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Author: Xiaoping Wang Publisher: BRILL ISBN: 9004398635 Category : Literary Criticism Languages : en Pages : 616
Book Description
In Contending for the "Chinese Modern", Xiaoping Wang studies the writing of fiction in 1940s China. It makes critical reappraisements of some famed Chinese writers, and sheds fresh lights on the theoretical issues pertaining to the problematic of plural modernities.
Author: Xiaoping Wang Publisher: BRILL ISBN: 9004398635 Category : Literary Criticism Languages : en Pages : 616
Book Description
In Contending for the "Chinese Modern", Xiaoping Wang studies the writing of fiction in 1940s China. It makes critical reappraisements of some famed Chinese writers, and sheds fresh lights on the theoretical issues pertaining to the problematic of plural modernities.
Author: Xiaoping Wang Publisher: Palgrave Macmillan ISBN: 9783030867560 Category : Literary Criticism Languages : en Pages :
Book Description
The questions of subjectivity and the literary style of realism, as manifested in Hu Feng’s theoretical writings and Lu Ling’s fictional writings, occupy a unique position in modern China. By looking more closely into the theoretical and fictional texts and the social-historical subtext, and through a re-examination of the issue of subjectivity and individualism, this book argues that individualism should not be treated as an ahistorical value-system, but understood within changing historical contexts; subjectivity should not be treated as an issue of personal choice, but as class-based and derived from collective community. To differentiate different subjectivities and the diversified foci of individualism in differing historical periods, Xiaoping Wang finds we need to explore the intellectuals’ cultural-political strategy by situating them in the particular historical conjuncture and in the particular cultural fields. With this hermeneutical practice, the politics of recognition and the politics of style are mutually illuminated.
Author: Xiaobing Tang Publisher: Duke University Press ISBN: 0822380889 Category : Social Science Languages : en Pages : 399
Book Description
Chinese Modern examines crucial episodes in the creation of Chinese modernity during the turbulent twentieth century. Analyzing a rich array of literary, visual, theatrical, and cinematic texts, Xiaobing Tang portrays the cultural transformation of China from the early 1900s through the founding of the People’s Republic, the installation of the socialist realist aesthetic, the collapse of the idea of utopia in the aftermath of the Cultural Revolution, and the gradual cannibalization of the socialist past by consumer culture at the century’s end. Throughout, he highlights the dynamic tension between everyday life and the heroic ideal. Tang uncovers crucial clues to modern Chinese literary and cultural practices through readings of Wu Jianren’s 1906 novel The Sea of Regret and works by canonical writers Lu Xun, Ding Ling, and Ba Jin. For the midcentury, he broadens his investigation by considering theatrical, cinematic, and visual materials in addition to literary texts. His reading of the 1963 play The Young Generation reveals the anxiety and terror underlying the exhilarating new socialist life portrayed on the stage. This play, enormously influential when it first appeared, illustrates the utopian vision of China’s lyrical age and its underlying discontents—both of which are critical for understanding late-twentieth-century China. Tang closes with an examination of post–Cultural Revolution nostalgia for the passion of the lyrical age. Throughout Chinese Modern Tang suggests a historical and imaginative affinity between apparently separate literatures and cultures. He thus illuminates not only Chinese modernity but also the condition of modernity as a whole, particularly in light of the postmodern recognition that the market and commodity culture are both angel and devil. This elegantly written volume will be invaluable to students of China, Asian studies, literary criticism, and cultural studies, as well as to readers who study modernity.
Author: Michael S. Duke Publisher: Indiana University Press ISBN: 9780253312020 Category : Literary Criticism Languages : en Pages : 310
Book Description
Chinese literature has been the slave of politics at least since 1948 and especially during the Cultural Revolution. So repressed and convoluted is most Chinese literature that the West cannot read it as literature at all but rather as sociological and political texts. Professor Duke believes this has changed enough since 1977 to permit genuine literary analysis. This book surveys and analyzes the most important literary events in the PRC from 1977 to 1982. Chapter I covers the significant changes in the Chinese Party line on literature and art during this period and thus provides the backdrop for literary and artistic endeavor. Subsequent chapters deal with the critique of Chinese literature by China's own writers, the neo-realistic fiction of 1979-80, the nonfiction works of a courageous investigative reporter for the People's Daily, and the theme of humanism and its treatment in the works of Bai Hua and Dai Houying. The final chapter discusses the post-Mao generation of young writers, who are trying to create works that go beyond narrowly ideological boundaries of the past and reach toward a true modern Chinese literature.
Author: Xiaoping Wang Publisher: ISBN: 9789004461185 Category : Literary Criticism Languages : en Pages : 388
Book Description
"Combining anatomies of textual examples with broader contextual considerations related with the social, political and economic developments of post-Mao China, Xiaoping Wang intends to explore newly emerging social and cultural trends in contemporary China, and find the truth content of Chinese society and culture in the age of global capitalism. Through in-depth textual analyses covering a variety of media, ranging from fiction, poetry, film to theoretical works as well as cultural phenomena which mirror social and cultural occurrences and reflect the present ideological proclivities of the Chinese society, this study offers timely interpretations of China in the age of globalization, its political inclinations, social fashions and cultural tendencies, and provides thought-provoking messages of China's socio-economic and political reality"--
Author: C. Laughlin Publisher: Springer ISBN: 1403981337 Category : Literary Criticism Languages : en Pages : 249
Book Description
This book is a significant gathering of ideas on the subject of modern Chinese literature and culture of the past several years. The essays represent a wide spectrum of new approaches and new areas of subject matter that are changing the landscape of knowledge of modern and contemporary Chinese culture: women's literature, theatre (performance), film, graphic arts, popular literature, as well as literature of the Chinese diaspora. These phenomena and the approaches to them manifest interconnected trajectories for new scholarship in the field: the rewriting of literary history, the emergence of visual culture, and the quotidian apocalypse - the displacement of revolutionary romanticism and realism as central paradigms for cultural expression by the perspective of private, everyday experience.
Author: Kang Liu Publisher: Duke University Press ISBN: 0822381842 Category : Literary Criticism Languages : en Pages : 327
Book Description
This collection of essays addresses the perception that our understanding of modern China will be enhanced by opening the literature of China to more rigorous theoretical and comparative study. In doing so, the book confronts the problematic and complex subject of China's literary, theoretical, and cultural responses to the experience of the modern. With chapters by writers, scholars, and critics from mainland China, Hong Kong, and the United States, this volume explores the complexity of representing modernity within the Chinese context. Addressing the problem of finding a proper language for articulating fundamental issues in the historical experience of twentieth-century China, the authors critically re-examine notions of realism, the self/subject, and modernity and draw on perspectives from feminist criticism, ideological analysis, and postmodern theory. Among the many topics explored are subjectivity in Chinese cultural theory, Chinese gender relations, the viability of a Lacanian approach to Chinese identity, the politics of subversion in Chinese reportage, and the ambivalent status of the icon of paternity since Mao. At the same time this book offers a probing look into the transformation that Chinese culture as well as the study of that culture is currently undergoing, it also reconfirms private discourse as an ideal site for an investigation into a real and imaginary, private and collective encounter with history. Contributors. Liu Kang, Xiaobing Tang, Liu Zaifu, Stephen Chan, Lydia H. Liu, Wendy Larson, Theodore Huters, David Wang, Tonglin Lu, Yingjin Zhang, Yuejin Wang, Li Tuo, Leo Ou-fan Lee
Author: Ying-shih Yü Publisher: Columbia University Press ISBN: 0231542003 Category : History Languages : en Pages : 441
Book Description
The recipient of the Kluge Prize for lifetime achievement in the humanities and the Tang Prize for "revolutionary research" in Sinology, Ying-shih Yü is a premier scholar of Chinese studies. Chinese History and Culture volumes 1 and 2 bring his extraordinary oeuvre to English-speaking readers. Spanning two thousand years of social, intellectual, and political change, the essays in these volumes investigate two central questions through all aspects of Chinese life: what core values sustained this ancient civilization through centuries of upheaval, and in what ways did these values survive in modern times? From Ying-shih Yü's perspective, the Dao, or the Way, constitutes the inner core of Chinese civilization. His work explores the unique dynamics between Chinese intellectuals' discourse on the Dao, or moral principles for a symbolized ideal world order, and their criticism of contemporary reality throughout Chinese history. Volume 2 of Chinese History and Culture completes Ying-shih Yü's systematic reconstruction and exploration of Chinese thought over two millennia and its impact on Chinese identity. Essays address the rise of Qing Confucianism, the development of the Dai Zhen and Zhu Xi traditions, and the response of the historian Zhang Xuecheng to the Dai Zhen approach. They take stock of the thematic importance of Cao Xueqin's eighteenth-century masterpiece Honglou meng (Dream of the Red Chamber) and the influence of Sun Yat-sen's Three Principles of the People, as well as the radicalization of China in the twentieth century and the fundamental upheavals of modernization and revolution. Ying-shih Yü also discusses the decline of elite culture in modern China, the relationships among democracy, human rights, and Confucianism, and changing conceptions of national history. He reflects on the Chinese approach to history in general and the larger political and cultural function of chronological biographies. By situating China's modern encounter with the West in a wider historical frame, this second volume of Chinese History and Culture clarifies its more curious turns and contemplates the importance of a renewed interest in the traditional Chinese values recognizing common humanity and human dignity.
Author: Qian Suoqiao Publisher: BRILL ISBN: 9004192131 Category : Literary Criticism Languages : en Pages : 283
Book Description
This book is a cross-cultural critique on the problem of the liberal cosmopolitan in modern Chinese intellectuality in light of Lin Yutang’s literary and cultural practices across China and America. It points to the desirability of a middling Chinese modernity.
Author: Xiaoping Wang
Author: Xiaoping Wang
Author: Xiaoping Wang
Author: Xiaobing Tang
Author: Michael S. Duke
Author: Xiaoping Wang
Author: C. Laughlin
Author: Michael S. Duke
Author: Kang Liu
Author: Ying-shih Yü
Author: Qian Suoqiao