Author: Eleni Sideri
Publisher: Berghahn Books
ISBN: 1800739869
Category : Performing Arts
Languages : en
Pages : 197
Book Description
Up until the 1990s, when the EU launched film policies intended to encourage political and cultural collaboration among its member states, film coproductions were limited to specific industries and mostly based on the cultural and national values of individual nations. Coproducing Europe explores the impact of these EU policies on the coproduction networks that now serve as a driving force in contemporary creative economies. By focusing on regional film markets in Thessaloniki, Sarajevo and Tbilisi, this comparative ethnography looks beyond the economic nature of film coproductions to their role in Europeanization, memories of the Cold War and preconstructed political agendas.
Coproducing Europe
Author: Eleni Sideri
Publisher: Berghahn Books
ISBN: 1800739869
Category : Performing Arts
Languages : en
Pages : 197
Book Description
Up until the 1990s, when the EU launched film policies intended to encourage political and cultural collaboration among its member states, film coproductions were limited to specific industries and mostly based on the cultural and national values of individual nations. Coproducing Europe explores the impact of these EU policies on the coproduction networks that now serve as a driving force in contemporary creative economies. By focusing on regional film markets in Thessaloniki, Sarajevo and Tbilisi, this comparative ethnography looks beyond the economic nature of film coproductions to their role in Europeanization, memories of the Cold War and preconstructed political agendas.
Publisher: Berghahn Books
ISBN: 1800739869
Category : Performing Arts
Languages : en
Pages : 197
Book Description
Up until the 1990s, when the EU launched film policies intended to encourage political and cultural collaboration among its member states, film coproductions were limited to specific industries and mostly based on the cultural and national values of individual nations. Coproducing Europe explores the impact of these EU policies on the coproduction networks that now serve as a driving force in contemporary creative economies. By focusing on regional film markets in Thessaloniki, Sarajevo and Tbilisi, this comparative ethnography looks beyond the economic nature of film coproductions to their role in Europeanization, memories of the Cold War and preconstructed political agendas.
Mass Producing European Cinema
Author: Christopher Meir
Publisher: Bloomsbury Publishing USA
ISBN: 1501327097
Category : Performing Arts
Languages : en
Pages : 272
Book Description
Equal parts historical study, industrial analysis and critical survey of some of the most important films and television programs in recent European history, this book gives readers an overview of the development and output of this important company while also giving them a ringside seat for the latest round of the oldest battle in the film business. With films like Lucy, The Impossible and Paddington, European studios are producing hits that are unprecedented in terms of global success. Christopher Meir delves into StudioCanal, the foremost European company in the contemporary film and television industries, and chronicles its rise from a small production subsidiary of Canal Plus to being the most important global challenger to Hollywood's dominance.
Publisher: Bloomsbury Publishing USA
ISBN: 1501327097
Category : Performing Arts
Languages : en
Pages : 272
Book Description
Equal parts historical study, industrial analysis and critical survey of some of the most important films and television programs in recent European history, this book gives readers an overview of the development and output of this important company while also giving them a ringside seat for the latest round of the oldest battle in the film business. With films like Lucy, The Impossible and Paddington, European studios are producing hits that are unprecedented in terms of global success. Christopher Meir delves into StudioCanal, the foremost European company in the contemporary film and television industries, and chronicles its rise from a small production subsidiary of Canal Plus to being the most important global challenger to Hollywood's dominance.
Coproducing Asia
Author: Stephanie DeBoer
Publisher: U of Minnesota Press
ISBN: 1452940940
Category : Art
Languages : en
Pages : 222
Book Description
East Asia largely functions as a single film and media market, but behind it exists a multifaceted world of coproduction crossing linguistic and national borders. In Coproducing Asia, Stephanie DeBoer guides readers through a rich genealogy of regional film and media coproduction, all the while introducing innovative methods for their examination across decades, locations, and scales of production in East Asia and beyond. Beginning with the present and moving back in time, Coproducing Asia paints a picture of the assemblages of coproduction in East Asia and their negotiation of Cold War geopolitics and imperial legacies along with the emergence of China as a global market. Addressing wide-screen international romances of the early 1960s, technology transfers of Cold War action cinema, Sino–Japanese “friendship” TV collaborations, Asian omnibus film and video, and more recent China-centered blockbusters, DeBoer deftly contextualizes each case study while accounting for the difficulties involved in the cultural, creative, and industry mediations associated with coproduction. Based on rarely seen archival research as well as interviews with producers in Tokyo, Hong Kong, Taipei, and Shanghai, Coproducing Asia provides compelling frames for understanding the significance of film and media coproduction in East Asia, making clear that it is not only a site of technological transformation but also an arena for competing senses of regional location and place.
Publisher: U of Minnesota Press
ISBN: 1452940940
Category : Art
Languages : en
Pages : 222
Book Description
East Asia largely functions as a single film and media market, but behind it exists a multifaceted world of coproduction crossing linguistic and national borders. In Coproducing Asia, Stephanie DeBoer guides readers through a rich genealogy of regional film and media coproduction, all the while introducing innovative methods for their examination across decades, locations, and scales of production in East Asia and beyond. Beginning with the present and moving back in time, Coproducing Asia paints a picture of the assemblages of coproduction in East Asia and their negotiation of Cold War geopolitics and imperial legacies along with the emergence of China as a global market. Addressing wide-screen international romances of the early 1960s, technology transfers of Cold War action cinema, Sino–Japanese “friendship” TV collaborations, Asian omnibus film and video, and more recent China-centered blockbusters, DeBoer deftly contextualizes each case study while accounting for the difficulties involved in the cultural, creative, and industry mediations associated with coproduction. Based on rarely seen archival research as well as interviews with producers in Tokyo, Hong Kong, Taipei, and Shanghai, Coproducing Asia provides compelling frames for understanding the significance of film and media coproduction in East Asia, making clear that it is not only a site of technological transformation but also an arena for competing senses of regional location and place.
Paternalism, Conflict, and Coproduction
Author: Lawrence Susskind
Publisher: Springer Science & Business Media
ISBN: 1489903607
Category : Science
Languages : en
Pages : 352
Book Description
A research team from the United States has completed an examination of citizen participation experiments in seven European countries. The team included Donald Appleyard, Marc Draisen, David Godschalk, Chester Hartman, Janice Perlman, Hans Spiegel, John Zeisel, and ourselves. This book is a product of our joint efforts. Our studies are aimed at summarizing and sharing what can be learned from recent European efforts to enhance the effectiveness of local government through increased public involvement in the organization and management of public services and urban redevelopment. Almost a year was spent assembling the team, developing a shared framework for analysis and identifying appropriate case study cities. European and American public officials and citizen activists helped us assess the potential impact of such a study on current practice. A second year was spent visiting the European cities and preparing the case-study drafts. Finally, team members gathered in Washington, D. C. , with fifty American and European public officials, citizen activists, and scholars. A two-day symposium provided an exciting opportunity to present preliminary research findings and encourage an exchange of ideas between researchers, activists, and policymakers. The final versions of the case studies that appear in this book, along with several commentaries by symposium participants, are written especially for city officials and citizen activists. We have tried to translate the results of our scholarly inquiry into pragmatic suggestions for officials and activists.
Publisher: Springer Science & Business Media
ISBN: 1489903607
Category : Science
Languages : en
Pages : 352
Book Description
A research team from the United States has completed an examination of citizen participation experiments in seven European countries. The team included Donald Appleyard, Marc Draisen, David Godschalk, Chester Hartman, Janice Perlman, Hans Spiegel, John Zeisel, and ourselves. This book is a product of our joint efforts. Our studies are aimed at summarizing and sharing what can be learned from recent European efforts to enhance the effectiveness of local government through increased public involvement in the organization and management of public services and urban redevelopment. Almost a year was spent assembling the team, developing a shared framework for analysis and identifying appropriate case study cities. European and American public officials and citizen activists helped us assess the potential impact of such a study on current practice. A second year was spent visiting the European cities and preparing the case-study drafts. Finally, team members gathered in Washington, D. C. , with fifty American and European public officials, citizen activists, and scholars. A two-day symposium provided an exciting opportunity to present preliminary research findings and encourage an exchange of ideas between researchers, activists, and policymakers. The final versions of the case studies that appear in this book, along with several commentaries by symposium participants, are written especially for city officials and citizen activists. We have tried to translate the results of our scholarly inquiry into pragmatic suggestions for officials and activists.
Convention Européene Sur la Coproduction Cinématographique Et Rapport Explicatif
Author: Council of Europe. Council for Cultural Co-operation
Publisher: Council of Europe
ISBN: 9789287130006
Category : Political Science
Languages : en
Pages : 36
Book Description
On cover: Treaties and reports
Publisher: Council of Europe
ISBN: 9789287130006
Category : Political Science
Languages : en
Pages : 36
Book Description
On cover: Treaties and reports
Producing
Author: Jon Lewis
Publisher: Rutgers University Press
ISBN: 081357532X
Category : Performing Arts
Languages : en
Pages : 307
Book Description
Of all the job titles listed in the opening and closing screen credits, producer is certainly the most amorphous. There are businessmen (and women)-producers, writer-director- and movie-star-producers; producers who work for the studio; executive producers whose reputation and industry clout alone gets a project financed (though their day-to-day participation in the project may be negligible). The job title, regardless of the actual work involved, warrants a great deal of prestige in the film business; it is the credited producers, after all, who collect the Oscar for Best Picture. But what producers do and what they don’t or won’t do varies from project to project. Producing is the first book to provide a comprehensive overview of the roles that producers have played in Hollywood, from the dawn of the twentieth century to the present day. It introduces readers to the colorful figures who helped to define and reimagine the producer’s role, including inventors like Thomas Edison, moguls like Darryl F. Zanuck, entrepreneurs like Walt Disney, and mavericks like Roger Corman. Readers also get an inside look at the less glamorous jobs producers have often performed: shepherding projects through many years of development, securing financial backers, and supervising movie shoots. The latest book in the acclaimed Behind the Silver Screen series, Producing includes essays written by seven film scholars, each an expert in a different period of cinema history. Together, they give readers a full picture of how the art and business of producing films has changed over time—and how the producer’s myriad job duties continue to evolve in the digital era.
Publisher: Rutgers University Press
ISBN: 081357532X
Category : Performing Arts
Languages : en
Pages : 307
Book Description
Of all the job titles listed in the opening and closing screen credits, producer is certainly the most amorphous. There are businessmen (and women)-producers, writer-director- and movie-star-producers; producers who work for the studio; executive producers whose reputation and industry clout alone gets a project financed (though their day-to-day participation in the project may be negligible). The job title, regardless of the actual work involved, warrants a great deal of prestige in the film business; it is the credited producers, after all, who collect the Oscar for Best Picture. But what producers do and what they don’t or won’t do varies from project to project. Producing is the first book to provide a comprehensive overview of the roles that producers have played in Hollywood, from the dawn of the twentieth century to the present day. It introduces readers to the colorful figures who helped to define and reimagine the producer’s role, including inventors like Thomas Edison, moguls like Darryl F. Zanuck, entrepreneurs like Walt Disney, and mavericks like Roger Corman. Readers also get an inside look at the less glamorous jobs producers have often performed: shepherding projects through many years of development, securing financial backers, and supervising movie shoots. The latest book in the acclaimed Behind the Silver Screen series, Producing includes essays written by seven film scholars, each an expert in a different period of cinema history. Together, they give readers a full picture of how the art and business of producing films has changed over time—and how the producer’s myriad job duties continue to evolve in the digital era.
Convention Européenne Sur la Coproduction Cinématographique
Author: Council of Europe
Publisher: Council of Europe
ISBN: 9789287121851
Category : Performing Arts
Languages : en
Pages : 24
Book Description
Parallel texts in English and French. Parallel title: Convention europâenne sur la coproduction ciâmatographique
Publisher: Council of Europe
ISBN: 9789287121851
Category : Performing Arts
Languages : en
Pages : 24
Book Description
Parallel texts in English and French. Parallel title: Convention europâenne sur la coproduction ciâmatographique
European Cinema after 1989
Author: L. Rivi
Publisher: Springer
ISBN: 0230609287
Category : History
Languages : en
Pages : 200
Book Description
The book examines cinema in post-1989 Europe by looking at how the new post-Cold War cinematographic co-productions articulate the political and cultural objectives of a new Europe as they redefine a European identity.
Publisher: Springer
ISBN: 0230609287
Category : History
Languages : en
Pages : 200
Book Description
The book examines cinema in post-1989 Europe by looking at how the new post-Cold War cinematographic co-productions articulate the political and cultural objectives of a new Europe as they redefine a European identity.
European Film and Television Co-production
Author: Julia Hammett-Jamart
Publisher: Springer
ISBN: 3319971573
Category : Performing Arts
Languages : en
Pages : 377
Book Description
This volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice that is of increasing significance in the global media landscape. Analysis of the latest production statistics sits alongside interviews with producers and the critical evaluation of public film policies. The volume incorporates contributions from representatives of major public institutions—Eurimages, the European Audiovisual Observatory and the European Commission—and private production companies including the pan-European Zentropa Group. Policy issues are elucidated through case studies including the Oscar-winning feature film Ida, the BAFTA-winning I am not a Witch and the Danish television serial Ride Upon the Storm. Scholarly articles span co-development, co-distribution and regional cinemas as well as emerging policy challenges such as the digital single market. The combination of qualitative and quantitative approaches, and the juxtaposition of industry and scholarly voices, provides a unique perspective on European co-production that is information-rich, complex and stimulating, making this volume a valuable companion for students, scholars, and industry professionals.
Publisher: Springer
ISBN: 3319971573
Category : Performing Arts
Languages : en
Pages : 377
Book Description
This volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice that is of increasing significance in the global media landscape. Analysis of the latest production statistics sits alongside interviews with producers and the critical evaluation of public film policies. The volume incorporates contributions from representatives of major public institutions—Eurimages, the European Audiovisual Observatory and the European Commission—and private production companies including the pan-European Zentropa Group. Policy issues are elucidated through case studies including the Oscar-winning feature film Ida, the BAFTA-winning I am not a Witch and the Danish television serial Ride Upon the Storm. Scholarly articles span co-development, co-distribution and regional cinemas as well as emerging policy challenges such as the digital single market. The combination of qualitative and quantitative approaches, and the juxtaposition of industry and scholarly voices, provides a unique perspective on European co-production that is information-rich, complex and stimulating, making this volume a valuable companion for students, scholars, and industry professionals.
American Foundations and the Coproduction of World Order in the Twentieth Century
Author: John Krige
Publisher: Vandenhoeck & Ruprecht
ISBN: 3647310433
Category : History
Languages : en
Pages : 306
Book Description
This volume studies the links between politics and science during the 20th century, based on the example of the large US foundations. If the 20th century can be regarded in many ways as the »American Century«, then the large US foundations such as Carnegie, Rockefeller and Ford played a major role in this development. And yet they weren ́t simply stooges for official US power politics. The circumstances surrounding their actions were much more complicated and made great demands of the philanthropy of the day. This volume with articles in English and German shows the course of US philanthropy in Europe in the time between the world wars and following World War II; it demonstrates how Europe became the setting for continually new versions of the postwar political and scientific landscape.
Publisher: Vandenhoeck & Ruprecht
ISBN: 3647310433
Category : History
Languages : en
Pages : 306
Book Description
This volume studies the links between politics and science during the 20th century, based on the example of the large US foundations. If the 20th century can be regarded in many ways as the »American Century«, then the large US foundations such as Carnegie, Rockefeller and Ford played a major role in this development. And yet they weren ́t simply stooges for official US power politics. The circumstances surrounding their actions were much more complicated and made great demands of the philanthropy of the day. This volume with articles in English and German shows the course of US philanthropy in Europe in the time between the world wars and following World War II; it demonstrates how Europe became the setting for continually new versions of the postwar political and scientific landscape.