Author: Hal CrookPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Creative Comping for Improvisation
Author: Hal CrookCreative Comping for Improvisation
Author: Hal CrookPublisher: Alfred Music
ISBN: 9783892211587
Category :
Languages : en
Pages :
Book Description
This book includes lead sheets in C, B-flat, and E-flat featuring chord progressions of standard jazz songs. The CD includes play-along tracks with chord voicings, and bass lines are played on an acoustic midi grand piano. Also includes MIDI files for computer sequenced work stations. Reharmonizations and rhythmic displacement of original chords included.
Creative comping for improvisation, 1-3 & Play-along recordings [CD 1-3]
![Creative comping for improvisation, 1-3 & Play-along recordings [CD 1-3] PDF](https://books.google.com/books/content/images/frontcover/qL12QwAACAAJ?fife=w80-h100)
Author: Hal CrookEasy Jazz Guitar
Author: Mike DiliddoPublisher: Alfred Music
ISBN: 9781562242787
Category : Music
Languages : en
Pages :
Book Description
This book and 2 CD set, with simple comping over the standards on Jamey Aebersold's Volume 54: Maiden Voyage, is designed for the guitarist with little or no jazz experience. Chords and voicings are explained in a manner that even the most novice guitarists will understand, with standard notation and guitar frames for each voicing. Includes demo and play-along CDs. This is a perfect prerequisite for Maiden Voyage Guitar Comping, also by Mike DiLiddo.
Being Music
Author: Mark MillerPublisher: University Professors Press
ISBN: 1939686687
Category : Music
Languages : en
Pages : 156
Book Description
Improvisation is a practice of musical exploration and discovery. What we explore is our lived experience and what we discover we share with our audience. As improvisers, our creative resources include sense perception, imagination, somatic presence, and the vitality of emotional expression. In collaboration we develop relationships that serve the music and balance the priorities of self and others in the ensemble. Being Music describes the craft of improvisation as “spontaneous composition” including an awareness of form, compositional focus, theme and development, stillness and creative flow. Miller and Lande address the problem of perfectionism and offer strategies for overcoming judgmental thinking and other obstacles to creative spontaneity. Abundant written musical examples and exercises offer the reader ample opportunity to practice the principles outlined in the text. With over forty-five years of experience performing together, Miller and Lande's dialogical reflections on creativity and community offer a clear and practical guide to the creative process of improvisation for musicians of any style or genre, and at all levels of experience.
The Jazz Musician's Guide to Creative Practicing
Author: David BerkmanCreative Improvisation
Author: R. T. DeanVoicing Modes
Author: Noel JohnstonPublisher:
ISBN: 9781535303217
Category :
Languages : en
Pages : 182
Book Description
Introduction.Modes are often at first understood in relation to a parent scale. While this can be helpful as a starting point and for developing muscle memory, in practice it doesn't always point the player to the right chord tones in relation to the sound. In other words, it doesn't help make the changes.To use modes to make the changes, one must be able to relate the scale shape to a chord voicing - a chord voicing that outlines the essential few tones in a sea of seven notes. These voicings can vary depending on the amount of color desired. The color desired is dependent on musical style/genre, and whether or not the chord is functional in a progression or static in its modality.These essential tones are not always 1,3,5,7 (tertian harmony - stacked in 3rds).While most chords in jazz and improv-based music are expressed in one of four tertian-voicing archetypes (Major, Minor, Dominant, or Diminished) - this is a false tetrachotomy. There are more than four.To capture some other sounds that many composers intend, especially in compositions written in the last 50 years (and in Classical music, 150 years) one must add a few other archetypes. While those indicated in this book are not exhaustive, they will open your ears to other ways of expressing harmony while still staying true to the key center.While exploring other ways to voice the modes, keep in mind that these are not just for comping and soloing. Feel free to use them as a starting point for composition and reharmonization. The use of "pivot voicings" instead of just pivot chords can open up your understanding of harmonic relationships in multiple ways. Enjoy exploring.-NoelP. S. This book is way more fun if you use a looper pedal.Second edition notes: Typo corrections, clarifications, TAB added to all edudesThird edition notes: Additional etudes, expanded modal subs section, added blues chapterMore more info, charts, videos, and free web app: http: //noeljohnston.com/voicingmodes.ph
The Big Book of Jazz Piano Improvisation
Author: Noah BaermanPublisher: Alfred Music Publishing
ISBN: 9780739031711
Category : Music
Languages : en
Pages : 148
Book Description
National Keyboard Workshop book, approved curriculum.
Creative Comping Concepts for Jazz Guitar
Author: Mark BolingPublisher: Mel Bay Publications
ISBN: 1610651707
Category : Music
Languages : en
Pages : 41
Book Description
Pianists are the main sources of inspiration for new developments in jazz guitar comping. Yet guitarists have been slow to develop a comping vocabulary with harmonic sophistication, subtle voiceleading, and rhythmic flexibility on the level of the best contemporary pianists. This book seeks to remedy the situation by articulating a comping vocabulary in the context of six of the most often played tunes in jazz: 12-bar blues, rhythm changes, minor blues, a modal tune, and a couple of standards. The comps are written out in notation and tablature and include rhythms with forward motion, chords built in fourth intervals, parallel constant structure voicings, polychords, slash chords, etc. The focus is on developing a contemporary approach to rhythm, phrasing, chord voicings, voiceleading, chord substitution, and reharmonization. A play-along audio recording of the guitar comps with bass and drums helps get the sounds and rhythms in your ear. The theory of how the comping concepts are applied to the music is explained, with ideas on how to use them creatively. Includes access to online audio.