Author: Akhil PrasadPublisher: Universal Law Publishing
ISBN: 9788175347755
Category : Copyright
Languages : en
Pages : 440
Book Description
Copyright Law Desk Book
Author: Akhil PrasadPublisher: Universal Law Publishing
ISBN: 9788175347755
Category : Copyright
Languages : en
Pages : 440
Book Description
Copyright Law Deskbook
Author: Robert W. ClaridaPublisher: Bureau of National Affairs (BNA)
ISBN: 9781682670149
Category : Copyright
Languages : en
Pages : 0
Book Description
Copyright Law Deskbook
Author: Robert W. ClaridaPublisher:
ISBN:
Category : Copyright
Languages : en
Pages : 857
Book Description
Copyright Law
Author: Copyright Law Deskbook
Author: Robert W. ClaridaPublisher:
ISBN: 9781682673645
Category : Copyright
Languages : en
Pages :
Book Description
Copyright Law Deskbook: Jurisdiction and procedure; 2. Copyrightability; 3. Ownership; 4. Formalities; 5. Infringement; 6. Fair Use; 7. Other defenses; 8. Remedies; 9. Preemption; 10. The digital millennium copyright Act; 11. International issues; 12. Tax, insurance, antitrust, and bankruptcy issues
Author: Robert W. ClaridaPublisher:
ISBN: 9781570189531
Category : Copyright
Languages : en
Pages : 165
Book Description
Municipal Law Deskbook
Author: Benjamin E. GriffithPublisher: ABA Section of State and Local Government Law
ISBN: 9781634252454
Category : Local government
Languages : en
Pages :
Book Description
Art Law
Author: Leonard D. DuBoffPublisher: Aspen Publishing
ISBN: 1543857914
Category : Law
Languages : en
Pages : 1086
Book Description
The purchase of this ebook edition does not entitle you to receive access to the Connected eBook on CasebookConnect. You will need to purchase a new print book to get access to the full experience including: lifetime access to the online ebook with highlight, annotation, and search capabilities, plus an outline tool and other helpful resources. Art Law: Cases and Materials, Third Edition is written by Leonard DuBoff, a founder of the discipline of art law, and by Michael Murray, a prolific scholar of art law and intellectual property law. The current edition focuses on law and the visual arts world that now embraces the disruptive forces of blockchains and non-fungible tokens (NFTs). Designed as a primary text for courses on art law, law and the visual arts, cultural property law, or cultural heritage law, the three-part framework of this highly readable casebook explores artists’ rights under copyright, trademark, right of publicity, moral rights, and the First Amendment; art markets including the law of galleries, dealers, auctions, and museums; and the legal issues surrounding international preservation of art and cultural property, including smuggling and theft in peacetime, looting and plundering in wartime, and protection of native and indigenous peoples’ art. New to the Third Edition: As stated by the author of the introduction, Jane Ginsburg of Columbia Law School says, “The tremendous sweep of this casebook takes in the manifold fields that the apparently simple name ‘Art Law’ implicates. From ‘What is Art?’ through the different kinds of intellectual property encompassed within artists’ rights, through censorship and freedom of expression to the many permutations of the art market, and on to international and domestic protections of cultural property, the casebook enmeshes the student in an extraordinary variety of fascinating, and often intractable, legal issues. The current edition not only generally updates its predecessor but adds such cutting-edge digital matters as NFTs (which unsettle some notions of “what is art,” and pervade the gamut of IP issues), the role of artificial intelligence in the creation of works of art, and the impact of deepfakes on the right of publicity.” The Third Edition explores how NFTs and the market for digital art has changed how artists, collectors, and the general public view and interact with the art world. NFTs have disrupted the calculation of what is art and who is an artist and challenge the centuries old systems of valuation of art even though they apply the same basic factors of scarcity, provenance (authenticity), attribution to a particular artist, popularity, historical significance, and potential for growth in value. NFTs and metaverse have thrust an entirely new class of creators and content owners into a crypto community that disfavors law and champions copying. NFTs have made digital art a popular and expensive art investment, but this pushes to the forefront the uncomfortable uncertainties of how the law treats digital works under the copyright first sale doctrine. NFTs now enable American artists to list and sell art works linked to smart contracts that set a rate for the payment of resale royalties and can issue a royalty payment whenever these art works are resold on an exchange that supports the payment of royalties for transactions on the blockchain where the art is registered. The text also explores how deep fakes and AI rendering technologies have created new issues regarding unauthorized uses in false endorsement situations and lookalike avatars and profile pictures (PFPs). Professors and students will benefit from: A very current text covering the real world and metaverse art world of the 2020s A rich collection of illustrations from and about the cases and issues PowerPoints that cover each case, topic, and subtopic
Criminal Law Deskbook
Author: Patrick L. McCloskeyPublisher:
ISBN:
Category : Criminal law
Languages : en
Pages :
Book Description
Copy This Book!
Author: Paul J. HealdPublisher: Stanford University Press
ISBN: 150361431X
Category : Law
Languages : en
Pages : 228
Book Description
In Copy This Book!, Paul J. Heald draws on a vast knowledge of copyright scholarship and a deep sense of irony to explain what's gone wrong with copyright in the twenty-first century. Distilling extensive empirical data to clearly show the implications of copyright laws and doctrine for public welfare, he illustrates his findings with lighthearted references to familiar (and obscure) works and their creators (and sometimes their creators' oddball relations). Among the questions he tackles: How does copyright deter composers from writing new songs? Why are so many famous photographs unprotected orphans, and how does Getty Images get away with licensing them? What can the use of music in movies tell us about the proper length of the copyright term? How do publishers get away with claiming rights in public domain works and extracting unmerited royalties from the public? Heald translates piles of data, complex laws, and mysterious economics, equipping readers with the tools for judging past and future copyright law.