Author: Robert Matheu
Publisher: Harper Collins
ISBN: 0061374563
Category : Art
Languages : en
Pages : 276
Book Description
A retrospective of twenty years of rock-and-roll history as recorded by the popular genre magazine features iconoclastic photographs, articles, and graphic artist illustrations.
CREEM
Author: Robert Matheu
Publisher: Harper Collins
ISBN: 0061374563
Category : Art
Languages : en
Pages : 276
Book Description
A retrospective of twenty years of rock-and-roll history as recorded by the popular genre magazine features iconoclastic photographs, articles, and graphic artist illustrations.
Publisher: Harper Collins
ISBN: 0061374563
Category : Art
Languages : en
Pages : 276
Book Description
A retrospective of twenty years of rock-and-roll history as recorded by the popular genre magazine features iconoclastic photographs, articles, and graphic artist illustrations.
Creem
Let it Blurt
Author: Jim DeRogatis
Publisher: Crown
ISBN: 0307487407
Category : Biography & Autobiography
Languages : en
Pages : 354
Book Description
Let It Blurt is the raucous and righteous biography of Lester Bangs (1949-82)--the gonzo journalist, gutter poet, and romantic visionary of rock criticism. No writer on rock 'n' roll ever lived harder or wrote better--more passionately, more compellingly, more penetratingly. He lived the rock 'n' roll lifestyle, guzzling booze and Romilar like water, matching its energy in prose that erupted from the pages of Rolling Stone, Creem, and The Village Voice. Bangs agitated in the seventies for sounds that were harsher, louder, more electric, and more alive, in the course of which he charted and defined the aesthetics of heavy metal and punk. He was treated as a peer by such brash visionaries as Lou Reed, Patti Smith, Richard Hell, Captain Beefheart, The Clash, Debbie Harry, and other luminaries. Let It Blurt is a scrupulously researched account of Lester Bangs's fascinating (if often tawdry and unappetizing) life story, as well as a window on rock criticism and rock culture in their most turbulent and creative years. It includes a never-before-published piece by Bangs, the hilarious "How to Be a Rock Critic," in which he reveals the secrets of his dubious, freeloading trade.
Publisher: Crown
ISBN: 0307487407
Category : Biography & Autobiography
Languages : en
Pages : 354
Book Description
Let It Blurt is the raucous and righteous biography of Lester Bangs (1949-82)--the gonzo journalist, gutter poet, and romantic visionary of rock criticism. No writer on rock 'n' roll ever lived harder or wrote better--more passionately, more compellingly, more penetratingly. He lived the rock 'n' roll lifestyle, guzzling booze and Romilar like water, matching its energy in prose that erupted from the pages of Rolling Stone, Creem, and The Village Voice. Bangs agitated in the seventies for sounds that were harsher, louder, more electric, and more alive, in the course of which he charted and defined the aesthetics of heavy metal and punk. He was treated as a peer by such brash visionaries as Lou Reed, Patti Smith, Richard Hell, Captain Beefheart, The Clash, Debbie Harry, and other luminaries. Let It Blurt is a scrupulously researched account of Lester Bangs's fascinating (if often tawdry and unappetizing) life story, as well as a window on rock criticism and rock culture in their most turbulent and creative years. It includes a never-before-published piece by Bangs, the hilarious "How to Be a Rock Critic," in which he reveals the secrets of his dubious, freeloading trade.
Takin' Care of Business
Author: George Case
Publisher: Oxford University Press
ISBN: 0197548822
Category : Music
Languages : en
Pages : 203
Book Description
By the early 1970s, practically everyone under a certain age liked rock music, but not everyone liked it for the same reasons. We typically associate the sounds of classic rock 'n' roll with youthful rebellion by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But in this insightful and timely book, author George Case shows how an important strain of rock music from the late 1960s onward spoke to and represented an idealized self-portrait of a very different audience: the working-class 'Average Joes' who didn't want to change the world as much as they wanted to protect their perceived place within it. To the extent that "working-class populism" describes an authentic political current, it's now beyond a doubt that certain musicians and certain of their songs helped define that current. By now, rock 'n' roll has cast a long shadow over hundreds of millions of people around the world not just over reckless kids, but over wage-earning parents and retired elders; not just over indignant youth challenging authority, but over indignant adults challenging their own definition of it. Not only have the politics of rock fans drifted surprisingly rightward since 1970; some rock, as Case argues, has helped reset the very boundaries of left and right themselves. That God, guns, and Old Glory can be understood to be paid fitting tribute in a heavy guitar riff delivered by a long-haired reprobate in blue jeans but that #Me Too, Occupy Wall Street or Black Lives Matter might not hints at where those boundaries now lie.
Publisher: Oxford University Press
ISBN: 0197548822
Category : Music
Languages : en
Pages : 203
Book Description
By the early 1970s, practically everyone under a certain age liked rock music, but not everyone liked it for the same reasons. We typically associate the sounds of classic rock 'n' roll with youthful rebellion by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But in this insightful and timely book, author George Case shows how an important strain of rock music from the late 1960s onward spoke to and represented an idealized self-portrait of a very different audience: the working-class 'Average Joes' who didn't want to change the world as much as they wanted to protect their perceived place within it. To the extent that "working-class populism" describes an authentic political current, it's now beyond a doubt that certain musicians and certain of their songs helped define that current. By now, rock 'n' roll has cast a long shadow over hundreds of millions of people around the world not just over reckless kids, but over wage-earning parents and retired elders; not just over indignant youth challenging authority, but over indignant adults challenging their own definition of it. Not only have the politics of rock fans drifted surprisingly rightward since 1970; some rock, as Case argues, has helped reset the very boundaries of left and right themselves. That God, guns, and Old Glory can be understood to be paid fitting tribute in a heavy guitar riff delivered by a long-haired reprobate in blue jeans but that #Me Too, Occupy Wall Street or Black Lives Matter might not hints at where those boundaries now lie.
This Ain't the Summer of Love
Author: Steve Waksman
Publisher: Univ of California Press
ISBN: 9780520943889
Category : Music
Languages : en
Pages : 408
Book Description
This lively and entertaining revisionist history of rock music after 1970 reconsiders the roles of two genres, heavy metal and punk. Instead of considering metal and punk as aesthetically opposed to each other, Steve Waksman breaks new ground by showing that a profound connection exists between them. Metal and punk enjoyed a charged, intimate relationship that informed both genres in terms of sound, image, and discourse. This Ain't the Summer of Love traces this connection back to the early 1970s, when metal first asserted its identity and punk arose independently as an ideal about what rock should be and could become, and upends established interpretations of metal and punk and their place in rock history.
Publisher: Univ of California Press
ISBN: 9780520943889
Category : Music
Languages : en
Pages : 408
Book Description
This lively and entertaining revisionist history of rock music after 1970 reconsiders the roles of two genres, heavy metal and punk. Instead of considering metal and punk as aesthetically opposed to each other, Steve Waksman breaks new ground by showing that a profound connection exists between them. Metal and punk enjoyed a charged, intimate relationship that informed both genres in terms of sound, image, and discourse. This Ain't the Summer of Love traces this connection back to the early 1970s, when metal first asserted its identity and punk arose independently as an ideal about what rock should be and could become, and upends established interpretations of metal and punk and their place in rock history.
Last Shot Basketball
Author: Lance Carsello
Publisher: AuthorHouse
ISBN: 1452010633
Category : Sports & Recreation
Languages : en
Pages : 90
Book Description
LAST SHOT BASKETBALL IS URBAN POP CULTURE STORY ABOUT 3 FRIENDS THAT TAKE A CHANCE ON THE WAY THEY HANDLE DAY TO DAY LIVING IN DIFFERENT SITUATIONS IN THEIR HOOD. THEY ALL DECIDE TO COME TOGETHER AND USE THEIR SKILLS TO PLAY IN A STREET BASKETBALL TOURNAMENT WHICH CAN TAKE THEIR LIFE TO ANOTHER LEVEL. THERE WILL ALWAYS BE DRAMA IN THE HOOD, BUT ONLY THE STRONG AND SMART WILL SURVIVE IN THE WORLD WE LIVE IN TODAY.
Publisher: AuthorHouse
ISBN: 1452010633
Category : Sports & Recreation
Languages : en
Pages : 90
Book Description
LAST SHOT BASKETBALL IS URBAN POP CULTURE STORY ABOUT 3 FRIENDS THAT TAKE A CHANCE ON THE WAY THEY HANDLE DAY TO DAY LIVING IN DIFFERENT SITUATIONS IN THEIR HOOD. THEY ALL DECIDE TO COME TOGETHER AND USE THEIR SKILLS TO PLAY IN A STREET BASKETBALL TOURNAMENT WHICH CAN TAKE THEIR LIFE TO ANOTHER LEVEL. THERE WILL ALWAYS BE DRAMA IN THE HOOD, BUT ONLY THE STRONG AND SMART WILL SURVIVE IN THE WORLD WE LIVE IN TODAY.
New York Supreme Court
Reports of Cases Heard and Determined in the Appellate Division of the Supreme Court of the State of New York
Author: New York (State). Supreme Court. Appellate Division
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 1090
Book Description
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 1090
Book Description
An Introductory Guide to EC Competition Law and Practice
Author: Valentine Korah
Publisher:
ISBN:
Category : Antitrust law
Languages : en
Pages : 1198
Book Description
Publisher:
ISBN:
Category : Antitrust law
Languages : en
Pages : 1198
Book Description
Rock Criticism from the Beginning
Author: Ulf Lindberg
Publisher: Peter Lang
ISBN: 9780820474908
Category : Art
Languages : en
Pages : 384
Book Description
Rock Criticism from the Beginning is a wide-ranging exploration of the rise and development of rock criticism in Britain and the United States from the 1960s to the present. It chronicles the evolution of a new form of journalism, and the course by which writing on rock was transformed into a respected field of cultural production. The authors explore the establishment of magazines from Crawdaddy! and Rolling Stone to The Source, and from Melody Maker and New Musical Express to The Wire, while investigating the careers of well-known music critics like Robert Christgau, Greil Marcus, and Lester Bangs in the U.S., and Nik Cohn, Paul Morley, and Jon Savage in the U.K., to name just a few. While much has been written on the history of rock, this Bourdieu-inspired book is the first to offer a look at the coming of age of rock journalism, and the critics that opened up a whole new kind of discourse on popular music.
Publisher: Peter Lang
ISBN: 9780820474908
Category : Art
Languages : en
Pages : 384
Book Description
Rock Criticism from the Beginning is a wide-ranging exploration of the rise and development of rock criticism in Britain and the United States from the 1960s to the present. It chronicles the evolution of a new form of journalism, and the course by which writing on rock was transformed into a respected field of cultural production. The authors explore the establishment of magazines from Crawdaddy! and Rolling Stone to The Source, and from Melody Maker and New Musical Express to The Wire, while investigating the careers of well-known music critics like Robert Christgau, Greil Marcus, and Lester Bangs in the U.S., and Nik Cohn, Paul Morley, and Jon Savage in the U.K., to name just a few. While much has been written on the history of rock, this Bourdieu-inspired book is the first to offer a look at the coming of age of rock journalism, and the critics that opened up a whole new kind of discourse on popular music.