Author: William HazlittPublisher:
ISBN:
Category : Art
Languages : en
Pages : 318
Book Description
Conversations of James Northcote, R. A.
Author: William HazlittConversations of James Northcote, Esq., R.A.
Author: James NorthcoteConversations of James Northcote, R. A., by William Hazlitt
Author: William HazlittConversations of James Northcote, R.A. with James Ward, on Art and Artists
Author: James NorthcoteConversations of James Northcote, R.A., ed. with an essay on Hazlitt as an art-critic and a note on Northcote by E. Gosse
Author: William HazlittConversations of James Northcote...
Author: James NorthcotePublisher: London, Colburn
ISBN:
Category : Art criticism
Languages : en
Pages : 352
Book Description
Conversations of James Northcote with James Ward on Art and Artists
Author: James NorthcoteConversations of James Northcote, R. A. with James Ward, on Art and Artists
Author: James NorthcoteLiving with the Royal Academy
Author: Professor John BarrellPublisher: Ashgate Publishing, Ltd.
ISBN: 9781409403180
Category : Art
Languages : en
Pages : 282
Book Description
Living with the Royal Academy directs attention to the textures of artists' relationships with the Royal Academy in late-eighteenth- and early-nineteenth-century Britain. This essay collection considers the Academy as a lived organism, one whose most effective role was as a reference point around which artists operated in their relationships with each other and with artistic practice itself.
Living with the Royal Academy
Author: Sarah MonksPublisher: Routledge
ISBN: 1351559966
Category : Art
Languages : en
Pages : 278
Book Description
Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768-1848 offers a range of case studies which consider individual artists' personal, professional and artistic relationships with the Royal Academy during the late eighteenth and early nineteenth centuries, bringing together the research of leading historians of British artistic culture during this period. Over its introduction and nine essays, this collection considers the Academy as a lived organism whose most effective role, following its establishment in 1768, was as a reference point towards, around and against which artists operated in their relationships with each other and with artistic practice itself. In so doing, this collection also considers the relationship between Academic ideals and individual practice (as well as lived experience) during this period of art?s increasingly public manifestation at the Academy. Individual artists examined include Joshua Reynolds, Joseph Wright of Derby, Benjamin West and William Etty. Thinking beyond the dichotomy of loyalism and rebellion - and complicating notions of the Academy as a monolithic ossifying institution from which progressive artists would be ?liberated? in the wake of the Pre-Raphaelite Brotherhood?s emergence in 1848 - this volume investigates the Academy?s varied impact upon the lives, experiences and ideals of its diverse artistic communities.