insightful discussions of psychology, mind, and meditation; from original verse and calligraphy to the esoteric lore of tantric Buddhism—the impressive range of Trungpa’s vision, talents, and teachings is showcased in this landmark series. Volume Nine contains an extremely diverse group of teachings. It includes both early and later talks, from an article published in 1966 in India to books published in the new millennium to material from a set of cards that present the Shambhala warrior slogans. The subject matter ranges from Zen to dharma art, from Shambhala politics to Vajrayana buddhadharma. The selected writings in this book are articles from before Chögyam Trungpa’s death in 1987 and include two interviews and several previously unpublished pieces.
Gender and the Poetics of Excess
Author: Karen Jackson Ford
Publisher: Univ. Press of Mississippi
ISBN: 1617032204
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
The argument posed in this analysis is that the poetic excesses of several major female poets, excesses that have been typically regarded as flaws in their work, are strategies for escaping the inhibiting and sometimes inimical conventions too often imposed on women writers. The forms of excess vary with each poet, but by conceiving of poetic excess in relation to literary decorum, this study establishes a shared motivation for such a strategy. Literary decorum is one instrument a culture employs to constrain its writers. Perhaps it is the most effective because it is the least definable. The excesses discussed here, like the criteria of decorum against which they are perceived, cannot be itemized as an immutable set of traits. Though decorum and excess shift over time and in different cultures, their relationship to one another remains strikingly stable. Thus, nineteenth-century standards for women's writing and late twentieth-century standards bear almost no relation. Emily Dickinson's do not anticipate Gertrude Stein's or Sylvia Plath's or Ntozake Shange's. Yet the charges of indecorousness leveled at these women poets repeat a fixed set of abstract grievances. Dickinson, Stein, Plath, Jayne Cortez, and Shange all engage in a poetics of excess as a means of rejecting the limitations and conventions of “female writing” that the larger culture imposes on them. In resisting conventions for feminine writing, these poets developed radical new poetries, yet their work was typically criticized or dismissed as excessive. Thus, Dickinson's form is classified as hysterical, and her figures tortured. Stein's works are called repetitive and nonsensical. Plath's tone is accused of being at once virulent and confessional, Cortez's poems violent and vulgar, Shange's work vengeful and self-righteous. The publishing history of these poets demonstrates both the opposition to such an aesthetic and the necessity for it.
Publisher: Univ. Press of Mississippi
ISBN: 1617032204
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
The argument posed in this analysis is that the poetic excesses of several major female poets, excesses that have been typically regarded as flaws in their work, are strategies for escaping the inhibiting and sometimes inimical conventions too often imposed on women writers. The forms of excess vary with each poet, but by conceiving of poetic excess in relation to literary decorum, this study establishes a shared motivation for such a strategy. Literary decorum is one instrument a culture employs to constrain its writers. Perhaps it is the most effective because it is the least definable. The excesses discussed here, like the criteria of decorum against which they are perceived, cannot be itemized as an immutable set of traits. Though decorum and excess shift over time and in different cultures, their relationship to one another remains strikingly stable. Thus, nineteenth-century standards for women's writing and late twentieth-century standards bear almost no relation. Emily Dickinson's do not anticipate Gertrude Stein's or Sylvia Plath's or Ntozake Shange's. Yet the charges of indecorousness leveled at these women poets repeat a fixed set of abstract grievances. Dickinson, Stein, Plath, Jayne Cortez, and Shange all engage in a poetics of excess as a means of rejecting the limitations and conventions of “female writing” that the larger culture imposes on them. In resisting conventions for feminine writing, these poets developed radical new poetries, yet their work was typically criticized or dismissed as excessive. Thus, Dickinson's form is classified as hysterical, and her figures tortured. Stein's works are called repetitive and nonsensical. Plath's tone is accused of being at once virulent and confessional, Cortez's poems violent and vulgar, Shange's work vengeful and self-righteous. The publishing history of these poets demonstrates both the opposition to such an aesthetic and the necessity for it.
Blazing Star, Setting Sun
Author: Jeffrey Cox
Publisher: Bloomsbury Publishing
ISBN: 1472840453
Category : History
Languages : en
Pages : 529
Book Description
From popular Pacific Theatre expert Jeffrey R. Cox comes this insightful new history of the critical Guadalcanal and Solomons campaign at the height of World War II. Cox's previous book, Morning Star, Rising Sun, had found the US Navy at its absolute nadir and the fate of the Enterprise, the last operational US aircraft carrier at this point in the war, unknown. This second volume completes the history of this crucial campaign, combining detailed research with a novelist's flair for the dramatic to reveal exactly how, despite missteps and misfortunes, the tide of war finally turned. By the end of February 1944, thanks to hard-fought and costly American victories in the first and second naval battles of Guadalcanal, the battle of Empress Augusta Bay, and the battle of Cape St George, the Japanese would no longer hold the materiel or skilled manpower advantage. From this point on, although the war was still a long way from being won, the American star was unquestionably on the ascendant, slowly, but surely, edging Japanese imperialism towards its sunset. Jeffrey Cox's analysis and attention to detail of even the smallest events are second to none. But what truly sets this book apart is how he combines this microscopic attention to detail, often unearthing new facts along the way, with an engaging style that transports the reader to the heart of the story, bringing the events on the deep blue of the Pacific vividly to life.
Publisher: Bloomsbury Publishing
ISBN: 1472840453
Category : History
Languages : en
Pages : 529
Book Description
From popular Pacific Theatre expert Jeffrey R. Cox comes this insightful new history of the critical Guadalcanal and Solomons campaign at the height of World War II. Cox's previous book, Morning Star, Rising Sun, had found the US Navy at its absolute nadir and the fate of the Enterprise, the last operational US aircraft carrier at this point in the war, unknown. This second volume completes the history of this crucial campaign, combining detailed research with a novelist's flair for the dramatic to reveal exactly how, despite missteps and misfortunes, the tide of war finally turned. By the end of February 1944, thanks to hard-fought and costly American victories in the first and second naval battles of Guadalcanal, the battle of Empress Augusta Bay, and the battle of Cape St George, the Japanese would no longer hold the materiel or skilled manpower advantage. From this point on, although the war was still a long way from being won, the American star was unquestionably on the ascendant, slowly, but surely, edging Japanese imperialism towards its sunset. Jeffrey Cox's analysis and attention to detail of even the smallest events are second to none. But what truly sets this book apart is how he combines this microscopic attention to detail, often unearthing new facts along the way, with an engaging style that transports the reader to the heart of the story, bringing the events on the deep blue of the Pacific vividly to life.
365 Bedtime Stories for Kids
Author: Emma Landon
Publisher: XinXii
ISBN: 3989115219
Category : Juvenile Fiction
Languages : en
Pages : 728
Book Description
In this captivating collection of bedtime stories, young readers will embark on a journey through 365 delightful tales, each designed to inspire imagination and fill their dreams with wonder. From brave knights and adventurous pirates to curious creatures and intergalactic explorations, this book offers a magical story for every night of the year. Share the joy of reading with your little ones as they embark on a new adventure every night before they drift off to sleep. Say goodbye to restless nights and enchanted dreams with these heartwarming and age-appropriate stories. Let the bedtime ritual become a treasured bonding experience between parents and children as you dive into the world of endless imagination and joy together.
Publisher: XinXii
ISBN: 3989115219
Category : Juvenile Fiction
Languages : en
Pages : 728
Book Description
In this captivating collection of bedtime stories, young readers will embark on a journey through 365 delightful tales, each designed to inspire imagination and fill their dreams with wonder. From brave knights and adventurous pirates to curious creatures and intergalactic explorations, this book offers a magical story for every night of the year. Share the joy of reading with your little ones as they embark on a new adventure every night before they drift off to sleep. Say goodbye to restless nights and enchanted dreams with these heartwarming and age-appropriate stories. Let the bedtime ritual become a treasured bonding experience between parents and children as you dive into the world of endless imagination and joy together.