Critical Race Theory and Jordan Peele's Get Out PDF Download

Author: Kevin Wynter
Publisher: Bloomsbury Publishing USA
ISBN: 1501351303
Category : Performing Arts
Languages : en
Pages : 201

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Book Description
This book provides a concise introduction to critical race theory and shows how this theory can be used to interpret Jordan Peele's Get Out. It surveys recent developments in critical race studies and introduces key concepts that have helped shape the field such as Black masculinity, white privilege, the Black body, and miscegenation. The book's analysis of Get Out situates it within the context of the American horror film, illustrating how contemporary debates in critical race theory and approaches to the analysis of mainstream Hollywood cinema can illuminate each other. In this way, the book provides both an accessible reference guide to key terminology in critical race studies and film studies, while contributing new scholarship to both fields.

Author: Dawn Keetley
Publisher: New Suns: Race, Gender, and Se
ISBN: 9780814255803
Category : Literary Criticism
Languages : en
Pages : 254

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Book Description
Essays explore Get Out's roots in the horror tradition and its complex and timely commentary on twenty-first-century US race relations.

Author: Aph Ko
Publisher:
ISBN: 9781590565964
Category : Performing Arts
Languages : en
Pages : 168

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Book Description
"In this book, Aph Ko examines the mainstream animal rights and anti-racist movements in an effort to explain why tension exists between the two. She offers possible resolutions, and explores how such tensions represent a symptom of a deeper societal problem. Framed as a "starter guide" for having conversations on race and animals, Racism as Zoological Witchcraft draws upon television shows and films such as Jordan Peele's Get Out, Netflix's Santa Clarita Diet, and ABC's The Bachelor franchise to demonstrate how one can use media and cultural studies to provide new ways of thinking about complex social phenomena. Drawing upon Claire Jean Kim's zoological race theory and James W. Perkinson's European race discourse as witchcraft scholarship, Racism as Zoological Witchcraft concludes that white supremacy functions as a form of zoological witchcraft, a pervasive force that thrives off of metabolizing nonhuman souls. In re-framing white supremacy as a consumptive, cannibalistic force, only then can we re-imagine how Black bodies and animal bodies are used as vehicles to fulfill the racialized power fantasies of the dominant class. This book poses a crucial question: What is the interplay between the ideological and economic consumption of Blackness (both historical and contemporary) and the conception of animals as consumable entities in American society? In Racism as Zoological Witchcraft, Aph Ko argues that in order to "get out" of a problematic system, we have to thoroughly understand how we got in"--

Author: Isabel González-Díaz
Publisher: Taylor & Francis
ISBN: 1000998207
Category : Literary Criticism
Languages : en
Pages : 182

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Book Description
This book offers the analysis of a selection of North American texts that dismantle and resist normative frames through the resignification of concepts such as unhappiness, precarity, failure, and vulnerability. The chapters bring to the fore how those potentially negative elements can be refigured as ambivalent sites of resistance and social bonding. Following Sara Ahmed’s rereading of happiness, other authors such as Judith Butler, Wendy Brown, Jack Halberstam, Lauren Berlant, or Henry Giroux are mobilized to interrogate films, memoirs, and novels that deal with precarity, alienation, and inequality. The monograph contributes to enlarging the archives of unhappiness by changing the focus from prescribed norms and happy endings to unruly practices and unhappy beginnings. As the different contributors show, unhappiness, precarity, vulnerability, or failure can be harnessed to illuminate ways of navigating the world and framing society that do not necessarily conform to the script of happiness—whatever that means.

Author: Krista S. Gehring
Publisher: Rowman & Littlefield
ISBN: 1666946710
Category : Performing Arts
Languages : en
Pages : 265

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Book Description
This book examines horror films through a critical criminological lens. Each chapter considers how the genre impacts audiences and their understanding of topics like place, crime, and identity.

Author: Russell Meeuf
Publisher: Indiana University Press
ISBN: 0253060397
Category : Art
Languages : en
Pages : 227

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Book Description
What kinds of terror lurk beneath the surface of White respectability? Many of the top-grossing US horror films between 2008 and 2016 relied heavily on themes of White, patriarchal fear and fragility: outsiders disrupting the sanctity of the almost always White family, evil forces or transgressive ideas transforming loved ones, and children dying when White women eschew traditional maternal roles. Horror film has a long history of radical, political commentary, and Russell Meeuf reveals how racial resentments represented specifically in horror films produced during the Obama era gave rise to the Trump presidency and the Make America Great Again movement. Featuring films such as The Conjuring and Don't Breathe, White Terror explores how motifs of home invasion, exorcism, possession, and hauntings mirror cultural debates around White masculinity, class, religion, socioeconomics, and more. In the vein of Jordan Peele, White Terror exposes how White mainstream fear affects the horror film industry, which in turn cashes in on that fear and draws voters to candidates like Trump.

Author: David Kyle Johnson
Publisher: John Wiley & Sons
ISBN: 1118072634
Category : Philosophy
Languages : en
Pages : 400

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Book Description
A philosophical look at the movie Inception and its brilliant metaphysical puzzles Is the top still spinning? Was it all a dream? In the world of Christopher Nolan's four-time Academy Award-winning movie, people can share one another's dreams and alter their beliefs and thoughts. Inception is a metaphysical heist film that raises more questions than it answers: Can we know what is real? Can you be held morally responsible for what you do in dreams? What is the nature of dreams, and what do they tell us about the boundaries of "self" and "other"? From Plato to Aristotle and from Descartes to Hume, Inception and Philosophy draws from important philosophical minds to shed new light on the movie's captivating themes, including the one that everyone talks about: did the top fall down (and does it even matter)? Explores the movie's key questions and themes, including how we can tell if we're dreaming or awake, how to make sense of a paradox, and whether or not inception is possible Gives new insights into the nature of free will, time, dreams, and the unconscious mind Discusses different interpretations of the film, and whether or not philosophy can help shed light on which is the "right one" Deepens your understanding of the movie's multi-layered plot and dream-infiltrating characters, including Dom Cobb, Arthur, Mal, Ariadne, Eames, Saito, and Yusuf An essential companion for every dedicated Inception fan, this book will enrich your experience of the Inception universe and its complex dreamscape.

Author: Jamil Mustafa
Publisher: University of Wales Press
ISBN: 1786839997
Category : Performing Arts
Languages : en
Pages : 272

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Book Description
· This book is the first to focus upon Blaxploitation horror films, and the first to link these films with both mainstream horror films and classic Gothic novels and stories. · This book provides readers with innovative and thought-provoking analyses of Blaxploitation horror films, conventional horror films, and major works of Gothic fiction. · It considers how Blaxploitation horror films of the 1970s addressed issues of deep concern to their contemporary audiences, including not only racism and the Black Power movement, but also women’s and gay rights, the status of the African American family, the role of religion, and relations between the community and the police.

Author: Lauren Michele Jackson
Publisher: Beacon Press
ISBN: 0807011800
Category : Social Science
Languages : en
Pages : 202

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Book Description
Exposes the new generation of whiteness thriving at the expense and borrowed ingenuity of black people—and explores how this intensifies racial inequality. American culture loves blackness. From music and fashion to activism and language, black culture constantly achieves worldwide influence. Yet, when it comes to who is allowed to thrive from black hipness, the pioneers are usually left behind as black aesthetics are converted into mainstream success—and white profit. Weaving together narrative, scholarship, and critique, Lauren Michele Jackson reveals why cultural appropriation—something that’s become embedded in our daily lives—deserves serious attention. It is a blueprint for taking wealth and power, and ultimately exacerbates the economic, political, and social inequity that persists in America. She unravels the racial contradictions lurking behind American culture as we know it—from shapeshifting celebrities and memes gone viral to brazen poets, loveable potheads, and faulty political leaders. An audacious debut, White Negroes brilliantly summons a re-interrogation of Norman Mailer’s infamous 1957 essay of a similar name. It also introduces a bold new voice in Jackson. Piercing, curious, and bursting with pop cultural touchstones, White Negroes is a dispatch in awe of black creativity everywhere and an urgent call for our thoughtful consumption.

Author: Helga Druxes
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Art
Languages : en
Pages : 257

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Book Description
Western neoliberalism is a predatory outgrowth of late capitalism that overvalues competition, transferring the laws of the market to human relationships. This book advances the argument that anti-neoliberal cinemas of Europe, the United States, and the Russian Federation imagine and visualize alternatives to the non-sovereign realities of a neoliberal workplace that unequivocally endorses dangerous risk-taking, self-optimizing neoliberal subjects, and corporate 'entrepreneurs of self.' Always at stake in the examination of neoliberalism's consequences is a human being who is indexed by race, gender, nation, ability, and economic performance. Drawing on film theory, transnational social histories, critical race theory, and Marxist and Foucauldian interpretive models, this book rediscovers a cinema that imagines a social contract focused on the common good and ethical standards for the social state. Anti-neoliberal cinema empowers the viewer as agentive through narratives that detail resistance to Western neoliberal modes of living and working. These filmmakers dramatize the labor of making solidarity across different groups.