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Author: John D. Lyons Publisher: Oxford University Press ISBN: 019067847X Category : Literary Criticism Languages : en Pages : 907
Book Description
Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term âBaroque,â the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankindâs view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.
Author: John D. Lyons Publisher: Oxford University Press ISBN: 019067847X Category : Literary Criticism Languages : en Pages : 907
Book Description
Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term âBaroque,â the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankindâs view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.
Author: Paul Tyson Publisher: Wipf and Stock Publishers ISBN: 1666733407 Category : Philosophy Languages : en Pages : 261
Book Description
Science can reveal or conceal the breathtaking wonders of creation. On one hand, knowledge of the natural world can open us up to greater love for the Creator, give us the means of more neighborly care, and fill us with ever-deepening astonishment. On the other hand, knowledge feeding an insatiable hunger for epistemic mastery can become a means of idolatry, hubris, and damage. Crucial to world-respecting science is the role of wonder: curiosity, perplexity, and astonishment. In this volume, philosopher William Desmond explores the relation of the different modes of wonder to modern science. Responding to his thought are twelve thinkers across the domains of science, theology, philosophy, law, poetry, medicine, sociology, and art restoration. Introduction —Paul Tyson The Dearth of Astonishment: On Curiosity, Scientism, and Thinking as Negativity —William Desmond Preparing to Paint the Virgin’s Robe —Spike Bucklow Cultivating Wonder —Steven Knepper The Astonishment of Philosophy: William Desmond and Isabelle Stengers —Simone Kotva 5. Astonishment and the Social Sciences —Paul Tyson Curiosity, Perplexity, and Astonishment in the Natural Sciences —Andrew Davison Scientism as the Dearth of the Nothing —Richard J. Colledge The Determinations of Medicine and the Too-Muchness of Being —Jeffrey Bishop Attending to Infinitude: Law as in-between the Overdeterminate and Practical Judgment —Jonathan Horton Life’s Wonder —Simon Oliver Being in Control —Michael Hanby Wondering about the Science/Scientism Distinction —D. C. Schindler Basil and Desmond on Wonder and the Astonishing Return of Christian Metaphysics —Isidoros C. Katsos The Children of Wonder: On Scientism and Its Changelings —William Desmond
Author: Benedikt M. Orlowski Publisher: transcript Verlag ISBN: 383945512X Category : Social Science Languages : en Pages : 279
Book Description
People experience disasters very differently. Conflicts about a »correct« interpretation of the risks might arise. The side-by-side of different truths lead to people seeing mismanagement and disinformation. The volcanic crisis of El Hierro shows how rivalling interpretations amongst affected islanders, the media, sciences, and disaster response institutions cause great social tensions and scepticism towards scientific information. Thus, to fully understand disaster risk, the focus must shift to the rifts between established convictions and the individuals' creativity to overcome them, taking into account their embeddedness in various fields of practice, each with their own rationales and ruptures.
Author: James J. Wirtz Publisher: Routledge ISBN: 1317375726 Category : Political Science Languages : en Pages : 271
Book Description
This collection, comprising key works by James J. Wirtz, explains how different threat perceptions can lead to strategic surprise attack, intelligence failure and the failure of deterrence. This volume adopts a strategist’s view of the issue of surprise and intelligence failure by placing these phenomena in the context of conflict between strong and weak actors in world affairs. A two-level theory explains the incentives and perceptions of both parties when significant imbalances of military power exist between potential combatants, and how this situation sets the stage for strategic surprise and intelligence failure to occur. The volume illustrates this theory by applying it to the Kargil Crisis, attacks launched by non-state actors, and by offering a comparison of Pearl Harbor and the September 11, 2001 attacks. It explores the phenomenon of deterrence failure; specifically, how weaker parties in an enduring or nascent conflict come to believe that deterrent threats posed by militarily stronger antagonists will be undermined by various constraints, increasing the attractiveness of utilising surprise attack to achieve their objectives. This work also offers strategies that could mitigate the occurrence of intelligence failure, strategic surprise and the failure of deterrence. This book will be of much interest to students of intelligence studies, strategic studies, security studies and IR in general.
Author: Adam Parkes Publisher: Oxford University Press ISBN: 0195383818 Category : Art Languages : en Pages : 303
Book Description
What does modern British and Irish literature have to do with French impressionist painting? And what does Henry James have to do with the legal dispute between John Ruskin and J.M.W. Whistler? What links Walter Pater with Conrad's portrait of a genocidal maniac in Heart of Darkness? Or George Moore with Irish nationalism, Virginia Woolf with modern distraction, and Ford Madox Ford with the Great Depression?Adam Parkes argues that we must answer such questions if we are to appreciate the full impact of impressionist aesthetics on modern British and Irish writers. Complicating previous accounts of the influence of painting and philosophy on literary impressionism, A Sense of Shock highlights the role of politics, uncovering new and deeper linkages. In the hands of such practitioners as Conrad, Ford, James, Moore, Pater, and Woolf, literary impressionism was shaped by its engagement with important social issues and political events that defined the modern age. As Parkes demonstrates, the formal and stylistic practices that distinguish impressionist writing were the result of dynamic and often provocative interactions between aesthetic and historical factors.Parkes ultimately suggests that it was through this incendiary combination of aesthetics and history that impressionist writing forced significant change on the literary culture of its time. A Sense of Shock will appeal to students and scholars of nineteenth- and twentieth-century literature, as well as the growing readership for books that explore problems of literary history and interdisciplinarity.
Author: Stephen J. Rojcewicz, Jr. Publisher: Routledge ISBN: 1000480747 Category : History Languages : en Pages : 178
Book Description
This book delineates how Thornton Wilder (1897–1975), a learned playwright and novelist, embeds himself within the classical tradition, integrating Greek and Roman motifs with a wide range of sources to produce heart-breaking masterpieces such as Our Town and comedy sensations such as Dolly Levi. Through this study of archival sources and close reading, readers will understand Wilder’s avant-garde staging and innovative time sequences not as a break with the past, but as a response to the classics. The author traces the genesis of unforgettable characters like Dolly Levi in The Matchmaker, Emily Webb in Our Town, and George Antrobus in The Skin of Our Teeth. Vergil’s expression, "Here are the tears of the world, and human matters touch the heart" haunts Wilder’s oeuvre. Understanding Vergil’s phrase as "tears for the beauty of the world," Wilder utilizes scenes depicting the beauty of the world and the sorrow when individuals recognize this too late. Wilder exhorts us to observe lovingly, alert to the wonder of the everyday. This work will appeal to actors and directors, professors and students in classics and in American literature, those fascinated by modern drama and performance studies, and non-specialists, theatre-goers, and readers in the general public.
Author: Richard Langston Publisher: V&R Unipress ISBN: 9783847116646 Category : Art Languages : de Pages : 0
Book Description
Romantic picture books. Stage designs inspired by Spinoza. A.I. imagined scenes from the early modern period. What the narrative perspective cannot achieve, Alexander Kluge has recently displaced on to the peculiar logic of the images. Volume 9 of the Alexander Kluge-Jahrbuch begins with a compilation of his most recent works, the images of which express astonishment at the public crises of the 21st century. Kluge's astonishment--whether in the form of animals photographed in war zones, the clash of physical opposites on screens and stages, or machine-generated invisibility on screens--is a constant challenge to our capacity for differentiation. In addition to dialogues with painter Katharina Grosse and poet Ben Lerner, the volume includes a cluster of essays on decolonialism as well as other scholarly contributions on related topics such as technology, iconoclasm, the political and the labor of theory.
Author: Richard K. Betts Publisher: Routledge ISBN: 1135759650 Category : History Languages : en Pages : 236
Book Description
Part of a three part collection in honour of the teachings of Michael I. Handel, one of the foremost strategists of the late 20th century, this collection explores the paradoxes of intelligence analysis, surprise and deception from both historical and theoretical perspectives.
Author: John D. Lyons
Author: John D. Lyons
Author: Paul Tyson
Author: Benedikt M. Orlowski
Author: James J. Wirtz
Author: Emil Reich
Author: Adam Parkes
Author: Stephen J. Rojcewicz, Jr.
Author: Richard Langston
Author: Richard K. Betts
Author: