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Author: Jasmine Kilburn-Toppin Publisher: Manchester University Press ISBN: 1526147696 Category : Design Languages : en Pages : 241
Book Description
Crafting identities explores artisanal identity and culture in early modern London. It demonstrates that the social, intellectual and political status of London’s crafts and craftsmen were embedded in particular material and spatial contexts. Through examination of a wide range of manuscript, visual and material culture sources, the book investigates for the first time how London’s artisans physically shaped the built environment of the city and how the experience of negotiating urban spaces impacted directly on their distinctive individual and collective identities. Applying an innovative and interdisciplinary methodology to the examination of artisanal cultures, the book engages with the fields of social and cultural history and the histories of art, design and architecture. It will appeal to scholars of early modern social, cultural and urban history, as well as those interested in design and architectural history.
Author: Jasmine Kilburn-Toppin Publisher: Manchester University Press ISBN: 1526147696 Category : Design Languages : en Pages : 241
Book Description
Crafting identities explores artisanal identity and culture in early modern London. It demonstrates that the social, intellectual and political status of London’s crafts and craftsmen were embedded in particular material and spatial contexts. Through examination of a wide range of manuscript, visual and material culture sources, the book investigates for the first time how London’s artisans physically shaped the built environment of the city and how the experience of negotiating urban spaces impacted directly on their distinctive individual and collective identities. Applying an innovative and interdisciplinary methodology to the examination of artisanal cultures, the book engages with the fields of social and cultural history and the histories of art, design and architecture. It will appeal to scholars of early modern social, cultural and urban history, as well as those interested in design and architectural history.
Author: Jasmine Kilburn-Toppin Publisher: ISBN: 9781526147707 Category : Design Languages : en Pages : 296
Book Description
Crafting identities explores artisanal identity and culture in early modern London. It demonstrates that the social, intellectual and political status of London's crafts and craftsmen were embedded in particular material and spatial contexts. Through examination of a wide range of manuscript, visual and material culture sources, the book investigates for the first time how London's artisans physically shaped the built environment of the city and how the experience of negotiating urban spaces impacted directly on their distinctive individual and collective identities. Applying an innovative and interdisciplinary methodology to the examination of artisanal cultures, the book engages with the fields of social and cultural history and the histories of art, design and architecture. It will appeal to scholars of early modern social, cultural and urban history, as well as those interested in design and architectural history.
Author: Cécile Coquet-Mokoko Publisher: Cambridge Scholars Publishing ISBN: 144383601X Category : History Languages : en Pages : 165
Book Description
In the different versions of multiculturalism that have re-shaped English-speaking societies and political systems, identities appear more plastic than in societies which have constructed their national narratives on more stubborn denials of their colonial and patriarchal pasts; yet, the myth of purity (or authenticity) and separatist temptations remain very real parameters of identity politics. In such contexts, crafting an identity for oneself implies expectations of consistency, linked not only to the individual need to prove oneself and disprove stereotypes and statistics, but also to the broader political goal of dis-alienating or, as it were, de-Othering oneself and one’s community. The contributors to this book explore the different ways – from the most institutional to the most intimate – in which people articulate the politics of memory and the creation of national narratives, or communal and personal identities.
Author: Pavel Shlossberg Publisher: University of Arizona Press ISBN: 0816530998 Category : Social Science Languages : en Pages : 281
Book Description
Crafting Identity goes far beyond folklore in its ethnographic exploration of mask making in central Mexico. In addition to examining larger theoretical issues about indigenous and mestizo identity and cultural citizenship as represented through masks and festivals, the book also examines how dominant institutions of cultural production (art, media, and tourism) mediate Mexican “arte popular,” which makes Mexican indigeneity “digestible” from the standpoint of elite and popular Mexican nationalism and American and global markets for folklore. The first ethnographic study of its kind, the book examines how indigenous and mestizo mask makers, both popular and elite, view and contest relations of power and inequality through their craft. Using data from his interviews with mask makers, collectors, museum curators, editors, and others, Pavel Shlossberg places the artisans within the larger context of their relationships with the nation-state and Mexican elites, as well as with the production cultures that inform international arts and crafts markets. In exploring the connection of mask making to capitalism, the book examines the symbolic and material pressures brought to bear on Mexican artisans to embody and enact self-racializing stereotypes and the performance of stigmatized indigenous identities. Shlossberg’s weaving of ethnographic data and cultural theory demystifies the way mask makers ascribe meaning to their practices and illuminates how these practices are influenced by state and cultural institutions. Demonstrating how the practice of mask making negotiates ethnoracial identity with regard to the Mexican state and the United States, Shlossberg shows how it derives meaning, value, and economic worth in the eyes of the state and cultural institutions that mediate between the mask maker and the market.
Author: Kathleen M. Adams Publisher: University of Hawaii Press ISBN: 0824861485 Category : Social Science Languages : en Pages : 313
Book Description
Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa’dan Toraja, a predominantly Christian minority group in the world’s most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagement with the global economy marked by on-going struggles over identity, religion, and social relations. In her engaging account, Kathleen Adams chronicles how various Toraja individuals and groups have drawn upon artistically-embellished "traditional" objects—as well as monumental displays, museums, UNESCO ideas about "word heritage," and the World Wide Web—to shore up or realign aspects of a cultural heritage perceived to be under threat. She also considers how outsiders—be they tourists, art collectors, members of rival ethnic groups, or government officials—have appropriated and reframed Toraja art objects for their own purposes. Her account illustrates how art can serve as a catalyst in identity politics, especially in the context of tourism and social upheaval. Ultimately, this insightful work prompts readers to rethink persistent and pernicious popular assumptions—that tourism invariably brings a loss of agency to local communities or that tourist art is a compromised form of expression. Art as Politics promises to be a favorite with students and scholars of anthropology, sociology, cultural studies, ethnic relations, art, and Asian studies.
Author: Emma Bell Publisher: Routledge ISBN: 1351795295 Category : Business & Economics Languages : en Pages : 278
Book Description
This edited book focuses on the organization and meaning of craft work in contemporary society. It considers the relationship between craft and place and how this enables the construction of a meaningful relationship with objects of production and consumption. The book explores the significance of raw materials, the relationship between the body, the crafted object and the mind, and the importance of skill, knowledge and learning in the making process. Through this, it raises important questions about the role of craft in facing future challenges by challenging the logic of globalized production and consumption. The Organization of Craft Work encompasses international analyses from the United States, France, Italy, Australia, Canada, the UK and Japan involving a diverse range of sectors, including brewing, food and wine production, clothing and shoe making, and perfumery. The book will be of interest to students and academic researchers in organization studies, marketing and consumer behaviour, business ethics, entrepreneurship, sociology of work, human resource management, cultural studies, geography, and fashion and design. In addition, the book will be of interest to practitioners and organizations with an interest in the development and promotion of craft work.
Author: Kathryn Rountree Publisher: Routledge ISBN: 1317158679 Category : Religion Languages : en Pages : 242
Book Description
Contemporary western Paganism is now a global religious phenomenon with Pagans in many parts of the world sharing much in common - from a nature-revering worldview and lifestyle to a host of chants, invocations, ritual tools and magical practices. But there are also locally-specific differences. Local religious contexts, landscapes, histories, traditions, politics, values and norms all impact on local Paganisms. This is nowhere more evident than in a strongly Catholic society, where religion and culture are deeply entwined. Taking the Mediterranean society of Malta as a case study, this book invites readers inside the world of a small, hidden sub-culture. Showing what it is like being Pagan in a society where the vast majority of the population is Roman Catholic, and Catholicism permeates every sphere of public and domestic, social and political life, Rountree reveals that Paganism here is a unique brew of indigenous and global influences. Pagans employ both creativity and borrowing in constructing identities within a cultural context characterized by antagonism as well as continuity. This book explores the intersections of religious and cultural identity, the global and local, Paganism and Christianity, with insights grounded in rich ethnographic detail based on long-term fieldwork. Rountree makes invaluable comparisons with other studies of modern Pagans and their various worlds.
Author: Dorinne K. Kondo Publisher: University of Chicago Press ISBN: 022609815X Category : Social Science Languages : en Pages : 362
Book Description
"The ethnography of Japan is currently being reshaped by a new generation of Japanologists, and the present work certainly deserves a place in this body of literature. . . . The combination of utility with beauty makes Kondo's book required reading, for those with an interest not only in Japan but also in reflexive anthropology, women's studies, field methods, the anthropology of work, social psychology, Asian Americans, and even modern literature."—Paul H. Noguchi, American Anthropologist "Kondo's work is significant because she goes beyond disharmony, insisting on complexity. Kondo shows that inequalities are not simply oppressive-they are meaningful ways to establish identities."—Nancy Rosenberger, Journal of Asian Studies
Author: Kathryn Rountree Publisher: Routledge ISBN: 1317158687 Category : Religion Languages : en Pages : 206
Book Description
Contemporary western Paganism is now a global religious phenomenon with Pagans in many parts of the world sharing much in common - from a nature-revering worldview and lifestyle to a host of chants, invocations, ritual tools and magical practices. But there are also locally-specific differences. Local religious contexts, landscapes, histories, traditions, politics, values and norms all impact on local Paganisms. This is nowhere more evident than in a strongly Catholic society, where religion and culture are deeply entwined. Taking the Mediterranean society of Malta as a case study, this book invites readers inside the world of a small, hidden sub-culture. Showing what it is like being Pagan in a society where the vast majority of the population is Roman Catholic, and Catholicism permeates every sphere of public and domestic, social and political life, Rountree reveals that Paganism here is a unique brew of indigenous and global influences. Pagans employ both creativity and borrowing in constructing identities within a cultural context characterized by antagonism as well as continuity. This book explores the intersections of religious and cultural identity, the global and local, Paganism and Christianity, with insights grounded in rich ethnographic detail based on long-term fieldwork. Rountree makes invaluable comparisons with other studies of modern Pagans and their various worlds.
Author: Catherine W. Bishir Publisher: UNC Press Books ISBN: 1469608758 Category : Art Languages : en Pages : 394
Book Description
From the colonial period onward, black artisans in southern cities--thousands of free and enslaved carpenters, coopers, dressmakers, blacksmiths, saddlers, shoemakers, bricklayers, shipwrights, cabinetmakers, tailors, and others--played vital roles in their communities. Yet only a very few black craftspeople have gained popular and scholarly attention. Catherine W. Bishir remedies this oversight by offering an in-depth portrayal of urban African American artisans in the small but important port city of New Bern. In so doing, she highlights the community's often unrecognized importance in the history of nineteenth-century black life. Drawing upon myriad sources, Bishir brings to life men and women who employed their trade skills, sense of purpose, and community relationships to work for liberty and self-sufficiency, to establish and protect their families, and to assume leadership in churches and associations and in New Bern's dynamic political life during and after the Civil War. Focusing on their words and actions, Crafting Lives provides a new understanding of urban southern black artisans' unique place in the larger picture of American artisan identity.
Author: Jasmine Kilburn-Toppin
Author: Jasmine Kilburn-Toppin
Author: Jasmine Kilburn-Toppin
Author: Cécile Coquet-Mokoko
Author: Pavel Shlossberg
Author: Kathleen M. Adams
Author: Emma Bell
Author: Kathryn Rountree
Author: Dorinne K. Kondo
Author: Kathryn Rountree
Author: Catherine W. Bishir