Author: Steve Glassman
Publisher: Popular Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
Examines Florida's legacy of fictional detectives and mystery writers, revealing why the center of crime shifted from Los Angeles to Miami. Contains chapters on Florida's crime and detective fiction through 1945, South Florida noir and the grotesque, and Florida film noir from Key Largo to Body Heat. Includes a bibliography of Florida mysteries, 1895-1996. For students of popular culture and mystery lovers. Annotation copyrighted by Book News, Inc., Portland, OR
Crime Fiction and Film in the Sunshine State
Author: Steve Glassman
Publisher: Popular Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
Examines Florida's legacy of fictional detectives and mystery writers, revealing why the center of crime shifted from Los Angeles to Miami. Contains chapters on Florida's crime and detective fiction through 1945, South Florida noir and the grotesque, and Florida film noir from Key Largo to Body Heat. Includes a bibliography of Florida mysteries, 1895-1996. For students of popular culture and mystery lovers. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: Popular Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
Examines Florida's legacy of fictional detectives and mystery writers, revealing why the center of crime shifted from Los Angeles to Miami. Contains chapters on Florida's crime and detective fiction through 1945, South Florida noir and the grotesque, and Florida film noir from Key Largo to Body Heat. Includes a bibliography of Florida mysteries, 1895-1996. For students of popular culture and mystery lovers. Annotation copyrighted by Book News, Inc., Portland, OR
Crime Fiction and Film in the Southwest
Author: Steve Glassman
Publisher: Popular Press
ISBN: 9780879728465
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
When Joe Leaphorn and Jim Chee, Tony Hillerman's oddly matched tribal police officers, patrol the mesas and canyons of their Navajo reservation, they join a rich traditon of Southwestern detectives. In Crime Fiction and Film in the Southwest, a group of literary critics tracks the mystery and crime novel from the Painted Desert to Death Valley and Salt Lake City. In addition, the book includes the first comprehensive bibliography of mysteries set in the Southwest and a chapter on Southwest film noir from Humphrey Bogart's tough hood in The Petrified Forest to Russell Crowe's hard-nosed cop in L.A. Confidential.
Publisher: Popular Press
ISBN: 9780879728465
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
When Joe Leaphorn and Jim Chee, Tony Hillerman's oddly matched tribal police officers, patrol the mesas and canyons of their Navajo reservation, they join a rich traditon of Southwestern detectives. In Crime Fiction and Film in the Southwest, a group of literary critics tracks the mystery and crime novel from the Painted Desert to Death Valley and Salt Lake City. In addition, the book includes the first comprehensive bibliography of mysteries set in the Southwest and a chapter on Southwest film noir from Humphrey Bogart's tough hood in The Petrified Forest to Russell Crowe's hard-nosed cop in L.A. Confidential.
Love and Death in the Sunshine State
Author: Cutter Wood
Publisher: Algonquin Books
ISBN: 161620933X
Category : True Crime
Languages : en
Pages : 241
Book Description
"Gripping . . . Cutter Wood subverts all our expectations for the true crime genre.” —Leslie Jamison, author of The Recovering When a stolen car is recovered on the Gulf Coast of Florida, it sets off a search for a missing woman, local motel owner Sabine Musil-Buehler. Three men are named persons of interest—her husband, her boyfriend, and the man who stole the car. Then the motel is set on fire; her boyfriend flees the county; and detectives begin digging on the beach of Anna Maria Island. Author Cutter Wood was a guest at Musil-Buehler’s motel as the search for her gained momentum. Driven by his own need to understand how a relationship could spin to pieces in such a fatal fashion, he began to talk with many of the people living on Anna Maria, and then with the detectives, and finally with the man presumed to be the murderer. But there was only so much that interviews and transcripts could reveal. In trying to understand how we treat those we love, this book, like Truman Capote’s classic In Cold Blood, tells a story that exists outside documentary evidence. Wood carries the investigation of Sabine’s murder beyond the facts of the case and into his own life, crafting a tale about the dark conflicts at the heart of every relationship.
Publisher: Algonquin Books
ISBN: 161620933X
Category : True Crime
Languages : en
Pages : 241
Book Description
"Gripping . . . Cutter Wood subverts all our expectations for the true crime genre.” —Leslie Jamison, author of The Recovering When a stolen car is recovered on the Gulf Coast of Florida, it sets off a search for a missing woman, local motel owner Sabine Musil-Buehler. Three men are named persons of interest—her husband, her boyfriend, and the man who stole the car. Then the motel is set on fire; her boyfriend flees the county; and detectives begin digging on the beach of Anna Maria Island. Author Cutter Wood was a guest at Musil-Buehler’s motel as the search for her gained momentum. Driven by his own need to understand how a relationship could spin to pieces in such a fatal fashion, he began to talk with many of the people living on Anna Maria, and then with the detectives, and finally with the man presumed to be the murderer. But there was only so much that interviews and transcripts could reveal. In trying to understand how we treat those we love, this book, like Truman Capote’s classic In Cold Blood, tells a story that exists outside documentary evidence. Wood carries the investigation of Sabine’s murder beyond the facts of the case and into his own life, crafting a tale about the dark conflicts at the heart of every relationship.
Florida on the Boil
Author: Kenneth F. Kister
Publisher: Xlibris Corporation
ISBN: 1425717268
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
Provides incisive reviews of more than 300 recommended novels and short-story collections set in Florida. Numerous Florida fiction writers, past and present, are represented in the book, including such diverse talents as Edna Buchanan, Harry Crews, Connie May Fowler, and others.--Excerpted from book cover.
Publisher: Xlibris Corporation
ISBN: 1425717268
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
Provides incisive reviews of more than 300 recommended novels and short-story collections set in Florida. Numerous Florida fiction writers, past and present, are represented in the book, including such diverse talents as Edna Buchanan, Harry Crews, Connie May Fowler, and others.--Excerpted from book cover.
Crime Writers
Author: Elizabeth Haynes
Publisher: Bloomsbury Publishing USA
ISBN: 1591589193
Category : Language Arts & Disciplines
Languages : en
Pages : 234
Book Description
This invaluable resource provides information about and sources for researching 50 of the top crime genre writers, including websites and other online resources. Crime Writers: A Research Guide is an easy-to-use launch pad for learning more about crime fiction authors, including those who write traditional mystery novels, suspense novels, and thrillers with crime elements. Emphasizing the best and most popular writers, the book covers approximately 50 contemporary authors, plus a few classics like Agatha Christie. Each entry provides a brief quotation that gives some indication of writing style; a biographical sketch; lists of major works and awards; and research sources, including websites, biographies, criticism, and research guides. There are also read-alikes for selected authors. Of special note is the inclusion of websites and other online resources, such as blogs and social networking sites, which are often overlooked in author-reference sources. The book also provides an overview of the genre and subgenres, a timeline, and a comprehensive bibliography. An ideal resource for genre studies and literature classes, this guide will also be invaluable to readers' advisors, book club leaders, students, and genre fans.
Publisher: Bloomsbury Publishing USA
ISBN: 1591589193
Category : Language Arts & Disciplines
Languages : en
Pages : 234
Book Description
This invaluable resource provides information about and sources for researching 50 of the top crime genre writers, including websites and other online resources. Crime Writers: A Research Guide is an easy-to-use launch pad for learning more about crime fiction authors, including those who write traditional mystery novels, suspense novels, and thrillers with crime elements. Emphasizing the best and most popular writers, the book covers approximately 50 contemporary authors, plus a few classics like Agatha Christie. Each entry provides a brief quotation that gives some indication of writing style; a biographical sketch; lists of major works and awards; and research sources, including websites, biographies, criticism, and research guides. There are also read-alikes for selected authors. Of special note is the inclusion of websites and other online resources, such as blogs and social networking sites, which are often overlooked in author-reference sources. The book also provides an overview of the genre and subgenres, a timeline, and a comprehensive bibliography. An ideal resource for genre studies and literature classes, this guide will also be invaluable to readers' advisors, book club leaders, students, and genre fans.
Cracking the Hard-Boiled Detective
Author: Lewis D. Moore
Publisher: McFarland
ISBN: 0786482397
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
The hard-boiled private detective is among the most recognizable characters in popular fiction since the 1920s--a tough product of a violent world, in which police forces are inadequate and people with money can choose private help when facing threatening circumstances. Though a relatively recent arrival, the hard-boiled detective has undergone steady development and assumed diverse forms. This critical study analyzes the character of the hard-boiled detective, from literary antecedents through the early 21st century. It follows change in the novels through three main periods: the Early (roughly 1927-1955), during which the character was defined by such writers as Carroll John Daly, Dashiell Hammett and Raymond Chandler; the Transitional, evident by 1964 in the works of John D. MacDonald and Michael Collins, and continuing to around 1977 via Joseph Hansen, Bill Pronzini and others; and the Modern, since the late 1970s, during which such writers as Loren D. Estleman, Liza Cody, Sara Paretsky, Sue Grafton and many others have expanded the genre and the detective character. Themes such as violence, love and sexuality, friendship, space and place, and work are examined throughout the text. Instructors considering this book for use in a course may request an examination copy here.
Publisher: McFarland
ISBN: 0786482397
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
The hard-boiled private detective is among the most recognizable characters in popular fiction since the 1920s--a tough product of a violent world, in which police forces are inadequate and people with money can choose private help when facing threatening circumstances. Though a relatively recent arrival, the hard-boiled detective has undergone steady development and assumed diverse forms. This critical study analyzes the character of the hard-boiled detective, from literary antecedents through the early 21st century. It follows change in the novels through three main periods: the Early (roughly 1927-1955), during which the character was defined by such writers as Carroll John Daly, Dashiell Hammett and Raymond Chandler; the Transitional, evident by 1964 in the works of John D. MacDonald and Michael Collins, and continuing to around 1977 via Joseph Hansen, Bill Pronzini and others; and the Modern, since the late 1970s, during which such writers as Loren D. Estleman, Liza Cody, Sara Paretsky, Sue Grafton and many others have expanded the genre and the detective character. Themes such as violence, love and sexuality, friendship, space and place, and work are examined throughout the text. Instructors considering this book for use in a course may request an examination copy here.
Miami
Author: Anthony P. Maingot
Publisher: Interlink Publishing
ISBN: 1623710618
Category : History
Languages : en
Pages : 265
Book Description
Sociologist and Miami resident Anthony P. Maingot has written a cultural history of this vibrant city, which boasts the highest percentage of foreign-born residents in the US. Miami, or “Sweet Water” in the Creek Indian language, is one of the newest cities in the United States. While northern Florida was fought over by European powers and finally taken by the Americans as part of the slave-worked plantation South, Miami lay largely ignored and populated by more alligators than humans until its incorporation as a city in 1896. The driving force was Henry Flagler, who brought his railroad down to Miami and from there to Key West—and trade with Cuba. Once settled, “Tin Can” tourists from the North, Midwest and South rode their Model-T Fords down to Florida and Miami and the boom in land sales began. After the Prohibition period and the heyday of the bootleggers, a new but still segregated Miami emerged from the Second World War. Miami Beach became a tourist mecca and once Disney World opened in Orlando, millions passed through Miami to reach it and Florida and Miami entered a new era of growth and development. It was Fidel Castro, however, who created present-day Miami by exiling over a million of Cuba's middle class. Showing enormous entrepreneurial skill and an exuberant taste for life, Cubans and more recently, Brazilians, Venezuelans and Colombians created the first Latin and “tropical” city in the US. Anthony P. Maingot explores the momentous history and vibrant culture of this most cosmopolitan city. With the highest percentage of foreign-born residents in the US, Miami is a melting-pot of music, dance, visual arts, cuisine sports and political argument. Maingot reveals how this unique cultural mix keeps the new city humming and ensures the perpetuation of its tropical joie de vivre. * City of migrants and tourists: “capital of Latin America and the Caribbean”; Little Havana and Little Haiti; exiles and entrepreneurs; the world's biggest cruise ship hub. * • City of crime: the Prohibition boom; Al Capone, Meyer Lansky and the mob; Miami Vice and modern-day drug crime. * City of culture: art deco architecture; the Latin recording industry; writers of the Caribbean Diaspora; center of performing arts.
Publisher: Interlink Publishing
ISBN: 1623710618
Category : History
Languages : en
Pages : 265
Book Description
Sociologist and Miami resident Anthony P. Maingot has written a cultural history of this vibrant city, which boasts the highest percentage of foreign-born residents in the US. Miami, or “Sweet Water” in the Creek Indian language, is one of the newest cities in the United States. While northern Florida was fought over by European powers and finally taken by the Americans as part of the slave-worked plantation South, Miami lay largely ignored and populated by more alligators than humans until its incorporation as a city in 1896. The driving force was Henry Flagler, who brought his railroad down to Miami and from there to Key West—and trade with Cuba. Once settled, “Tin Can” tourists from the North, Midwest and South rode their Model-T Fords down to Florida and Miami and the boom in land sales began. After the Prohibition period and the heyday of the bootleggers, a new but still segregated Miami emerged from the Second World War. Miami Beach became a tourist mecca and once Disney World opened in Orlando, millions passed through Miami to reach it and Florida and Miami entered a new era of growth and development. It was Fidel Castro, however, who created present-day Miami by exiling over a million of Cuba's middle class. Showing enormous entrepreneurial skill and an exuberant taste for life, Cubans and more recently, Brazilians, Venezuelans and Colombians created the first Latin and “tropical” city in the US. Anthony P. Maingot explores the momentous history and vibrant culture of this most cosmopolitan city. With the highest percentage of foreign-born residents in the US, Miami is a melting-pot of music, dance, visual arts, cuisine sports and political argument. Maingot reveals how this unique cultural mix keeps the new city humming and ensures the perpetuation of its tropical joie de vivre. * City of migrants and tourists: “capital of Latin America and the Caribbean”; Little Havana and Little Haiti; exiles and entrepreneurs; the world's biggest cruise ship hub. * • City of crime: the Prohibition boom; Al Capone, Meyer Lansky and the mob; Miami Vice and modern-day drug crime. * City of culture: art deco architecture; the Latin recording industry; writers of the Caribbean Diaspora; center of performing arts.
Historical Dictionary of Film Noir
Author: Andrew Spicer
Publisher: Scarecrow Press
ISBN: 0810873788
Category : Performing Arts
Languages : en
Pages : 533
Book Description
Film noir_literally 'black cinema'_is the label customarily given to a group of black and white American films, mostly crime thrillers, made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film, and therefore which films should be included in this category. These problems are partly caused because film noir is a retrospective label that was not used in the 1940s or 1950s by the film industry as a production category and therefore its existence and features cannot be established through reference to trade documents. The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon.
Publisher: Scarecrow Press
ISBN: 0810873788
Category : Performing Arts
Languages : en
Pages : 533
Book Description
Film noir_literally 'black cinema'_is the label customarily given to a group of black and white American films, mostly crime thrillers, made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film, and therefore which films should be included in this category. These problems are partly caused because film noir is a retrospective label that was not used in the 1940s or 1950s by the film industry as a production category and therefore its existence and features cannot be established through reference to trade documents. The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon.
Twentieth-Century Crime Fiction
Author: Lee Horsley
Publisher: OUP Oxford
ISBN: 0191557897
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
Twentieth-Century Crime Fiction aims to enhance understanding of one of the most popular forms of genre fiction by examining a wide variety of the detective and crime fiction produced in Britain and America during the twentieth century. It will be of interest to anyone who enjoys reading crime fiction but is specifically designed with the needs of students in mind. It introduces different theoretical approaches to crime fiction (e.g., formalist, historicist, psychoanalytic, postcolonial, feminist) and will be a useful supplement to a range of crime fiction courses, whether they focus on historical contexts, ideological shifts, the emergence of sub-genres, or the application of critical theories. Forty-seven widely available stories and novels are chosen for detailed discussion. In seeking to illuminate the relationship between different phases of generic development Lee Horsley employs an overlapping historical framework, with sections doubling back chronologically in order to explore the extent to which successive transformations have their roots within the earlier phases of crime writing, as well as responding in complex ways to the preoccupations and anxieties of their own eras. The first part of the study considers the nature and evolution of the main sub-genres of crime fiction: the classic and hard-boiled strands of detective fiction, the non-investigative crime novel (centred on transgressors or victims), and the 'mixed' form of the police procedural. The second half of the study examines the ways in which writers have used crime fiction as a vehicle for socio-political critique. These chapters consider the evolution of committed, oppositional strategies, tracing the development of politicized detective and crime fiction, from Depression-era protests against economic injustice to more recent decades which have seen writers launching protests against ecological crimes, rampant consumerism, Reaganomics, racism, and sexism.
Publisher: OUP Oxford
ISBN: 0191557897
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
Twentieth-Century Crime Fiction aims to enhance understanding of one of the most popular forms of genre fiction by examining a wide variety of the detective and crime fiction produced in Britain and America during the twentieth century. It will be of interest to anyone who enjoys reading crime fiction but is specifically designed with the needs of students in mind. It introduces different theoretical approaches to crime fiction (e.g., formalist, historicist, psychoanalytic, postcolonial, feminist) and will be a useful supplement to a range of crime fiction courses, whether they focus on historical contexts, ideological shifts, the emergence of sub-genres, or the application of critical theories. Forty-seven widely available stories and novels are chosen for detailed discussion. In seeking to illuminate the relationship between different phases of generic development Lee Horsley employs an overlapping historical framework, with sections doubling back chronologically in order to explore the extent to which successive transformations have their roots within the earlier phases of crime writing, as well as responding in complex ways to the preoccupations and anxieties of their own eras. The first part of the study considers the nature and evolution of the main sub-genres of crime fiction: the classic and hard-boiled strands of detective fiction, the non-investigative crime novel (centred on transgressors or victims), and the 'mixed' form of the police procedural. The second half of the study examines the ways in which writers have used crime fiction as a vehicle for socio-political critique. These chapters consider the evolution of committed, oppositional strategies, tracing the development of politicized detective and crime fiction, from Depression-era protests against economic injustice to more recent decades which have seen writers launching protests against ecological crimes, rampant consumerism, Reaganomics, racism, and sexism.
The Red Hot Typewriter
Author: Hugh Merrill
Publisher: Macmillan
ISBN: 0312209053
Category : Biography & Autobiography
Languages : en
Pages : 278
Book Description
"This biography of a popular author adds resonance to the body of MacDonald's creative work, as well as providing a deeper understanding of that work that will send reders back to his many books."--BOOK JACKET.
Publisher: Macmillan
ISBN: 0312209053
Category : Biography & Autobiography
Languages : en
Pages : 278
Book Description
"This biography of a popular author adds resonance to the body of MacDonald's creative work, as well as providing a deeper understanding of that work that will send reders back to his many books."--BOOK JACKET.