Index to Dental Literature PDF Download

Author:
Publisher:
ISBN:
Category : Dentistry
Languages : en
Pages : 694

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Book Description
Beginning with 1962, references are not limited to material in the English language.

Author: Christophe Bouton
Publisher: Springer
ISBN: 3319537253
Category : Science
Languages : en
Pages : 403

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Book Description
This volume addresses the question of time from the perspective of the time of nature. Its aim is to provide some insights about the nature of time on the basis of the different uses of the concept of time in natural sciences. Presenting a dialogue between philosophy and science, it features a collection of papers that investigate the representation, modeling and understanding of time as they appear in physics, biology, geology and paleontology. It asks questions such as: whether or not the notions of time in the various sciences are reducible to the same physical time, what status should be given to timescale differences, or what are the specific epistemic issues raised by past facts in natural sciences. The book first explores the experience of time and its relation to time in nature in a set of chapters that bring together what human experience and physics enable metaphysicians, logicians and scientists to say about time. Next, it studies time in physics, including some puzzling paradoxes about time raised by the theory of relativity and quantum mechanics. The volume then goes on to examine the distinctive problems and conceptions of time in the life sciences. It explores the concept of deep time in paleontology and geology, time in the epistemology of evolutionary biology, and time in developmental biology. Each scientific discipline features a specific approach to time and uses distinctive methodologies for implementing time in its models. This volume seeks to define a common language to conceive of the distinct ways different scientific disciplines view time. In the process, it offers a new approach to the issue of time that will appeal to a wide range of readers: philosophers and historians of science, metaphysicians and natural scientists - be they scholars, advanced students or readers from an educated general audience.

Author: Gregorio Baldin
Publisher: Springer Nature
ISBN: 3030414140
Category : Science
Languages : en
Pages : 234

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Book Description
This book, translated from Italian, discusses the influence of Galileo on Hobbes’ natural philosophy. In his De motu, loco et tempore or Anti-White (~ 1643), Thomas Hobbes describes Galileo as “the greatest philosopher of all times”, and in De Corpore (1655), the Italian scientist is presented as the one who “opened the door of all physics, that is, the nature of motion.” The book gives a detailed analysis of Galileo’s legacy in Hobbes’s philosophy, exploring four main issues: a comparison between Hobbes’ and Mersenne’s natural philosophies, the Galilean Principles of Hobbes’ philosophical system, a comparison between Galileo’s momentum and Hobbes’s conatus , and Hobbes’ and Galileo’s theories of matter. The book also analyses the role played by Marin Mersenne, in spreading Galileo’s ideas in France, and as a discussant of Hobbes. It highlights the many aspects of Hobbes’ relationship with Galileo: the methodological and epistemological elements, but also the conceptual and the lexical analogies in the field of physics, to arrive, finally, at a close comparison on the subject of the matter. From this analysis emerges a shared mechanical conception of the universe open and infinite, that replaces the Aristotelian cosmos, and which is populated by two elements only: matter and motion.

Author: Michiel Meeusen
Publisher: Leuven University Press
ISBN: 9462700842
Category : Philosophy
Languages : en
Pages : 557

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Book Description
The role of natural science in the Roman Imperial Era In his Quaestiones naturales, Plutarch unmistakably demonstrates a huge interest in the world of natural phenomena. The work of this famous intellectual and philosopher from Chaeronea consists of forty-one natural problems that address a wide variety of questions, sometimes rather peculiar ones, pertaining to ancient Greek physics, including problems related to the fields of zoology, botany, meteorology and their respective subdisciplines. By providing a thorough study of and commentary on this generally neglected text, written by one of the most influential and prolific writers from Antiquity, this book contributes to our better understanding of Plutarch’s natural scientific programme and the condition and role of ancient natural science in the Roman Imperial Era in general.

Author: Mirako Press
Publisher: Createspace Independent Publishing Platform
ISBN: 9781723229053
Category :
Languages : en
Pages : 104

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Book Description
This adorable music notebook is perfect for staffs, kids and musicians. The high-quality manuscript book includes 110 pages of 12 staves. Let exercise your composing skills with this well-designed music sketchbook! Enjoy!

Author: Pieter De Leemans
Publisher: Leuven University Press
ISBN: 946270063X
Category : Literary Criticism
Languages : en
Pages : 281

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Book Description
New insights into Pietro d’Abano’s unique approach to translations The commentary of Pietro d’Abano on Bartholomew’s Latin translation of Pseudo-Aristotle's Problemata Physica, published in 1310, constitutes an important historical source for the investigation of the complex relationship between text, translation, and commentary in a non-curricular part of the corpusAristotelicum. As the eight articles in this volume show, the study of Pietro’s commentary not only provides valuable insights into the manner in which a commentator deals with the problems of a translated text, but will also bring to light the idiosyncrasy of Pietro’s approach in comparison to his contemporaries and successors, the particularities of his commentary in light of the habitual exegetical practices applied in the teaching of regular curricular texts, as well as the influence of philosophical traditions outside the strict framework of the medieval arts faculty. Contributors Joan Cadden (University of California, Davis), Gijs Coucke (KU Leuven), Béatrice Delaurenti (École des Hautes Études et Sciences Sociales – Paris), Pieter De Leemans (KU Leuven), Françoise Guichard-Tesson (KU Leuven), Danielle Jacquart (École Pratique des Hautes Études – Paris), Christian Meyer (Centre d’Études supérieures de la Renaissance – Tours), Iolanda Ventura (CNRS – Université d’Orléans)

Author:
Publisher: BRILL
ISBN: 9004308237
Category : Language Arts & Disciplines
Languages : en
Pages : 401

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Book Description
Taking an interdisciplinary approach, this volume brings together contributions by distinguished experts from different disciplinary fields for a multidimensional view on immersion in the visual arts and media. In the current media debate, immersion has frequently been linked to the advent of digital technology and its capacity to provide vivid sensations of being placed in or surrounded by an artificial space. The idea of ‘liquidity’ contained in this promise to plunge into another world informs wide areas of contemporary cultural imagination, referring to a myriad of phenomena that relate to experiences of uncertainty and instability, of complexity and change. Considering the fact, however, that the idea of ‘liquid’ spaces appeared long before the digital creation of augmented or virtual environments, the contributors to this volume trace its reemerging throughout the history of the visual arts and media. By focusing on selected works of painting and architecture, photography and cinema, video installation and media art, they explore the variability of immersive experiences according to the different media environments and interfaces that constitute the actual sites of historically shifting relations between media and users. Contributors are: Matthias Bauer, Jörg von Brincken, Robin Curtis, Burcu Dogramaci, Thomas Elsaesser, Ole W. Fischer, Gundolf S. Freyermuth, Ursula Frohne, Henry Keazor, Matthias Krüger, Katja Kwastek, Fabienne Liptay, Karl Prümm, Martin Warnke.

Author: Divya P. Tolia-Kelly
Publisher: Routledge
ISBN: 1317001125
Category : History
Languages : en
Pages : 210

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Book Description
Two of the key theoretical shifts over the past two decades of critical work have been the 'visual turn' and the 'material turn'. This book argues that these hitherto distinct fields should be understood as in continual dialogue and co-constitution and focuses on reconceptualising the visual as an embodied, material, and often politically-charged realm. This edited volume elaborates this conceptual argument through a series of contemporary case studies, drawn from the disciplines of Architecture, Sociology, Media Studies, Geography and Cultural Studies. The case studies included are paired around four themes: consumption, translation, practice and ethics. As well as exploring the bringing together of visuality and materiality studies, the contributors raise questions of social identity and social critique, and also focus on the ethics of material visualities.

Author: Jeffrey Ruoff
Publisher: Duke University Press
ISBN: 9780822337133
Category : Performing Arts
Languages : en
Pages : 316

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Book Description
DIVThe different forms that travelogues have taken (documentaries, IMAX, home movies, ethnographic films) from the 1800s to the present./div

Author: Alison Griffiths
Publisher: Columbia University Press
ISBN: 0231503466
Category : Performing Arts
Languages : en
Pages : 719

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Book Description
From the architectural spectacle of the medieval cathedral and the romantic sublime of the nineteenth-century panorama to the techno-fetishism of today's London Science Museum, humans have gained a deeper understanding of the natural world through highly illusionistic representations that engender new modes of seeing, listening, and thinking. What unites and defines many of these wondrous spaces is an immersive view-an invitation to step inside the virtual world of the image and become a part of its universe, if only for a short time. Since their inception, museums of science and natural history have mixed education and entertainment, often to incredible, eye-opening effect. Immersive spaces of visual display and modes of exhibition send "shivers" down our spines, engaging the distinct cognitive and embodied mapping skills we bring to spectacular architecture and illusionistic media. They also force us to reconsider traditional models of film spectatorship in the context of a mobile and interactive spectator. Through a series of detailed historical case studies, Alison Griffiths masterfully explores the uncanny and unforgettable visceral power of the medieval cathedral, the panorama, the planetarium, the IMAX theater, and the science museum. Examining these structures as exemplary spaces of immersion and interactivity, Griffiths reveals the sometimes surprising antecedents of modern media forms, suggesting the spectator's deep-seated desire to become immersed in a virtual world. Shivers Down Your Spine demonstrates how immersive and interactive museum display techniques such as large video displays, reconstructed environments, and touch-screen computer interactives have redefined the museum space, fueling the opposition between public and private, science and spectacle, civic and corporate interests, voice and text, and life and death. In her remarkable study of sensual spaces, Griffiths explains why, for centuries, we keep coming back for more.