Author: John Cordy JeaffresonPublisher:
ISBN:
Category : Law
Languages : en
Pages : 448
Book Description
Costume and toilet (continued). Music. Amateur theatricals. Political lawyers. Legal education. Mirth. At home: in court: and in society. Tempora mutantur
Author: John Cordy JeaffresonPublisher:
ISBN:
Category : Law
Languages : en
Pages : 448
Book Description
Catalogue of the Public Library of Quincy, Mass
Author: Thomas Crane Public LibraryPublisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 606
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of CongressPublisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 710
Book Description
Catalogue of the Public Library of Quincy, Mass. Catalogue Supplement
Author: Thomas Crane Public LibraryPublisher:
ISBN:
Category :
Languages : en
Pages : 358
Book Description
Author-title Catalog
Author: University of California, Berkeley. LibraryPublisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1018
Book Description
The Life of Ludwig van Beethoven (Complete)
Author: Alexander Wheelock ThayerPublisher: Library of Alexandria
ISBN: 146558322X
Category : Biography & Autobiography
Languages : en
Pages : 1474
Book Description
If for no other reasons than because of the long time and monumental patience expended upon its preparation, the vicissitudes through which it has passed and the varied and arduous labors bestowed upon it by the author and his editors, the history of Alexander Wheelock Thayer’s Life of Beethoven deserves to be set forth as an introduction to this work. His work it is, and his monument, though others have labored long and painstakingly upon it. There has been no considerable time since the middle of the last century when it has not occupied the minds of the author and those who have been associated with him in its creation. Between the conception of its plan and its execution there lies a period of more than two generations. Four men have labored zealously and affectionately upon its pages, and the fruits of more than four score men, stimulated to investigation by the first revelations made by the author, have been conserved in the ultimate form of the biography. It was seventeen years after Mr. Thayer entered upon what proved to be his life-task before he gave the first volume to the world—and then in a foreign tongue; it was thirteen more before the third volume came from the press. This volume, moreover, left the work unfinished, and thirty-two years more had to elapse before it was completed. When this was done the patient and self-sacrificing investigator was dead; he did not live to finish it himself nor to see it finished by his faithful collaborator of many years, Dr. Deiters; neither did he live to look upon a single printed page in the language in which he had written that portion of the work published in his lifetime. It was left for another hand to prepare the English edition of an American writer’s history of Germany’s greatest tone-poet, and to write its concluding chapters, as he believes, in the spirit of the original author. Under these circumstances there can be no vainglory in asserting that the appearance of this edition of Thayer’s Life of Beethoven deserves to be set down as a significant occurrence in musical history. In it is told for the first time in the language of the great biographer the true story of the man Beethoven—his history stripped of the silly sentimental romance with which early writers and their later imitators and copyists invested it so thickly that the real humanity, the humanliness, of the composer has never been presented to the world. In this biography there appears the veritable Beethoven set down in his true environment of men and things—the man as he actually was, the man as he himself, like Cromwell, asked to be shown for the information of posterity. It is doubtful if any other great man’s history has been so encrusted with fiction as Beethoven’s. Except Thayer’s, no biography of him has been written which presents him in his true light. The majority of the books which have been written of late years repeat many of the errors and falsehoods made current in the first books which were written about him. A great many of these errors and falsehoods are in the account of the composer’s last sickness and death, and were either inventions or exaggerations designed by their utterers to add pathos to a narrative which in unadorned truth is a hundredfold more pathetic than any tale of fiction could possibly be. Other errors have concealed the truth in the story of Beethoven’s guardianship of his nephew, his relations with his brothers, the origin and nature of his fatal illness, his dealings with his publishers and patrons, the generous attempt of the Philharmonic Society of London to extend help to him when upon his deathbed.
A Cotswold Village, Or, Country Life and Pursuits in Gloucestershire
Author: Joseph Arthur GibbsPublisher: IndyPublish.com
ISBN:
Category : Social Science
Languages : en
Pages : 494
Book Description
Types of Prose Narratives
Author: Harriott Ely FanslerPublisher:
ISBN:
Category : English prose literature
Languages : en
Pages : 708
Book Description
Wild Sports of the West
Author: William Hamilton MaxwellPublisher:
ISBN:
Category : Fishing
Languages : en
Pages : 356
Book Description
The Contrast
Author: Cynthia A. KiernerPublisher: NYU Press
ISBN: 0814783430
Category : History
Languages : en
Pages : 158
Book Description
“The Contrast“, which premiered at New York City's John Street Theater in 1787, was the first American play performed in public by a professional theater company. The play, written by New England-born, Harvard-educated, Royall Tyler was timely, funny, and extremely popular. When the play appeared in print in 1790, George Washington himself appeared at the head of its list of hundreds of subscribers. Reprinted here with annotated footnotes by historian Cynthia A. Kierner, Tyler’s play explores the debate over manners, morals, and cultural authority in the decades following American Revolution. Did the American colonists' rejection of monarchy in 1776 mean they should abolish all European social traditions and hierarchies? What sorts of etiquette, amusements, and fashions were appropriate and beneficial? Most important, to be a nation, did Americans need to distinguish themselves from Europeans—and, if so, how? Tyler was not the only American pondering these questions, and Kierner situates the play in its broader historical and cultural contexts. An extensive introduction provides readers with a background on life and politics in the United States in 1787, when Americans were in the midst of nation-building. The book also features a section with selections from contemporary letters, essays, novels, conduct books, and public documents, which debate issues of the era.