Contribution à l'étude géomophorlogique de la marge continentale au nord-ouest de l'Espagne (Galice) PDF Download

Author: Françoise Rojouan
Publisher:
ISBN:
Category :
Languages : fr
Pages : 219

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Author: DOMINIQUE.. TEMIME
Publisher:
ISBN:
Category :
Languages : fr
Pages : 212

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DANS LA PREMIERE PARTIE SONT DONNES LES PRINCIPAUX RESULTATS SCIENTIFIQUES DE LA CAMPAGNE CYBERE DU SUBMERSIBLE CYANA EN AOUT 1982. LA DEUXIEME PARTIE CONSTITUE UN ESSAI DE SYNTHESE DE L'EVOLUTION DE LA MARGE CONTINENTALE

Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 213

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Author: Peter F. Friend
Publisher: Cambridge University Press
ISBN: 9780521461719
Category : Science
Languages : en
Pages : 430

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This is the first book to deal comprehensively with Spain's tectonic and sedimentary history over the past sixty or so million years. During Tertiary times, Spain had suffered compressional collision between France and Africa, and its Atlantic and Mediterranean coasts had been further modified by extensional rifting.

Author: Christine Vergnolle
Publisher: Universidade da Coruña, Servizo de Publicacións
ISBN: 9788474924800
Category : Science
Languages : fr
Pages : 315

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Book Description
LES PHASES D'INDIVIDUALISATION DES RELIEFS COTIERS DU NORD DE L'ESPAGNE SONT MISES EN EVIDENCE PAR L'ANALYSE DE LA MORPHOGENESE TERTIAIRE DU NORD-EST DE LA GALICE. LEUR CORRELATION AVEC LES ETUDES SUR LA STRUCTURATION DE LA MARGE CONTINENTALE NORD-ESPAGNOLE MONTRE QUE CES RELIEFS COTIERS NE SONT NI UN BOURRELET MARGINAL ASSOCIE A UNE MARGE STABLE, NI UNE CHAINE LIEE A UNE ZONE DE SUBDUCTION, MAIS UNE CHAINE DE "CISAILLEMENT INTRA-CONTINENTAL".

Author: Ocean Drilling Program
Publisher:
ISBN:
Category : Borings
Languages : en
Pages : 684

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Author: João Pais
Publisher: Springer Science & Business Media
ISBN: 3642224016
Category : Science
Languages : en
Pages : 164

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This volume includes a general description of the Portuguese Cenozoic basins in the Iberian tectonic context. The main stratigraphic units, including sedimentological, stratigraphical and palaeontological data, are characterized. Correlations between different sectors are presented as well as general paleogeographical evolution maps. The volume includes a general bibliography concerning the Cenozoic of Portugal.

Author: Rogério Rocha
Publisher: Springer
ISBN: 3319043641
Category : Science
Languages : en
Pages : 1222

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Book Description
The 1st International Congress on Stratigraphy (STRATI 2013), hold in Lisbon, 1–7 July 2013, follows the decision to internationalize the conferences previously organized by the French Committee of Stratigraphy (STRATI), the last one of which was held in Paris in 2010. Thus, the congress possesses both the momentum gained from an established conference event and the excitement of being the first International Congress on Stratigraphy. It is held under the auspices of the International Commission on Stratigraphy (IUGS) and it is envisaged that this first congress will lead to others being held in the future. This book includes all papers accepted for oral or poster presentation at the 1st International Congress on Stratigraphy. Papers include a short abstract, main text, figures, tables and references. Each paper has been reviewed by two internationally renowned scientists.

Author: Richard Abel
Publisher: Taylor & Francis
ISBN: 0415234409
Category : Performing Arts
Languages : en
Pages : 824

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Book Description
One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.

Author: Michel Chion
Publisher: Columbia University Press
ISBN: 0231552858
Category : Art
Languages : en
Pages : 217

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Book Description
Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other. The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson’s performance in The Jazz Singer, the zither in The Third Man, Godard’s patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors’ attraction to atonal and dissonant music as well as musique concrète, of which he is a composer. Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars.