The Cornermen PDF Download

Author: John Gardner
Publisher: Doubleday Books
ISBN:
Category : Fiction
Languages : en
Pages : 248

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Author: Jim Hinkson
Publisher: John Wiley & Sons
ISBN: 0470677406
Category : Sports & Recreation
Languages : en
Pages : 375

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The ultimate guide for fans and players of this rapidly growing sport! Lacrosse For Dummies is the ultimate guide for fans and players of this rapidly growing sport alike. The book offers everything the beginning player needs to know, from the necessary equipment to the basic rules of the game, with explanations of the women's game and the indoor game, too. It also offers a wealth of information for the experienced player, including winning offensive and defensive strategies, along with skill-building exercises and drills. Finally, there's information on how armchair lacrosse players can get their fix of the sport on television, online, on in print.

Author: Ronald K. Fried
Publisher: Thunder's Mouth Press
ISBN: 9780941423489
Category : Biography & Autobiography
Languages : en
Pages : 414

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The Great Boxing Trainers.

Author: Michael Macilwee
Publisher: Liverpool University Press
ISBN: 1802079386
Category : History
Languages : en
Pages : 382

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A survey of the social and economic conditions and events that gave Liverpool a reputation for being the most crime-ridden place in the country in the nineteenth century.

Author: Brian Fox
Publisher: Oxford University Press
ISBN: 0192543687
Category : Literary Criticism
Languages : en
Pages : 256

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James Joyce's America is the first study to address the nature of Joyce's relation to the United States. It challenges the prevalent views of Joyce as merely indifferent or hostile towards America, and argues that his works show an increasing level of engagement with American history, culture, and politics that culminates in the abundance of allusions to the US in Finnegans Wake, the very title of which comes from an Irish-American song and signals the importance of America to that work. The volume focuses on Joyce's concept of America within the framework of an Irish history that his works obsessively return to. It concentrates on Joyce's thematic preoccupation with Ireland and its history and America's relation to Irish post-Famine history. Within that context, it explores first Joyce's relation to Irish America and how post-Famine Irish history, as Joyce saw it, transformed the country from a nation of invasions and settlements to one spreading out across the globe, ultimately connecting Joyce's response to this historical phenomenon to the diffusive styles of Finnegans Wake. It then discusses American popular and literary cultures in terms of how they appear in relation to, or as a function of, the British-Irish colonial context in the post-Famine era, and concludes with a consideration of how Joyce represented his American reception in the Wake.

Author: Peter D. Norton
Publisher: MIT Press
ISBN: 0262293889
Category : Technology & Engineering
Languages : en
Pages : 409

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The fight for the future of the city street between pedestrians, street railways, and promoters of the automobile between 1915 and 1930. Before the advent of the automobile, users of city streets were diverse and included children at play and pedestrians at large. By 1930, most streets were primarily a motor thoroughfares where children did not belong and where pedestrians were condemned as “jaywalkers.” In Fighting Traffic, Peter Norton argues that to accommodate automobiles, the American city required not only a physical change but also a social one: before the city could be reconstructed for the sake of motorists, its streets had to be socially reconstructed as places where motorists belonged. It was not an evolution, he writes, but a bloody and sometimes violent revolution. Norton describes how street users struggled to define and redefine what streets were for. He examines developments in the crucial transitional years from the 1910s to the 1930s, uncovering a broad anti-automobile campaign that reviled motorists as “road hogs” or “speed demons” and cars as “juggernauts” or “death cars.” He considers the perspectives of all users—pedestrians, police (who had to become “traffic cops”), street railways, downtown businesses, traffic engineers (who often saw cars as the problem, not the solution), and automobile promoters. He finds that pedestrians and parents campaigned in moral terms, fighting for “justice.” Cities and downtown businesses tried to regulate traffic in the name of “efficiency.” Automotive interest groups, meanwhile, legitimized their claim to the streets by invoking “freedom”—a rhetorical stance of particular power in the United States. Fighting Traffic offers a new look at both the origins of the automotive city in America and how social groups shape technological change.

Author: Michael Pickering
Publisher: Routledge
ISBN: 1351573527
Category : Music
Languages : en
Pages : 270

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Book Description
Blackface minstrelsy is associated particularly with popular culture in the United States and Britain, yet despite the continual two-way flow of performers, troupes and companies across the Atlantic, there is little in Britain to match the scholarship of blackface studies in the States. This book concentrates on the distinctively British trajectory of minstrelsy. The historical study and cultural analysis of minstrelsy is important because of the significant role it played in Britain as a form of song, music and theatrical entertainment. Minstrelsy had a marked impact on popular music, dance and other aspects of popular culture, both in Britain and the United States. Its impact in the United States fed into significant song and music genres that were assimilated in Britain, from ragtime and jazz onwards, but prior to these influences, minstrelsy in Britain developed many distinct features and was adapted to operate within various conventions, themes and traditions in British popular culture. Pickering provides a convincing counter-argument to the assumption among writers in the United States that blackface was exclusively American and its British counterpart purely imitative. Minstrelsy was not confined to its value as song, music and dance. Jokes at the expense of black people along with demeaning racial stereotypes were integral to minstrel shows. As a form of popular entertainment, British minstrelsy created a cultural low-Other that offered confirmation of white racial ascendancy and imperial dominion around the world. The book attends closely to how this influence on colonialism and imperialism operated and proved ideologically so effective. At the same time British minstrelsy cannot be reduced to its racist and imperialist connections. Enormously important as those connections are, Pickering demonstrates the complexity of the subject by insisting that the minstrel show and minstrel performers are understood also in terms of their own theatrical dynamics, t

Author:
Publisher:
ISBN:
Category : Delegated legislation
Languages : en
Pages : 594

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Author: Carlo Rotella
Publisher: University of Chicago Press
ISBN: 0226729117
Category : Sports & Recreation
Languages : en
Pages : 284

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Book Description
From jazz fantasy camp to running a movie studio; from a fight between an old guy and a fat guy to a fear of clowns—Carlo Rotella’s Playing in Time delivers good stories full of vivid characters, all told with the unique voice and humor that have garnered Rotella many devoted readers in the New York Times Magazine, Boston Globe, and Washington Post Magazine, among others. The two dozen essays in Playing in Time, some of which have never before been published, revolve around the themes and obsessions that have characterized Rotella’s writing from the start: boxing, music, writers, and cities. What holds them together is Rotella’s unique focus on people, craft, and what floats outside the mainstream. “Playing in time” refers to how people make beauty and meaning while working within the constraints and limits forced on them by life, and in his writing Rotella transforms the craft and beauty he so admires in others into an art of his own. Rotella is best known for his writings on boxing, and his essays here do not disappoint. It’s a topic that he turns to for its colorful characters, compelling settings, and formidable life lessons both in and out of the ring. He gives us tales of an older boxer who keeps unretiring and a welterweight who is “about as rich and famous as a 147-pound fighter can get these days,” and a hilarious rumination on why Muhammad Ali’s phrase “I am the greatest” began appearing (in the mouth of Epeus) in translations of The Iliad around 1987. His essays on blues, crime and science fiction writers, and urban spaces are equally and deftly engaging, combining an artist’s eye for detail with a scholar’s sense of research, whether taking us to visit detective writer George Pelecanos or to dance with the proprietress of the Baby Doll Polka Club next to Midway Airport in Chicago. Rotella’s essays are always smart, frequently funny, and consistently surprising. This collection will be welcomed by his many fans and will bring his inimitable style and approach to an even wider audience.

Author: Bob Jones
Publisher: Penguin Random House New Zealand Limited
ISBN: 1775534391
Category : Sports & Recreation
Languages : en
Pages : 523

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Book Description
From 'A Low Blow' to 'Went the Distance', a fascinating and lively examination of the regular use of terms from the boxing ring in our everyday language. Have you ever stopped to notice how often your local newspaper or favourite magazine uses the terms 'On the Ropes', 'The Gloves Are Off' and 'Knockout Punch'? How often TV newsreaders will say that a politician has "Thrown His hat in the Ring', is a 'Big Hitter', is 'Taking it on the Chin', is 'Down for the Count' or has the 'Killer Instinct'? Knight of the realm, leading businessman, colourful and controversial commentator, and boxing aficionado Sir Robert — Bob —Jones certainly has. Over a period of years he made careful note of how often terms cropped up and then retraced their etymological origins in boxing history. The result is a lively, entertaining, and thought-provoking miscellany of boxing terms that are now part of our everyday English language. Some have strayed far from their original meanings, others are more frequently in use now than at any other time. Jones asks why that might be, and his answers are, well, a knockout.