Author: Jean-Baptiste Du Bos
Publisher: BRILL
ISBN: 9004465944
Category : Philosophy
Languages : en
Pages : 837
Book Description
Jean-Baptiste Du Bos’ Critical Reflections on Poetry and Painting, first published in French in 1719, is one of the seminal works of modern aesthetics. Du Bos rejected the seventeenth-century view that works of art are assessed by reason. Instead, he believed, audience members have sentiments in response to artworks. Their sentiments are fainter versions of those they would feel in response to actually seeing what the work of art imitates. Du Bos was influenced by John Locke’s empiricism and, in turn, had a major impact on virtually every major eighteenth-century contributor to philosophy of art, including Voltaire, Montesquieu, Diderot, Rousseau, Herder, Lessing, Mendelssohn, Kames, Gerard, and Hume. This is the first modern, annotated and scholarly edition of the Critical Reflections in any language.
Critical Reflections on Poetry and Painting (2 vols.)
Author: Jean-Baptiste Du Bos
Publisher: BRILL
ISBN: 9004465944
Category : Philosophy
Languages : en
Pages : 837
Book Description
Jean-Baptiste Du Bos’ Critical Reflections on Poetry and Painting, first published in French in 1719, is one of the seminal works of modern aesthetics. Du Bos rejected the seventeenth-century view that works of art are assessed by reason. Instead, he believed, audience members have sentiments in response to artworks. Their sentiments are fainter versions of those they would feel in response to actually seeing what the work of art imitates. Du Bos was influenced by John Locke’s empiricism and, in turn, had a major impact on virtually every major eighteenth-century contributor to philosophy of art, including Voltaire, Montesquieu, Diderot, Rousseau, Herder, Lessing, Mendelssohn, Kames, Gerard, and Hume. This is the first modern, annotated and scholarly edition of the Critical Reflections in any language.
Publisher: BRILL
ISBN: 9004465944
Category : Philosophy
Languages : en
Pages : 837
Book Description
Jean-Baptiste Du Bos’ Critical Reflections on Poetry and Painting, first published in French in 1719, is one of the seminal works of modern aesthetics. Du Bos rejected the seventeenth-century view that works of art are assessed by reason. Instead, he believed, audience members have sentiments in response to artworks. Their sentiments are fainter versions of those they would feel in response to actually seeing what the work of art imitates. Du Bos was influenced by John Locke’s empiricism and, in turn, had a major impact on virtually every major eighteenth-century contributor to philosophy of art, including Voltaire, Montesquieu, Diderot, Rousseau, Herder, Lessing, Mendelssohn, Kames, Gerard, and Hume. This is the first modern, annotated and scholarly edition of the Critical Reflections in any language.
CRITICAL REFLECTIONS ON POETRY, PAINTING AND MUSIC
Author: abbé Dubos (Jean-Baptiste)
Publisher:
ISBN:
Category : Music
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages :
Book Description
The Cambridge History of Literary Criticism: Volume 4, The Eighteenth Century
Author: H. B. Nisbet
Publisher: Cambridge University Press
ISBN: 9780521317207
Category : Literary Criticism
Languages : en
Pages : 978
Book Description
This is a comprehensive 1997 account of the history of literary criticism in Britain and Europe between 1660 and 1800. Unlike previous histories, it is not just a chronological survey of critical writing, but a multidisciplinary investigation of how the understanding of literature and its various genres was transformed, at the start of the modern era, by developments in philosophy, psychology, the natural sciences, linguistics, and other disciplines, as well as in society at large. In the process, modern literary theory - at first often implicit in literary texts themselves - emancipated itself from classical poetics and rhetoric, and literary criticism emerged as a full-time professional activity catering for an expanding literate public. The volume is international both in coverage and in authorship. Extensive bibliographies provide guidance for further specialised study.
Publisher: Cambridge University Press
ISBN: 9780521317207
Category : Literary Criticism
Languages : en
Pages : 978
Book Description
This is a comprehensive 1997 account of the history of literary criticism in Britain and Europe between 1660 and 1800. Unlike previous histories, it is not just a chronological survey of critical writing, but a multidisciplinary investigation of how the understanding of literature and its various genres was transformed, at the start of the modern era, by developments in philosophy, psychology, the natural sciences, linguistics, and other disciplines, as well as in society at large. In the process, modern literary theory - at first often implicit in literary texts themselves - emancipated itself from classical poetics and rhetoric, and literary criticism emerged as a full-time professional activity catering for an expanding literate public. The volume is international both in coverage and in authorship. Extensive bibliographies provide guidance for further specialised study.
A Catalogue of the Genuine Library of Mr. Thomas Allen Barnard
Author: Thomas and John Egerton (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
A catalogue of books
Author: Thomas and John Egerton
Publisher:
ISBN:
Category :
Languages : en
Pages : 908
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 908
Book Description
Geography of the Gaze
Author: Renzo Dubbini
Publisher: University of Chicago Press
ISBN: 0226167372
Category : Art
Languages : en
Pages : 268
Book Description
Geography of the Gaze offers a new history and theory of how the way we look at things influences what we see. Focusing on Western Europe from the seventeenth to nineteenth centuries, Renzo Dubbini shows how developments in science, art, mapping, and visual epistemology affected the ways natural and artificial landscapes were perceived and portrayed. He begins with the idea of the "view," explaining its role in the invention of landscape painting and in the definition of landscape as a cultural space. Among other topics, Dubbini explores how the descriptive and pictorial techniques used in mariners' charts, view-oriented atlases, military cartography, and garden design were linked to the proliferation of highly realistic paintings of landscapes and city scenes; how the "picturesque" system for defining and composing landscapes affected not just art but also archaeology and engineering; and how the ever-changing modern cityscapes inspired new ways of seeing and representing the urban scene in Impressionist painting, photography, and stereoscopy. A marvelous history of viewing, Geography of the Gaze will interest everyone from scientists to artists.
Publisher: University of Chicago Press
ISBN: 0226167372
Category : Art
Languages : en
Pages : 268
Book Description
Geography of the Gaze offers a new history and theory of how the way we look at things influences what we see. Focusing on Western Europe from the seventeenth to nineteenth centuries, Renzo Dubbini shows how developments in science, art, mapping, and visual epistemology affected the ways natural and artificial landscapes were perceived and portrayed. He begins with the idea of the "view," explaining its role in the invention of landscape painting and in the definition of landscape as a cultural space. Among other topics, Dubbini explores how the descriptive and pictorial techniques used in mariners' charts, view-oriented atlases, military cartography, and garden design were linked to the proliferation of highly realistic paintings of landscapes and city scenes; how the "picturesque" system for defining and composing landscapes affected not just art but also archaeology and engineering; and how the ever-changing modern cityscapes inspired new ways of seeing and representing the urban scene in Impressionist painting, photography, and stereoscopy. A marvelous history of viewing, Geography of the Gaze will interest everyone from scientists to artists.
Europe and the British Geographical Imagination, 1760-1830
Author: Paul Stock
Publisher:
ISBN: 0198807112
Category : History
Languages : en
Pages : 343
Book Description
Europe and the British Geographical Imagination, 1760-1830 explores what literate Britons of the period understood about 'Europe', focussing on key themes which shaped ideas about the continent, including religion, the natural environment, race, the state, borders, commerce, empire, and ideas about the past, progress, and historical change.
Publisher:
ISBN: 0198807112
Category : History
Languages : en
Pages : 343
Book Description
Europe and the British Geographical Imagination, 1760-1830 explores what literate Britons of the period understood about 'Europe', focussing on key themes which shaped ideas about the continent, including religion, the natural environment, race, the state, borders, commerce, empire, and ideas about the past, progress, and historical change.
Sale
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1662
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1662
Book Description
A catalogue of rare, splendid, and valuable books; including the entire libraries of H. Spragg; also of H. Putman. The sale will begin Feb. 19, 1798
Author: John White (bookseller.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 360
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 360
Book Description