Cop Land PDF Download

Author: Howard Pollack
Publisher: Henry Holt and Company
ISBN: 1627798498
Category : Biography & Autobiography
Languages : en
Pages : 708

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Book Description
A candid and fascinating portrait of the American composer. The son of Russian-Jewish immigrants, Aaron Copland (1900-1990) became one of America's most beloved and esteemed composers. His work, which includes Fanfare for the Common Man, A Lincoln Portrait, and Appalachian Spring, has been honored by a huge following of devoted listeners. But the full richness of Copland's life and accomplishments has never, until now, been documented or understood. Howard Pollack's meticulously researched and engrossing biography explores the symphony of Copland's life: his childhood in Brooklyn; his homosexuality; Paris in the early 1920s; the Alfred Stieglitz circle; his experimentation with jazz; the communist witch trials; Hollywood in the forties; public disappointment with his later, intellectual work; and his struggle with Alzheimer's disease. Furthermore, Pollack presents informed discussions of Copland's music, explaining and clarifying its newness and originality, its aesthetic and social aspects, its distinctive and enduring personality. "Not only a success in its own right, but a valuable model of what biography can and probably should be. " - Kirkus Reviews

Author: Mike Mcalary
Publisher: Miramax Books
ISBN: 9780786882526
Category : Film novelizations
Languages : en
Pages : 212

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Languages : en
Pages : 54

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Author: Karin Slaughter
Publisher: Delacorte Press
ISBN: 0345547519
Category : Fiction
Languages : en
Pages : 386

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Book Description
NEW YORK TIMES BESTSELLER • Karin Slaughter, author of the bestselling Will Trent novels, is widely acclaimed as “one of the best crime novelists in America” (The Washington Post). Now she delivers her first stand-alone novel: an epic story of a city in the midst of seismic upheaval, a serial killer targeting cops, and a divided police force tasked with bringing a madman to justice. Atlanta, 1974: As a brutal murder and a furious manhunt rock the city’s police department, Kate Murphy wonders if her first day on the job will also be her last. She’s determined to defy her privileged background by making her own way—wearing a badge and carrying a gun. But for a beautiful young woman, life will be anything but easy in the macho world of the Atlanta PD, where even the female cops have little mercy for rookies. It’s also the worst day possible to start given that a beloved cop has been gunned down, his brothers in blue are out for blood, and the city is on the edge of war. Kate isn’t the only woman on the force who’s feeling the heat. Maggie Lawson followed her uncle and brother into the ranks to prove her worth in their cynical eyes. When she and Kate, her new partner, are pushed out of the citywide search for a cop killer, their fury, pain, and pride finally reach the boiling point. With a killer poised to strike again, they will pursue their own line of investigation, risking everything as they venture into the city’s darkest heart. Relentlessly paced, acutely observed, wickedly funny, and often heartbreaking, Cop Town is Karin Slaughter’s most powerful novel yet—a tour de force of storytelling from our foremost master of character, atmosphere, and suspense. Features a preview of Karin Slaughter’s next novel, Pretty Girls “Karin Slaughter is simply one of the best thriller writers working today, and Cop Town shows the author at the top of her game—relentless pacing, complex characters, and gritty realism, all set against the backdrop of a city on the edge. Slaughter’s eye for detail and truth is unmatched. . . . I’d follow her anywhere.”—Gillian Flynn “Cop Town proves Karin Slaughter is one of America’s best writers. . . . She pulls her readers into a twisted tale of mystery and keeps them fascinated from start to finish.”—The Huffington Post “Stunning . . . Karin Slaughter breaks new ground with this riveting story. If you haven’t yet read her, this is the moment.”—Michael Connelly “Compulsively readable . . . will have your heart racing.”—O: The Oprah Magazine “Intense . . . engrossing . . . evocative . . . [Karin Slaughter’s] first stand-alone novel [has] a gritty, action-packed plot and strong, believable characters.”—Associated Press “Slaughter graphically exposes the rampant racism, homophobia, and misogyny of cop culture in the 1970s. . . . Winning leads, the retro setting, and a riveting plot make this one of Slaughter’s best.”—Booklist (starred review) “Superb . . . explosive . . . [Cop Town] is sure to win over readers new to Slaughter’s work while reminding old fans of her enormous talent.”—Library Journal (starred review)

Author: Carol J. Oja
Publisher: Princeton University Press
ISBN: 0691124701
Category : Biography & Autobiography
Languages : en
Pages : 527

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This text reassesses the legacy of one of America's best-loved composers at a pivotal moment - as his life and work shift from the realm of personal memory to that of history. The collection of 17 essays explores the stages of cultural change on which Aaron Copeland's long life unfolded.

Author: Elizabeth B. Crist Assistant Professor of Musicology University of Texas at Austin
Publisher: Oxford University Press, USA
ISBN: 0195348575
Category : Music
Languages : en
Pages : 267

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Book Description
In the 1930s, Aaron Copland began to write in an accessible style he described as "imposed simplicity." Works like El Salon Mexico, Billy the Kid, Lincoln Portrait, and Appalachian Spring feature a tuneful idiom that brought the composer unprecedented popular success and came to define an American sound. Yet the cultural substance of that sound--the social and political perspective that might be heard within these familiar pieces--has until now been largely overlooked. While it has long been acknowledged that Copland subscribed to leftwing ideals, Music for the Common Man is the first sustained attempt to understand some of Copland's best-known music in the context of leftwing social, political, and cultural currents of the Great Depression and Second World War. Musicologist Elizabeth Crist argues that Copland's politics never merely accorded with mainstream New Deal liberalism, wartime patriotism, and Communist Party aesthetic policy, but advanced a progressive vision of American society and culture. Copland's music can be heard to accord with the political tenets of progressivism in the 1930s and '40s, including a fundamental sensitivity toward those less fortunate, support of multiethnic pluralism, belief in social democracy, and faith that America's past could be put in service of a better future. Crist explores how his works wrestle with the political complexities and cultural contradictions of the era by investing symbols of America--the West, folk song, patriotism, or the people--with progressive social ideals. Much as been written on the relationship between politics and art in the 1930s and '40s, but very little on concert music of the era. Music for the Common Man offers fresh insights on familiar pieces and the political context in which they emerged.

Author: Peter Dickinson
Publisher: Boydell Press
ISBN: 9780851159027
Category : Biography & Autobiography
Languages : en
Pages : 240

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A mine of information for both general and specialist readers about the life and work of one of America's greatest composers.

Author: Aaron Copland
Publisher: Psychology Press
ISBN: 9780415939409
Category : Biography & Autobiography
Languages : en
Pages : 418

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First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Larry Starr
Publisher: Pendragon Press
ISBN: 9781576470923
Category : Biography & Autobiography
Languages : en
Pages : 156

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Book Description
Commentary on the original version for soprano and piano is supplemented by information on Copland's later orchestrations of selected songs, a discussion of performance and interpretation, and an annotated discography."--BOOK JACKET.

Author: James R. Copland
Publisher: Encounter Books
ISBN: 1641771216
Category : Political Science
Languages : en
Pages : 268

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Book Description
America is highly polarized around elections, but unelected actors make many of the decisions that affect our lives. In this lucid history, James R. Copland explains how unaccountable agents have taken over much of the U.S. government apparatus. Congress has largely abdicated its authority. “Independent” administrative agencies churn out thousands of new regulations every year. Courts have enabled these rulemakers to expand their powers beyond those authorized by law—and have constrained executive efforts to rein in the bureaucratic behemoth. No ordinary citizen can know what is legal and what is not. There are some 300,000 federal crimes, 98 percent of which were created by administrative action. The proliferation of rules gives enormous discretion to unelected enforcers, and the severity of sanctions can be ruinous to citizens who unwittingly violate a regulation. Outside the bureaucracy, private attorneys regulate our conduct through lawsuits. Most of the legal theories underlying these suits were never voted upon by our elected representatives. A combination of historical accident, decisions by judges and law professors, and self-interested advocacy by litigators has built an onerous and expensive legal regime. Finally, state and local officials may be accountable to their own voters, but some reach further afield, pursuing agendas to dictate the terms of national commerce. These new antifederalists are subjecting the citizens of Wyoming and Mississippi to the whims of the electorates of New York and San Francisco—contrary to the constitutional design. In these ways, the unelected have assumed substantial control of the American republic, upended the rule of law, given the United States the world’s costliest legal system, and inverted the Constitution’s federalism. Copland caps off his account with ideas for charting a corrective course back to democratic accountability.