Author: Mike Richardson Publisher: Dark Horse Comics ISBN: 1621151980 Category : Comics & Graphic Novels Languages : en Pages : 74
Book Description
This is a true story about the most interesting person you've never heard of: Arthur Cravan, major figure in pre-WWI cutting-edge art circles, was among the greatest mysterious figures of the Twentieth Century. A self-confessed thief, forger, and con-artist, he used a roster of assumed names and false identities. He was known, at various times, as a novelist, poet, painter, art critic, lecturer, publisher, and the lightweight boxing champion of France. Always a rebellious, restless spirit, this dedicated rule-breaker was a political radical whose friendship with Leon Trotsky earned him the surveillance of the U.S. government-even through his immigration to Mexico with his wife, the poet Mina Loy. In 1918, at the age of thirty-one, the fascinating physical giant vanished without a trace, and-despite several supposed sightings over the years-was never seen again. Is it possible that he became the mysterious, reclusive novelist B. Traven, who wrote The Treasure of the Sierra Madre?
Author: McKenzie Wark Publisher: Verso Books ISBN: 180429487X Category : Philosophy Languages : en Pages : 518
Book Description
The Situationist International, who came to the fore during the Paris tumults of 1968, were revolutionary thinkers who continue to influence movements and philosophy into the twenty-first century. Mostly know for Guy Debord's The Society of the Spectacle as well as other key texts, the group was in fact hugely diverse and radical. In XXX McKenzie Wark explores the full range of the movement. At once an extraordinary counter history of radical praxis and a call to arms in the age of financial crisis and the resurgence of the streets Wark traces the group's development from the bohemian Paris of the '50s to the explosive days of May '68, Wark's take on the Situationists is biographically and historically rich, presenting the group as an ensemble creation, rather than the brainchild and dominion of its most famous member, Guy Debord. Roaming through Europe and the lives of those who made up the movement-including Constant, Asger Jorn, Michle Bernstein, Alex Trocchi and Jacqueline De Jong-Wark uncovers an international movement riven with conflicting passions. She also follows the narrative beyond 1968 to show what happened after the movement disintegration exploring the lives and ideas of T.J. Clark, the Fourierist utopia of Raoul Vaneigem, Ren Vienet's earthy situationist cinema, Gianfranco Sangunetti's pranking of the Italian ruling class, Alice-Becker Ho's account of the anonymous language of the Romany, Guy Debord's late films and his surprising work as a game designer.
Author: Publisher: BRILL ISBN: 9042029544 Category : History Languages : en Pages : 327
Book Description
How Dada is to break its cultural accommodation and containment today necessitates thinking the historical instances through revised application of critical and theoretical models. The volume Dada Culture: Critical Texts on the Avant-Garde moves precisely by this motive, bringing together writings which insist upon the continuity of the early twentieth-century moment now at the start of the twenty-first. Engaging the complex and contradictory nature of Dada strategies, instanced in the linguistic gaming and performativity of the movement’s initial formation, and subsequently isolating the specific from the general with essays focusing on Ball, Tzara, Serner, Hausmann, Dix, Heartfield, Schwitters, Baader, Cravan and the exemplary Duchamp, the political philosophy of the avant-garde is brought to bear upon our own contemporary struggle through critical theory to comprehend the cultural usefulness, relevance, validity and effective (or otherwise) oppositionality of Dada’s infamous anti-stance. The volume is presented in sections that progressively point towards the expanding complexity of the contemporary engagement with Dada, as what is often exhaustive historical data is forced to rethink, realign and reconfigure itself in response to the analytical rigour and exercise of later twentieth-century animal anarchic thought, the testing and cultural placement of thoughts upon the virtual, and the eventual implications for the once blissfully unproblematic idea of expression. From the opening, provocative proposition that historically Dada may have been the falsest of all false paths, the volume rounds to dispute such condemnation as demarcation continues not only of Dada’s embeddedness in western culture, but more precisely of the location of Dada culture. Ten critical essays – by Cornelius Partsch, John Wall, T. J. Demos, Anna Schaffner, Martin I. Gaughan, Curt Germundson, Stephen C. Foster, Dafydd Jones, Joel Freeman and David Cunningham – are supplemented by the critical bibliography prepared by Timothy Shipe, which documents the past decade of Dada scholarship, and in so doing provides a valuable resource for all those engaged in Dada studies today.
Author: McKenzie Wark Publisher: Verso Books ISBN: 1844679578 Category : Philosophy Languages : en Pages : 257
Book Description
Following his acclaimed history of the Situationist International up until the late sixties, The Beach Beneath the Street, McKenzie Wark returns with a companion volume which puts the late work of the Situationists in a broader and deeper context, charting their contemporary relevance and their deep critique of modernity. Wark builds on their work to map the historical stages of the society of the spectacle, from the diffuse to the integrated to what he calls the disintegrating spectacle. The Spectacle of Disintegration takes the reader through the critique of political aesthetics of former Situationist T.J. Clark, the Fourierist utopia of Raoul Vaneigem, René Vienet’s earthy situationist cinema, Gianfranco Sangunetti’s pranking of the Italian ruling class, Alice-Becker Ho’s account of the anonymous language of the Romany, Guy Debord’s late films and his surprising work as a game designer. At once an extraordinary counter history of radical praxis and a call to arms in the age of financial crisis and the resurgence of the streets, The Spectacle of Disintegration recalls the hidden journeys taken in the attempt to leave the twentieth century, and plots an exit from the twenty first. The dustjacket unfolds to reveal a fold-out poster of the collaborative graphic essay combining text selected by McKenzie Wark with composition and drawings by Kevin C. Pyle.
Author: Liam Burke Publisher: Univ. Press of Mississippi ISBN: 1626745153 Category : Literary Criticism Languages : en Pages : 432
Book Description
In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production. Through in-depth analysis, industry interviews, and audience research, this book charts the cause-and-effect of this influential trend. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. The industry managed to meet these challenges by exploiting comics and their existing audiences. However, studios were caught off-guard when these comic book fans, empowered by digital media, began to influence the success of these adaptations. Nonetheless, filmmakers soon developed strategies to take advantage of this intense fanbase, while codifying the trend into a more lucrative genre, the comic book movie, which appealed to an even wider audience. Central to this vibrant trend is a comic aesthetic in which filmmakers utilize digital filmmaking technologies to engage with the language and conventions of comics like never before. The Comic Book Film Adaptation explores this unique moment in which cinema is stimulated, challenged, and enriched by the once-dismissed medium of comics.
Author: Renee Hobbs Publisher: Oxford University Press ISBN: 0190854340 Category : Performing Arts Languages : en Pages : 208
Book Description
In the past two decades, several U.S. states have explored ways to mainstream media literacy in school curriculum. However one of the best and most accessible places to learn this necessary skill has not been the traditional classroom but rather the library. In an increasing number of school, public, and academic libraries, shared media experiences such as film screening, learning to computer animate, and video editing promote community and a sense of civic engagement. The Library Screen Scene reveals five core practices used by librarians who work with film and media: viewing, creating, learning, collecting, and connecting. With examples from more than 170 libraries throughout the United States, the book shows how film and media literacy education programs, library services, and media collections teach patrons to critically analyze moving image media, uniting generations, cultures, and communities in the process.
Author: Joel Diaz Santiago Publisher: Joel Diaz Santiago ISBN: Category : Comics & Graphic Novels Languages : en Pages : 50
Book Description
After the events of Joe Hillson in London now we move towards the mysterious streets of Australia where a truck driver who is escaping from the police after having committed several murders is caught by a mysterious subject in a funeral home and he is forced to listen to three Horror stories involving a ghostly, demonic town from the past named Craven. You are invited to this horror story that will show that psychological horror is stronger than you think.
Author: Chuck Hughes Publisher: iUniverse ISBN: 1475948786 Category : Fiction Languages : en Pages : 227
Book Description
When a strange creature leads a band of marauders to ravage his village and kill his parents, young Craven Arneau escapes and seeks revenge. During his flight to safety, he is befriended by a reticent monk who takes him to the safety of his monastery. There he meets Danielle, a young peasant girl who tempers all thoughts of revenge. However, his contentment is short-lived when his past catches up with him in the form of a cuckold Baron who charges him with rape and murder. Craven is again forced to leave his life behind. While on the dusty, dirt road to safety, more tragedy befalls him; those he left behind at the monastery fall prey to the evil creature who fed upon his village. When his journey brings him to the French town of La Rochelle, Maurice Chassell, an ancient Vampire, convinces him that in order to destroy the horror that has tormented him all these years, he must die and become its equal. However, despite his alliance with Maurice, revenge constantly evades him. Only when he encounters Joseph, a Vampire even older than Maurice, does he come face to face with the lies and deception that have tormented him since his death and rebirth.
Author: P. Zhu Publisher: Springer ISBN: 1137514736 Category : Literary Criticism Languages : en Pages : 297
Book Description
Through both cultural and literary analysis, this book examines gender in relation to late Qing and modern Chinese intellectuals, including Mu Shiying, Bai Wei, and Lu Xun. Tackling important, previously neglected questions, Zhu ultimately shows the resilience and malleability of Chinese modernity through its progressive views on femininity.