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Author: Mark Boling Publisher: Mel Bay Publications ISBN: 1610651707 Category : Music Languages : en Pages : 41
Book Description
Pianists are the main sources of inspiration for new developments in jazz guitar comping. Yet guitarists have been slow to develop a comping vocabulary with harmonic sophistication, subtle voiceleading, and rhythmic flexibility on the level of the best contemporary pianists. This book seeks to remedy the situation by articulating a comping vocabulary in the context of six of the most often played tunes in jazz: 12-bar blues, rhythm changes, minor blues, a modal tune, and a couple of standards. The comps are written out in notation and tablature and include rhythms with forward motion, chords built in fourth intervals, parallel constant structure voicings, polychords, slash chords, etc. The focus is on developing a contemporary approach to rhythm, phrasing, chord voicings, voiceleading, chord substitution, and reharmonization. A play-along audio recording of the guitar comps with bass and drums helps get the sounds and rhythms in your ear. The theory of how the comping concepts are applied to the music is explained, with ideas on how to use them creatively. Includes access to online audio.
Author: Mark Boling Publisher: Mel Bay Publications ISBN: 1610651707 Category : Music Languages : en Pages : 41
Book Description
Pianists are the main sources of inspiration for new developments in jazz guitar comping. Yet guitarists have been slow to develop a comping vocabulary with harmonic sophistication, subtle voiceleading, and rhythmic flexibility on the level of the best contemporary pianists. This book seeks to remedy the situation by articulating a comping vocabulary in the context of six of the most often played tunes in jazz: 12-bar blues, rhythm changes, minor blues, a modal tune, and a couple of standards. The comps are written out in notation and tablature and include rhythms with forward motion, chords built in fourth intervals, parallel constant structure voicings, polychords, slash chords, etc. The focus is on developing a contemporary approach to rhythm, phrasing, chord voicings, voiceleading, chord substitution, and reharmonization. A play-along audio recording of the guitar comps with bass and drums helps get the sounds and rhythms in your ear. The theory of how the comping concepts are applied to the music is explained, with ideas on how to use them creatively. Includes access to online audio.
Author: Mark Boling Publisher: ISBN: 9780786695607 Category : Music Languages : en Pages :
Book Description
Pianists are the main sources of inspiration for new developments in jazz guitarcomping. Yet guitarists have been slow to develop a comping vocabulary withharmonic sophistication, subtle voiceleading, and rhythmic flexibility on the level of the best contemporary pianists. This book seeks to remedy the situation by articulating a comping vocabulary in the context of six of the most often playedtunes in jazz: 12-bar blues, rhythm changes, minor blues, a modal tune, and a couple of standards. The comps are written out in notation and tablature and include rhythms with forward motion, chords built in fourth intervals, parallel constant structure voicings, polychords, slash chords, etc. The focus is ondeveloping a contemporary approach to rhythm, phrasing, chord voicings, voiceleading, chord substitution, and reharmonization. A play-along audio recording of the guitar comps with bass and drums helps get the sounds and rhythms in your ear. The theory of how the comping concepts are applied to the music is explained, with ideas on how to use them creatively. Includes access to online audio.
Author: Kent Murdick Publisher: Mel Bay Publications ISBN: 1609749456 Category : Music Languages : en Pages : 41
Book Description
Through examples, writing assignments, and clear expository text, this landmark book teaches the novice or professional musician to create solo arrangements for fingerstyle jazz guitar. the book is divided in three main sections: Beginning fingerstyle guitar, Creating fingerstyle jazz solos, and Professional fingerstyle guitar. Kent Murdick systematically presents clear explanations of fingerstyle technique, blues basics, harmonized scales, advanced jazz harmony, various arranging and accompaniment concepts, a discussion of the expressive devices used in jazz, and several full-length solos. Futhermore, the author communicates this information with an engaging off-the-wall, self-deprecating sense of humor. Written in standard notation and tablature.
Author: Dave Fracenpohl Publisher: Mel Bay Publications ISBN: 1610653602 Category : Music Languages : en Pages : 81
Book Description
This book presents material that will help the intermediate guitarist improve the playing and sight-reading of big band guitar parts, while expanding their knowledge of the instrument at the same time. Extensive exercises dealing with the various chord qualities and the corresponding voicings are included, as well as sections on reading, improvising, and sample big band guitar parts.-
Author: Barry Galbraith Publisher: Alfred Music ISBN: 9781562240400 Category : Music Languages : en Pages : 0
Book Description
From the great recording artist and studio guitarist Barry Galbraith comes the first comprehensive material on the art of jazz guitar comping. This book contains jazz voicings and rhythms for a range of standards and blues, and bass parts are shown in treble clef. The recordings on the play-along CD feature excellent stereo separations, with Barry on guitar and Milt Hinton on bass, making improvisation practice fun
Author: Joe Elliott Publisher: Hal Leonard Corporation ISBN: 9780634009709 Category : Music Languages : en Pages : 108
Book Description
(Musicians Institute Press). Perfect for seasoned rockers seeking new challenges and jazz newcomers looking for a good start, this book/CD pack covers scales, chords, licks, techniques and other vital jazz improv concepts step by step. The accompanying CD features 65 full-band demo and play-along tracks.
Author: John Pisano Publisher: WWW.Fundamental-Changes.com ISBN: 9781789332148 Category : Languages : en Pages : 96
Book Description
Are you bored of playing the same old jazz guitar chords? Playing rhythm guitar is one thing, but going beyond that to connect the chords with beautiful melodic phrasing is called comping. John Pisano is one of the all-time greats of jazz rhythm guitar and has worked with Frank Sinatra, Tony Bennett, Burt Bacharach, Natalie Cole, Barbra Streisand, Diana Krall and many more. Plus, for over 35 years, he was also Joe Pass' guitar duo partner, racking up dozens of iconic jazz guitar recordings. Learn Authentic Jazz Comping Skills with a Master In Jazz Guitar Comping Masterclass, John Pisano shares his creative guitar chord movements over a selection of the most famous jazz standards. Naturally, you'll learn some immaculately crafted comping arrangements, but there's so much more! You'll go way beyond the typical jazz rhythm guitar parts most guitarists use, and learn to play beautifully voiced movements that decorate the chords and become an integral part of the tune itself... ... If you took away the rest of the band, your guitar part would stand alone and still entertain the crowd. What You'll Learn First, you'll take a deep dive into John's unique strategies for creating comping movements. Here, you'll discover the tools you can use to develop your own stunning arrangements. In a clearly illustrated, step-by-step guide, you'll learn how to: - Artistically embellish any chord sequence with inside and outside movements - Add related chords to create moving chord phrases - Connect multiple voicings of chords across the range of the neck to expand your palette - Arrange any voicing to triple your creative options - Harmonize chords using 6th voicings for a fresh new approach to rhythm - Use diminished shapes to connect chords and add harmonic tension to any sequence
Author: Corey Christiansen Publisher: Mel Bay Publications ISBN: 1609745493 Category : Music Languages : en Pages : 25
Book Description
This book has been designed to give beginning jazz guitar students a jazz chord "workout." Most of the exercises in this book have been developed around chord progressions found in most jazz standards. Some of the exercises will be short and others long, but each exercise should be played fluidly and by doing so, proper technique will be acquired.
Author: Mark Boling
Author: Mark Boling
Author: Mark Boling
Author: Kent Murdick
Author: Daniel Davis
Author: Dave Fracenpohl
Author: Barry Galbraith
Author: Joe Elliott
Author: John Pisano
Author: Jim Ferguson
Author: Corey Christiansen