Author: Stephen Knight
Publisher: Bloomsbury Publishing
ISBN: 1350309575
Category : Fiction
Languages : en
Pages : 365
Book Description
Since its appearance nearly two centuries ago, crime fiction has gripped readers' imaginations around the world. Detectives have varied enormously: from the nineteenth-century policemen (and a few women), through stars like Sherlock Holmes and Miss Marple, to newly self-aware voices of the present - feminist, African American, lesbian, gay, postcolonial and postmodern. Stephen Knight's fascinating book is a comprehensive analytic survey of crime fiction from its origins in the nineteenth century to the present day. Knight explains how and why the various forms of the genre have evolved, explores a range of authors and movements, and argues that the genre as a whole has three parts – the early development of Detection, the growing emphasis on Death, and the modern celebration of Diversity. The expanded second edition has been thoroughly updated in the light of recent research and new developments, such as ethnic crime fiction, the rise of thrillers in the serial-killer and urban collapse modes, and feel-good 'cozies'. It also explores a number of fictional works which have been published in the last few years and features a helpful glossary. With full references, and written in a highly engaging style, this remains the essential short guide for readers of crime fiction everywhere!
Crime Fiction since 1800
Author: Stephen Knight
Publisher: Bloomsbury Publishing
ISBN: 1350309575
Category : Fiction
Languages : en
Pages : 365
Book Description
Since its appearance nearly two centuries ago, crime fiction has gripped readers' imaginations around the world. Detectives have varied enormously: from the nineteenth-century policemen (and a few women), through stars like Sherlock Holmes and Miss Marple, to newly self-aware voices of the present - feminist, African American, lesbian, gay, postcolonial and postmodern. Stephen Knight's fascinating book is a comprehensive analytic survey of crime fiction from its origins in the nineteenth century to the present day. Knight explains how and why the various forms of the genre have evolved, explores a range of authors and movements, and argues that the genre as a whole has three parts – the early development of Detection, the growing emphasis on Death, and the modern celebration of Diversity. The expanded second edition has been thoroughly updated in the light of recent research and new developments, such as ethnic crime fiction, the rise of thrillers in the serial-killer and urban collapse modes, and feel-good 'cozies'. It also explores a number of fictional works which have been published in the last few years and features a helpful glossary. With full references, and written in a highly engaging style, this remains the essential short guide for readers of crime fiction everywhere!
Publisher: Bloomsbury Publishing
ISBN: 1350309575
Category : Fiction
Languages : en
Pages : 365
Book Description
Since its appearance nearly two centuries ago, crime fiction has gripped readers' imaginations around the world. Detectives have varied enormously: from the nineteenth-century policemen (and a few women), through stars like Sherlock Holmes and Miss Marple, to newly self-aware voices of the present - feminist, African American, lesbian, gay, postcolonial and postmodern. Stephen Knight's fascinating book is a comprehensive analytic survey of crime fiction from its origins in the nineteenth century to the present day. Knight explains how and why the various forms of the genre have evolved, explores a range of authors and movements, and argues that the genre as a whole has three parts – the early development of Detection, the growing emphasis on Death, and the modern celebration of Diversity. The expanded second edition has been thoroughly updated in the light of recent research and new developments, such as ethnic crime fiction, the rise of thrillers in the serial-killer and urban collapse modes, and feel-good 'cozies'. It also explores a number of fictional works which have been published in the last few years and features a helpful glossary. With full references, and written in a highly engaging style, this remains the essential short guide for readers of crime fiction everywhere!
The Origins of the American Detective Story
Author: LeRoy Lad Panek
Publisher: McFarland
ISBN: 0786481382
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
Edgar Allan Poe essentially invented the detective story in 1841 with Murders in the Rue Morgue. In the years that followed, however, detective fiction in America saw no significant progress as a literary genre. Much to the dismay of moral crusaders like Anthony Comstock, dime novels and other sensationalist publications satisfied the public's hunger for a yarn. Things changed as the century waned, and eventually the detective was reborn as a figure of American literature. In part these changes were due to a combination of social conditions, including the rise and decline of the police as an institution; the parallel development of private detectives; the birth of the crusading newspaper reporter; and the beginnings of forensic science. Influential, too, was the new role model offered by a wildly popular British import named Sherlock Holmes. Focusing on the late 19th century and early 20th, this volume covers the formative years of American detective fiction. Instructors considering this book for use in a course may request an examination copy here.
Publisher: McFarland
ISBN: 0786481382
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
Edgar Allan Poe essentially invented the detective story in 1841 with Murders in the Rue Morgue. In the years that followed, however, detective fiction in America saw no significant progress as a literary genre. Much to the dismay of moral crusaders like Anthony Comstock, dime novels and other sensationalist publications satisfied the public's hunger for a yarn. Things changed as the century waned, and eventually the detective was reborn as a figure of American literature. In part these changes were due to a combination of social conditions, including the rise and decline of the police as an institution; the parallel development of private detectives; the birth of the crusading newspaper reporter; and the beginnings of forensic science. Influential, too, was the new role model offered by a wildly popular British import named Sherlock Holmes. Focusing on the late 19th century and early 20th, this volume covers the formative years of American detective fiction. Instructors considering this book for use in a course may request an examination copy here.
The Devil in the Marshalsea
Author: Antonia Hodgson
Publisher: Houghton Mifflin Harcourt
ISBN: 0544176677
Category : Fiction
Languages : en
Pages : 401
Book Description
The first thrilling historical crime novel starring Thomas Hawkins, a rakish scoundel with a heart of gold, set in the darkest debtors' prison in Georgian London, where people fall dead as quickly as they fall in love and no one is as they seem.
Publisher: Houghton Mifflin Harcourt
ISBN: 0544176677
Category : Fiction
Languages : en
Pages : 401
Book Description
The first thrilling historical crime novel starring Thomas Hawkins, a rakish scoundel with a heart of gold, set in the darkest debtors' prison in Georgian London, where people fall dead as quickly as they fall in love and no one is as they seem.
Murder on Astor Place
Author: Victoria Thompson
Publisher: Penguin
ISBN: 9780425168967
Category : Fiction
Languages : en
Pages : 292
Book Description
The first novel in the national bestselling Gaslight Mystery series introduces Sarah Brandt, a midwife in the turn-of-the-century tenements of Manhattan who refuses to turn a blind eye to the injustices of the crime-ridden city… After a routine delivery, Sarah visits her patient in a rooming house—and discovers that another boarder, a young girl, has been killed. At the request of Sergeant Frank Malloy, she searches the girl’s room. She discovers that the victim is from one of the most prominent families in New York—and the sister of an old friend. The powerful family, fearful of scandal, refuses to permit an investigation. But with Malloy’s help, Sarah begins a dangerous quest to bring the killer to justice—before death claims another victim...
Publisher: Penguin
ISBN: 9780425168967
Category : Fiction
Languages : en
Pages : 292
Book Description
The first novel in the national bestselling Gaslight Mystery series introduces Sarah Brandt, a midwife in the turn-of-the-century tenements of Manhattan who refuses to turn a blind eye to the injustices of the crime-ridden city… After a routine delivery, Sarah visits her patient in a rooming house—and discovers that another boarder, a young girl, has been killed. At the request of Sergeant Frank Malloy, she searches the girl’s room. She discovers that the victim is from one of the most prominent families in New York—and the sister of an old friend. The powerful family, fearful of scandal, refuses to permit an investigation. But with Malloy’s help, Sarah begins a dangerous quest to bring the killer to justice—before death claims another victim...
The Importance of Place in Contemporary Italian Crime Fiction
Author: Barbara Pezzotti
Publisher: Rowman & Littlefield
ISBN: 161147552X
Category : History
Languages : en
Pages : 223
Book Description
An analysis of the relationship between detective fiction and its setting, this book is the most wide-ranging examination of the way in which Italian detective fiction in the last 20 years has become a means to articulate the changes in the social landscape of the country.
Publisher: Rowman & Littlefield
ISBN: 161147552X
Category : History
Languages : en
Pages : 223
Book Description
An analysis of the relationship between detective fiction and its setting, this book is the most wide-ranging examination of the way in which Italian detective fiction in the last 20 years has become a means to articulate the changes in the social landscape of the country.
Crime Fiction: A Very Short Introduction
Author: Richard Bradford
Publisher: OUP Oxford
ISBN: 0191642703
Category : Literary Criticism
Languages : en
Pages : 153
Book Description
Crime fiction has been one of the most popular genres since the 19th century, but has roots in works as varied as Sophocles, Herodotus, and Shakespeare. In this Very Short Introduction Richard Bradford explores the history of the genre, by considering the various definitions of 'crime fiction' and looking at how it has developed over time. Discussing the popularity of crime fiction worldwide and its various styles; the role that gender plays within the genre; spy fiction, and legal dramas and thrillers; he explores how the crime novel was shaped by the work of British and American authors in the 18th and 19th centuries. Highlighting the works of notorious authors such as Edgar Allan Poe, Conan Doyle, Agatha Christie, and Raymond Chandler — to name but a few — he considers the role of the crime novel in modern popular culture and asks whether we can, and whether we should, consider crime fiction serious 'literature'. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Publisher: OUP Oxford
ISBN: 0191642703
Category : Literary Criticism
Languages : en
Pages : 153
Book Description
Crime fiction has been one of the most popular genres since the 19th century, but has roots in works as varied as Sophocles, Herodotus, and Shakespeare. In this Very Short Introduction Richard Bradford explores the history of the genre, by considering the various definitions of 'crime fiction' and looking at how it has developed over time. Discussing the popularity of crime fiction worldwide and its various styles; the role that gender plays within the genre; spy fiction, and legal dramas and thrillers; he explores how the crime novel was shaped by the work of British and American authors in the 18th and 19th centuries. Highlighting the works of notorious authors such as Edgar Allan Poe, Conan Doyle, Agatha Christie, and Raymond Chandler — to name but a few — he considers the role of the crime novel in modern popular culture and asks whether we can, and whether we should, consider crime fiction serious 'literature'. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
The Invention of Murder
Author: Judith Flanders
Publisher: Macmillan
ISBN: 1250024889
Category : True Crime
Languages : en
Pages : 570
Book Description
"Superb... Flanders's convincing and smart synthesis of the evolution of an official police force, fictional detectives, and real-life cause célèbres will appeal to devotees of true crime and detective fiction alike." -Publishers Weekly, starred review In this fascinating exploration of murder in nineteenth century England, Judith Flanders examines some of the most gripping cases that captivated the Victorians and gave rise to the first detective fiction Murder in the nineteenth century was rare. But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama-even into puppet shows and performing dog-acts. Detective fiction and the new police force developed in parallel, each imitating the other-the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P.D. James and Patricia Cornwell. In this meticulously researched and engrossing book, Judith Flanders retells the gruesome stories of many different types of murder in Great Britain, both famous and obscure: from Greenacre, who transported his dismembered fiancée around town by omnibus, to Burke and Hare's bodysnatching business in Edinburgh; from the crimes (and myths) of Sweeney Todd and Jack the Ripper, to the tragedy of the murdered Marr family in London's East End. Through these stories of murder-from the brutal to the pathetic-Flanders builds a rich and multi-faceted portrait of Victorian society in Great Britain. With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the utterly dangerous, The Invention of Murder is both a mesmerizing tale of crime and punishment, and history at its most readable.
Publisher: Macmillan
ISBN: 1250024889
Category : True Crime
Languages : en
Pages : 570
Book Description
"Superb... Flanders's convincing and smart synthesis of the evolution of an official police force, fictional detectives, and real-life cause célèbres will appeal to devotees of true crime and detective fiction alike." -Publishers Weekly, starred review In this fascinating exploration of murder in nineteenth century England, Judith Flanders examines some of the most gripping cases that captivated the Victorians and gave rise to the first detective fiction Murder in the nineteenth century was rare. But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama-even into puppet shows and performing dog-acts. Detective fiction and the new police force developed in parallel, each imitating the other-the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P.D. James and Patricia Cornwell. In this meticulously researched and engrossing book, Judith Flanders retells the gruesome stories of many different types of murder in Great Britain, both famous and obscure: from Greenacre, who transported his dismembered fiancée around town by omnibus, to Burke and Hare's bodysnatching business in Edinburgh; from the crimes (and myths) of Sweeney Todd and Jack the Ripper, to the tragedy of the murdered Marr family in London's East End. Through these stories of murder-from the brutal to the pathetic-Flanders builds a rich and multi-faceted portrait of Victorian society in Great Britain. With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the utterly dangerous, The Invention of Murder is both a mesmerizing tale of crime and punishment, and history at its most readable.
San Francisco Thrillers
Author: John Miller
Publisher: Chronicle Books (CA)
ISBN:
Category : Fiction
Languages : en
Pages : 276
Book Description
San Francisco is the ideal place for murder, mystery, and malevolence. Far beneath the swinging coils of the Golden Gate Bridge, in a dank set of abandoned prison cells, a strange caretaker with evil intentions plots his nefarious deeds. Atop the hills of Pacific Heights, an innocent young woman rides an evening cable car, stalked by her handsome fiance. In a seedy bar on Fifth Street, a stone-faced man awaits his next victim. These and other eerie and exciting stories can be found in San Francisco Thrillers, the first anthology of mysteries and thrillers set in the City by the Bay, and illustrated with the haunting vintage photographs of Francis Bruguiere.
Publisher: Chronicle Books (CA)
ISBN:
Category : Fiction
Languages : en
Pages : 276
Book Description
San Francisco is the ideal place for murder, mystery, and malevolence. Far beneath the swinging coils of the Golden Gate Bridge, in a dank set of abandoned prison cells, a strange caretaker with evil intentions plots his nefarious deeds. Atop the hills of Pacific Heights, an innocent young woman rides an evening cable car, stalked by her handsome fiance. In a seedy bar on Fifth Street, a stone-faced man awaits his next victim. These and other eerie and exciting stories can be found in San Francisco Thrillers, the first anthology of mysteries and thrillers set in the City by the Bay, and illustrated with the haunting vintage photographs of Francis Bruguiere.
Policing Gender and Alicia Giménez Bartlett's Crime Fiction
Author: Nina L. Molinaro
Publisher: Routledge
ISBN: 1317079051
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
Alicia Giménez Bartlett’s popular crime series, written in Spanish and organized around the exploits of Police Inspector Petra Delicado and Deputy Inspector Fermin Garzon, is arguably the most successful detective series published in Spain during the previous three decades. Nina L. Molinaro examines the tensions between the rhetoric of gender differences espoused by the woman detective and the orthodox ideology of the police procedural. She argues that even as the series incorporates gender differences into the crime series formula, it does so in order to correct women, naturalize men’s authority, sanction social hierarchies, and assuage collective anxieties. As Molinaro shows, with the exception of the protagonist, the women characters require constant surveillance and modification, often as a result of men’s supposedly intrinsic protectiveness or excessive sexuality. Men, by contrast, circulate more freely in the fictional world and are intrinsic to the political, psychological, and economic prosperity of their communities. Molinaro situates her discussion in Petra Delicado’s contemporary Spain of dog owners, ¡Hola!, Russian cults, and gated communities.
Publisher: Routledge
ISBN: 1317079051
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
Alicia Giménez Bartlett’s popular crime series, written in Spanish and organized around the exploits of Police Inspector Petra Delicado and Deputy Inspector Fermin Garzon, is arguably the most successful detective series published in Spain during the previous three decades. Nina L. Molinaro examines the tensions between the rhetoric of gender differences espoused by the woman detective and the orthodox ideology of the police procedural. She argues that even as the series incorporates gender differences into the crime series formula, it does so in order to correct women, naturalize men’s authority, sanction social hierarchies, and assuage collective anxieties. As Molinaro shows, with the exception of the protagonist, the women characters require constant surveillance and modification, often as a result of men’s supposedly intrinsic protectiveness or excessive sexuality. Men, by contrast, circulate more freely in the fictional world and are intrinsic to the political, psychological, and economic prosperity of their communities. Molinaro situates her discussion in Petra Delicado’s contemporary Spain of dog owners, ¡Hola!, Russian cults, and gated communities.
Teaching Crime Fiction
Author: Charlotte Beyer
Publisher: Springer
ISBN: 3319906089
Category : Fiction
Languages : en
Pages : 229
Book Description
More than perhaps any other genre, crime fiction invites debate over the role of popular fiction in English studies. This book offers lively original essays on teaching crime fiction written by experienced British and international scholar teachers, providing vital insight into this diverse genre through a series of compelling subjects. Taking its starting-point in pedagogical reflections and classroom experiences, the book explores methods for teaching students to develop their own critical perspectives as crime fiction critics, the impact of feminism, postcolonialism, and ecocriticism on crime fiction, crime fiction and film, the crime short story, postgraduate perspectives, and more.
Publisher: Springer
ISBN: 3319906089
Category : Fiction
Languages : en
Pages : 229
Book Description
More than perhaps any other genre, crime fiction invites debate over the role of popular fiction in English studies. This book offers lively original essays on teaching crime fiction written by experienced British and international scholar teachers, providing vital insight into this diverse genre through a series of compelling subjects. Taking its starting-point in pedagogical reflections and classroom experiences, the book explores methods for teaching students to develop their own critical perspectives as crime fiction critics, the impact of feminism, postcolonialism, and ecocriticism on crime fiction, crime fiction and film, the crime short story, postgraduate perspectives, and more.