Author: Selwyn BrintonPublisher:
ISBN:
Category : Art
Languages : en
Pages : 188
Book Description
Correggio at Parma
Author: Selwyn BrintonWorks of Correggio at Parma
Author: A. Allegri (called Correggio.)Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
The Works of Correggio at Parma
Author: The Works of Correggio at Parma
Author: Louis FaganThe Renaissance in Italian Art: Correggio at Parma
Author: Selwyn BrintonPublisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 130
Book Description
Correggio
Author: David EkserdjianPublisher: Yale University Press
ISBN: 0300072996
Category : Art
Languages : en
Pages : 360
Book Description
This beautifully illustrated book is the first full-scale chronological and critical account of the paintings and drawings of Correggio (1489-1534)--a genius of the Italian Renaissance. The author places the artist in the context of 16th-century Italy and his isolation from fellow artists of the period, examines his particular creative process, and sheds new light on Correggio's patrons. 200 color and 50 b&w illustrations.
Correggio at Parma
Author: Selwyn BrintonPublisher: Palala Press
ISBN: 9781358100765
Category :
Languages : en
Pages :
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Correggio at Parm
Author: Selwyn John Curwen BrintonPublisher:
ISBN: 9781436814454
Category :
Languages : en
Pages : 124
Book Description
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Correggio and Parmigianino
Author: Elisabetta FaddaPublisher: Silvana
ISBN: 9788836633548
Category : Art
Languages : en
Pages : 0
Book Description
The exhibition aims to allow visitors to avail themselves of a selection of masterpieces from some of the world's leading museums to compare and contrast the artistic careers of two of the greatest luminaries of the Italian Renaissance ? Antonio Allegri known as Correggio (1489-1534) and Francesco Mazzola known as Parmigianino (1503-40). The formidable talent of these two artists alone placed the city of Parma in the early 16th century on an equal footing with the peninsula's other great art capitals, Rome, Florence and Venice. 0 0Correggio only travelled to Parma when he was already at the height of his career, in the late 1510s, but he was to remain in the city for the rest of his life. Some twenty of his paintings, covering his entire career, have been selected to underscore the extraordinary emotive force and expressive range that the artist put not only into his religious works but also into his mythological paintings, which were to have such a huge impact on later artists, ranging from the Carracci brothers to Watteau and even to Picasso. 0 0The exhibition 'Correggio e Parmigianino. Arte a Parma nel Ciquecento' ('Correggio and Parmigianino. Art in Parma during the 16th century') hosts such unquestioned masterpieces as the Barrymore Madonna from the National Gallery of Art in Washington, the Portrait of a Lady from the State Hermitage Museum in St. Petersburg, the Martyrdom of Four Saints from the Galleria Nazionale in Parma, the Noli Me Tangere from the Museo del Prado in Madrid, the School of Love from the National Gallery in London and the Danaë from Rome's Galleria Borghese. 00Exhibition: Scuderie del Quirinale, Rome, Italy (12.03.-26.06.2016).
Correggio at Parma; Being Part V of the Renaissance in Italian Art, and Containing a Separate Analysis of Artists and Their Works in Sculpture and Pai
Author: Selwyn BrintonPublisher: Rarebooksclub.com
ISBN: 9781230181585
Category :
Languages : en
Pages : 30
Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1905 edition. Excerpt: ...thought of something more uplifted and divine than common life affords; while in the pendentives he paints the four Evangelists and the four Fathers of the Church (v. Anal.) more on the lines of accepted treatment, and each distinguished by their respective symbols. Yet even here his vagrant fancy finds a method of escape in the delicious boy angels who sport among the clouds on which the saints are seated, and laugh at one another in roguish mirth, that even their serious service cannot quite restrain. The Coronation of the Virgin by Allegri, painted at the same time, was most unfortunately and very barbarously destroyed by its Benedictine possessors in the subsequent enlargement of the church, being replaced by an inferior copy of the original by Cesare Aretusi. Our records of this priceless fresco are only the copy just mentioned, those by the Caracci of the angels' heads and of the central group, the master's own drawings (especially the study for "Copiedfrom GROUP OF ANGEL FACES. parma Antonio Al/egri. GalLERY. the Virgin in the Musee du Louvre), some fragments of angels' heads in private collections (notably in that of Mr. Mond), and, lastly, the original central group of " Christ and the Virgin" (v. illustration) which was cut out of the fresco, and is still preserved in the Biblioteca Reale of Parma. But all these fascinating fragments only serve to intensify our loss. For they make it clear to us that this lost work was the connecting link--priceless to our study of Allegri's development--between his earlier and his later styles, between the restrained beauty of these frescoes of the Benedictine church, which we have just studied, and the riotous gladness, the exotic loveliness of those genii and soaring angels of...