Author: Aaron Rosen
Publisher: Wipf and Stock Publishers
ISBN: 1532649312
Category : Art
Languages : en
Pages : 231
Book Description
Contemporary artists are engaging more deeply than ever with religious imagery, themes, practices, and audiences. With a bracing, jargon-free style, Aaron Rosen—a leading scholar, art critic, and curator—takes readers into studios, galleries, and worship spaces as he paints a compelling picture of art and religion today. Focusing on individual artists, from eminent names to emerging stars, Rosen’s essays and interviews tackle key questions, from how art might sustain communities to how it might offer new approaches to conflict resolution. Drawing on years spent developing relationships with artists around the globe—from Algeria to India to the United States—Rosen gets artists to talk, often for the first time, about how religion impacts their practice. Whether inspiring or unsettling, these brushes with faith challenge and invigorate the artists in question, and those who ponder the results. Replete with more than seventy color images of works ranging from video art to outdoor installations, this volume is indispensable reading for those looking to see contemporary art in a new light.
Brushes with Faith
Author: Aaron Rosen
Publisher: Wipf and Stock Publishers
ISBN: 1532649312
Category : Art
Languages : en
Pages : 231
Book Description
Contemporary artists are engaging more deeply than ever with religious imagery, themes, practices, and audiences. With a bracing, jargon-free style, Aaron Rosen—a leading scholar, art critic, and curator—takes readers into studios, galleries, and worship spaces as he paints a compelling picture of art and religion today. Focusing on individual artists, from eminent names to emerging stars, Rosen’s essays and interviews tackle key questions, from how art might sustain communities to how it might offer new approaches to conflict resolution. Drawing on years spent developing relationships with artists around the globe—from Algeria to India to the United States—Rosen gets artists to talk, often for the first time, about how religion impacts their practice. Whether inspiring or unsettling, these brushes with faith challenge and invigorate the artists in question, and those who ponder the results. Replete with more than seventy color images of works ranging from video art to outdoor installations, this volume is indispensable reading for those looking to see contemporary art in a new light.
Publisher: Wipf and Stock Publishers
ISBN: 1532649312
Category : Art
Languages : en
Pages : 231
Book Description
Contemporary artists are engaging more deeply than ever with religious imagery, themes, practices, and audiences. With a bracing, jargon-free style, Aaron Rosen—a leading scholar, art critic, and curator—takes readers into studios, galleries, and worship spaces as he paints a compelling picture of art and religion today. Focusing on individual artists, from eminent names to emerging stars, Rosen’s essays and interviews tackle key questions, from how art might sustain communities to how it might offer new approaches to conflict resolution. Drawing on years spent developing relationships with artists around the globe—from Algeria to India to the United States—Rosen gets artists to talk, often for the first time, about how religion impacts their practice. Whether inspiring or unsettling, these brushes with faith challenge and invigorate the artists in question, and those who ponder the results. Replete with more than seventy color images of works ranging from video art to outdoor installations, this volume is indispensable reading for those looking to see contemporary art in a new light.
The Moving Text
Author: Garrick V. Allen
Publisher: SCM Press
ISBN: 0334055261
Category : Religion
Languages : en
Pages : 247
Book Description
Drawing upon the pioneering work of the British theologian David Brown who argues for a non-static, ‘moving text’ that reaches beyond the biblical canon, this volume brings together twelve interdisciplinary essays, as well as a response from Brown. With essays ranging from New Testament textual criticism to the fiction of David Foster Wallace, The Moving Text provides an introduction to Brown and the Bible that will be of interest to undergraduate and postgraduate students, as well as specialists in a wide range of fields. Contributions include: Ian Boxall (The Catholic University of America) "From the Magi to Pilate's Wife: David Brown, Tradition and the Reception of Matthew's Text," Robert MacSwain (The University of the South) "David Brown and Eleonore Stump on Biblical Interpretation," Aaron Rosen (Rocky Mountain College) "Revisions of Sacrifice: Abraham in Art and Interfaith Dialogue," Dennis F. Kinlaw III (Houston Baptist University) "The Forms of Faith in Contemporary American Fiction".
Publisher: SCM Press
ISBN: 0334055261
Category : Religion
Languages : en
Pages : 247
Book Description
Drawing upon the pioneering work of the British theologian David Brown who argues for a non-static, ‘moving text’ that reaches beyond the biblical canon, this volume brings together twelve interdisciplinary essays, as well as a response from Brown. With essays ranging from New Testament textual criticism to the fiction of David Foster Wallace, The Moving Text provides an introduction to Brown and the Bible that will be of interest to undergraduate and postgraduate students, as well as specialists in a wide range of fields. Contributions include: Ian Boxall (The Catholic University of America) "From the Magi to Pilate's Wife: David Brown, Tradition and the Reception of Matthew's Text," Robert MacSwain (The University of the South) "David Brown and Eleonore Stump on Biblical Interpretation," Aaron Rosen (Rocky Mountain College) "Revisions of Sacrifice: Abraham in Art and Interfaith Dialogue," Dennis F. Kinlaw III (Houston Baptist University) "The Forms of Faith in Contemporary American Fiction".
Conversation with Pier Luigi Tazzi
Author: Adel Abdessemed
Publisher: Actes Sud Editions
ISBN: 9782330013967
Category : Art
Languages : en
Pages : 0
Book Description
Adel Abdessemed has been one of the major figures in contemporary art since he entered the international creative world in the early 2000s. In 2012, after recent exhibitions in Nagoya, Venice, London, Tel Aviv, Berlin and New York, his work was featured in a large exhibition at the Centre Georges Pompidou. Well-known for his capacity to produce images generally considered violent, he seems to appeal to the immediate reaction of the viewer. However, under closer observation, his work appears to be of great cultural and intellectual complexity. In a conversation with Italian art critic Pier Luigi Tazzi, Abdessemed explains the personal and creative background to bis work -- a background that has hitherto been hidden. As he retraces his artistic joumey, its major steps, and his major works, his remarks go beyond the framework to raise fundamental issues: what does it mean to be an artist today? What role does the relationship between art and the art market play in the life of a contemporary artist? What part should literature, philosophy and personal memory take in image making? What place is there left for the artist in contemporary politics and society? With this unique document, the reader is provided with the possibility to think about the position art should hold in a world that is being redefined by globalization. According to this old-fashioned, yet incredibly current perspective, the artist appears as the heart of present tensions and the keeper of a vision. Once again, he strives to change the world.
Publisher: Actes Sud Editions
ISBN: 9782330013967
Category : Art
Languages : en
Pages : 0
Book Description
Adel Abdessemed has been one of the major figures in contemporary art since he entered the international creative world in the early 2000s. In 2012, after recent exhibitions in Nagoya, Venice, London, Tel Aviv, Berlin and New York, his work was featured in a large exhibition at the Centre Georges Pompidou. Well-known for his capacity to produce images generally considered violent, he seems to appeal to the immediate reaction of the viewer. However, under closer observation, his work appears to be of great cultural and intellectual complexity. In a conversation with Italian art critic Pier Luigi Tazzi, Abdessemed explains the personal and creative background to bis work -- a background that has hitherto been hidden. As he retraces his artistic joumey, its major steps, and his major works, his remarks go beyond the framework to raise fundamental issues: what does it mean to be an artist today? What role does the relationship between art and the art market play in the life of a contemporary artist? What part should literature, philosophy and personal memory take in image making? What place is there left for the artist in contemporary politics and society? With this unique document, the reader is provided with the possibility to think about the position art should hold in a world that is being redefined by globalization. According to this old-fashioned, yet incredibly current perspective, the artist appears as the heart of present tensions and the keeper of a vision. Once again, he strives to change the world.
Public Art and the Fragility of Democracy
Author: Fred Evans
Publisher: Columbia University Press
ISBN: 0231547366
Category : Philosophy
Languages : en
Pages : 235
Book Description
Public space is political space. When a work of public art is put up or taken down, it is an inherently political statement, and the work’s aesthetics are inextricably entwined with its political valences. Democracy’s openness allows public art to explore its values critically and to suggest new ones. However, it also facilitates artworks that can surreptitiously or fortuitously undermine democratic values. Today, as bigotry and authoritarianism are on the rise and democratic movements seek to combat them, as Confederate monuments fall and sculptures celebrating diversity rise, the struggle over the values enshrined in the public arena has taken on a new urgency. In this book, Fred Evans develops philosophical and political criteria for assessing how public art can respond to the fragility of democracy. He calls for considering such artworks as acts of citizenship, pointing to their capacity to resist autocratic tendencies and reveal new dimensions of democratic society. Through close considerations of Chicago’s Millennium Park and New York’s National September 11 Memorial, Evans shows how a wide range of artworks participate in democratic dialogues. A nuanced consideration of contemporary art, aesthetics, and political theory, this book is a timely and rigorous elucidation of how thoughtful public art can contribute to the flourishing of a democratic way of life.
Publisher: Columbia University Press
ISBN: 0231547366
Category : Philosophy
Languages : en
Pages : 235
Book Description
Public space is political space. When a work of public art is put up or taken down, it is an inherently political statement, and the work’s aesthetics are inextricably entwined with its political valences. Democracy’s openness allows public art to explore its values critically and to suggest new ones. However, it also facilitates artworks that can surreptitiously or fortuitously undermine democratic values. Today, as bigotry and authoritarianism are on the rise and democratic movements seek to combat them, as Confederate monuments fall and sculptures celebrating diversity rise, the struggle over the values enshrined in the public arena has taken on a new urgency. In this book, Fred Evans develops philosophical and political criteria for assessing how public art can respond to the fragility of democracy. He calls for considering such artworks as acts of citizenship, pointing to their capacity to resist autocratic tendencies and reveal new dimensions of democratic society. Through close considerations of Chicago’s Millennium Park and New York’s National September 11 Memorial, Evans shows how a wide range of artworks participate in democratic dialogues. A nuanced consideration of contemporary art, aesthetics, and political theory, this book is a timely and rigorous elucidation of how thoughtful public art can contribute to the flourishing of a democratic way of life.
Outrage: Art, Controversy, and Society
Author: R. Howells
Publisher: Springer
ISBN: 1137283548
Category : Art
Languages : en
Pages : 423
Book Description
A study of controversy in the arts, and the extent to which such controversies are socially rather than just aesthetically conditioned. The collection pays special attention to the vested interests and the social dynamics involved, including class, religion, culture, and - above all - power.
Publisher: Springer
ISBN: 1137283548
Category : Art
Languages : en
Pages : 423
Book Description
A study of controversy in the arts, and the extent to which such controversies are socially rather than just aesthetically conditioned. The collection pays special attention to the vested interests and the social dynamics involved, including class, religion, culture, and - above all - power.
Art and Science
Author: Sîan Ede
Publisher: Bloomsbury Publishing
ISBN: 0857710575
Category : Art
Languages : en
Pages : 225
Book Description
Is science the new art? Scientists weave incredible stories, invent wild hypotheses and ask difficult questions about the meaning of life. They have insights into the workings of our bodies and minds which challenge the myths we make about our identities and selves. They create visual images, models and scenarios that are gruesome, baffling or beguiling. They say and do things that are ethically and politically shocking. Contemporary scientists frequently talk about 'beauty' and 'elegance'; artists hardly ever do. While demonstrating how science is affecting the creation and interpretation of contemporary art, this book proposes that artistic insights are as important on their own terms as those in science and that we can and should accommodate both forms of knowledge. Featuring the work of artists such as Damien Hirst, Christine Borland, Bill Viola and Helen Chadwick, and art-science collaborative ventures involving Dorothy Cross, Eduardo Kac and Stelarc, it looks at the way new scientific explanations for the nature of human consciousness can influence our interpretation of art, at the squeamish interventions being produced by artists relishing in new technologies and at art which takes on the dangers facing the fragile environment. Seeing the world from the other point of view can inform the practice of both sides - this book will provide new insights to artists, scientists and the wider public.
Publisher: Bloomsbury Publishing
ISBN: 0857710575
Category : Art
Languages : en
Pages : 225
Book Description
Is science the new art? Scientists weave incredible stories, invent wild hypotheses and ask difficult questions about the meaning of life. They have insights into the workings of our bodies and minds which challenge the myths we make about our identities and selves. They create visual images, models and scenarios that are gruesome, baffling or beguiling. They say and do things that are ethically and politically shocking. Contemporary scientists frequently talk about 'beauty' and 'elegance'; artists hardly ever do. While demonstrating how science is affecting the creation and interpretation of contemporary art, this book proposes that artistic insights are as important on their own terms as those in science and that we can and should accommodate both forms of knowledge. Featuring the work of artists such as Damien Hirst, Christine Borland, Bill Viola and Helen Chadwick, and art-science collaborative ventures involving Dorothy Cross, Eduardo Kac and Stelarc, it looks at the way new scientific explanations for the nature of human consciousness can influence our interpretation of art, at the squeamish interventions being produced by artists relishing in new technologies and at art which takes on the dangers facing the fragile environment. Seeing the world from the other point of view can inform the practice of both sides - this book will provide new insights to artists, scientists and the wider public.
After Nature
Author: After Nature
Publisher:
ISBN:
Category : Art calendars
Languages : en
Pages : 136
Book Description
Met de volgende kunstenaars: Peter Klashorst, Bart Domburg, Jurriaan van Hall, Ernst Voss, Aad Donker, Gijs Donker, Justus Donker.
Publisher:
ISBN:
Category : Art calendars
Languages : en
Pages : 136
Book Description
Met de volgende kunstenaars: Peter Klashorst, Bart Domburg, Jurriaan van Hall, Ernst Voss, Aad Donker, Gijs Donker, Justus Donker.
Richard Foreman
Author: Neal Swettenham
Publisher: Routledge
ISBN: 1351594966
Category : Performing Arts
Languages : en
Pages : 224
Book Description
Richard Foreman has been writing, directing and designing avant-garde theatre in New York since he first founded his Ontological-Hysteric company there in 1968. In all that time, few directors have taken up the challenge of staging his problematic, rewarding texts, and Foreman's work remains under-explored by other practitioners. Richard Foreman: An American (Partly) in Paris argues that Foreman can productively be viewed as a (partly) European artist, whose thinking and theatre-making have been radically shaped by contact with Europe. Through a detailed account of his European productions, interviews with Foreman himself, a set of practical strategies for staging the plays and the full text of Foreman's previously unpublished play Georges Bataille’s Bathrobe (1983), Neal Swettenham introduces the director’s work to a new generation of readers and theatre-makers.
Publisher: Routledge
ISBN: 1351594966
Category : Performing Arts
Languages : en
Pages : 224
Book Description
Richard Foreman has been writing, directing and designing avant-garde theatre in New York since he first founded his Ontological-Hysteric company there in 1968. In all that time, few directors have taken up the challenge of staging his problematic, rewarding texts, and Foreman's work remains under-explored by other practitioners. Richard Foreman: An American (Partly) in Paris argues that Foreman can productively be viewed as a (partly) European artist, whose thinking and theatre-making have been radically shaped by contact with Europe. Through a detailed account of his European productions, interviews with Foreman himself, a set of practical strategies for staging the plays and the full text of Foreman's previously unpublished play Georges Bataille’s Bathrobe (1983), Neal Swettenham introduces the director’s work to a new generation of readers and theatre-makers.
Anish Kapoor
Author: Germano Celant
Publisher: Charta
ISBN:
Category : Art
Languages : en
Pages : 286
Book Description
Cet ouvrage contient des installations et des oeuvres en tissus.
Publisher: Charta
ISBN:
Category : Art
Languages : en
Pages : 286
Book Description
Cet ouvrage contient des installations et des oeuvres en tissus.
Contemporary Artists: L-Z
Author: Sara Pendergast
Publisher: Saint James Press
ISBN:
Category : Art
Languages : en
Pages : 992
Book Description
Arranged alphabetically from Magdalena Abakanowicz to Tadaaki Kuwayama, this volume provides a biography of the artist, a selected list of exhibitions, a list of public collections that include work by the artist, and more.
Publisher: Saint James Press
ISBN:
Category : Art
Languages : en
Pages : 992
Book Description
Arranged alphabetically from Magdalena Abakanowicz to Tadaaki Kuwayama, this volume provides a biography of the artist, a selected list of exhibitions, a list of public collections that include work by the artist, and more.