Contemporary Spanish Film from Fiction PDF Download

Author: Thomas G. Deveny
Publisher:
ISBN: 9780820836355
Category : Film adaptations
Languages : en
Pages : 471

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Author: Salvador Jiménez Murguía
Publisher: Rowman & Littlefield
ISBN: 1442271337
Category : Performing Arts
Languages : en
Pages : 581

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Book Description
Under the Franco regime (1939-1976), films produced in Spain were of poor quality, promoted the regime’s agenda, or were heavily censored. After the dictator’s death, the Spanish film industry transitioned into a new era, one in which artists were able to more freely express themselves and tackle subjects that had been previously stifled. Today, films produced in Spain are among the most highly regarded in world cinema. The Encyclopedia of Contemporary Spanish Films features nearly 300 entries on the written by a host of international scholars and film critics. Beginning with movies released after Franco’s death, this volume documents four decades of films, directors, actresses and actors of Spanish cinema. Offering a comprehensive survey of films, the entries address such topics as art, culture, society and politics. Each includes comprehensive production details and provides brief suggestions for further reading. Through its examination of the films of the post-Franco period, this volume offers readers valuable insights into Spanish history, politics, and culture. An indispensable guide to one of the great world cinemas, The Encyclopedia of Contemporary Spanish Films will be of interest to students, academics, and the general public alike.

Author: Thomas G. Deveny
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 488

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Book Description
Deveny (Spanish, Western Maryland College, Westminster) examines cinematic versions of post-Civil War narratives that debuted during between 1965 and 1995. He begins with an overview of the critical problems of screen adaptations and offers a global analysis of film adaptations of works by 57 authors, including Camilo Jose Cela, Migual Delibes, and Luis Martin Santos and recent best-selling authors such as Antonio Munoz Molina and Juan Madrid. He emphasizes how the end of dictatorship allowed filmmakers to reinterpret Spanish history and literature.

Author: Elizabeth Scarlett
Publisher: University of Michigan Press
ISBN: 0472052454
Category : Drama
Languages : en
Pages : 211

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Book Description
How Spanish directors have handled religious themes, with their highly-charged political implications, from the historical avant-garde to 2010

Author: Clara Guillén Marín
Publisher: Routledge
ISBN: 1351656589
Category : Performing Arts
Languages : en
Pages : 178

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Book Description
During the last two decades Spain has undergone an unprecedented transformation from being a country of emigrants to receiving a significant number of migrants from all around the world. This book focuses on the analysis of documentaries and fiction films representing migrants in Spain in the first decade of the twenty-first century. Guillén Marín explores the ways in which migrant and non-migrant filmmakers reframe the urban and rural space to create opportunities for a free, although contested, exchange between marginal voices and mainstream Spanish society. She analyzes the extent to which the films challenge forms of exclusion and represent ethnicity in a space that includes some and excludes others.

Author: Jesse Barker
Publisher: Springer
ISBN: 3319589695
Category : Performing Arts
Languages : en
Pages : 226

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Book Description
This book brings together recent Spanish fictions and films that point to individualism as the root problem driving diverse circumstances of social, economic, and psychological suffering in the present and recent past. The works privilege sensation, movement, and emotion—rather than identity—as the core elements of existential experience. However, the works also problematize notions of intersubjectivity, confronting ideals of affective immersion and cultural nomadism with the concrete contexts that shape particular lives and social formations. This confrontation underlies a series of ‘crossroads’, or productive engagements, that guide the book’s five main chapters: locally rooted identity and global cultural circuits; historical contexts and universal modes of being; personal authenticity and consumer culture; migration and cultural identity; Spain's historical underdevelopment and impending future crises. All of these issues make affective connection and attachment the greatest existential challenge facing individuals and collectives in the contemporary world, both in Spain and elsewhere.

Author: Diana Q. Palardy
Publisher: Springer
ISBN: 3319928856
Category : Social Science
Languages : en
Pages : 235

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Book Description
This study examines contemporary Spanish dystopian literature and films (in)directly related to the 2008 financial crisis from an urban cultural studies perspective. It explores culturally-charged landscapes that effectively convey the zeitgeist and reveal deep-rooted anxieties about issues such as globalization, consumerism, immigration, speculation, precarity, and political resistance (particularly by Indignados [Indignant Ones] from the 15-M Movement). The book loosely traces the trajectory of the crisis, with the first part looking at texts that underscore some of the behaviors that indirectly contributed to the crisis, and the remaining chapters focusing on works that directly examine the crisis and its aftermath. This close reading of texts and films by Ray Loriga, Elia Barceló, Ion de Sosa, José Ardillo, David Llorente, Eduardo Vaquerizo, and Ricardo Menéndez Salmón offers insights into the creative ways that these authors and directors use spatial constructions to capture the dystopian imagination.

Author: Clara Guillén Marín
Publisher: Taylor & Francis
ISBN: 1351656597
Category : Performing Arts
Languages : en
Pages : 137

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Book Description
7.6 Conclusion -- 8 General Conclusion -- References -- Index

Author: Thomas G. Deveny
Publisher: Intellect (UK)
ISBN: 9781789380064
Category : Motion pictures
Languages : en
Pages : 0

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Book Description
Spanish Cinema of the New Millennium provides a new approach to the study of contemporary Spanish cinema between 2000 and 2015, by analysing films that represent both 'high' and 'popular' culture side by side. The two film cultures are represented by Goya-winning films and the biggest box-office successes. By analysing the chronological trajectory of the country's most important films over this period, Spanish Cinema of the New Millennium examines contemporary Spain's national identity, culture and film industry.

Author: Nathan E. Richardson
Publisher: Lexington Books
ISBN: 1611483964
Category : Art
Languages : en
Pages : 355

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Book Description
Does fiction do more than just represent space? Can our experiences with fictional storytelling be in themselves spatial? In Constructing Spain: The Re-imagination of Space and Place in Fiction and Film, Nathan Richardson explores relations between cultural representation and spatial transformation across fifty years of Spanish culture. Beginning in 1953, the year Spanish space was officially reopened to Western thought and capital, and culminating in 2003, the year of Aznar's unpopular involvement of his country in the second Iraq War, Richardson traces in popular and critically acclaimed fiction and film an evolution in Spanish storytelling that, while initially representative in nature, increasingly engages its audience in spatial practices that go beyond mere perception or conception of local material geographies. In original readings of films by Luis Berlanga, Luis Bu uel, Alex de la Iglesia, Alejandro Amen bar, and Julio Medem, and novels by Juan Goytisolo, Antonio Mu oz Molina, and Javier Mar as, Richardson shows this formal evolution as a necessary response to developments, restorations, and transformations of local landscapes that resulted during these years from various human migrations, tourist-invasions, urban development plans, resurgent nationalisms, and finally globalization. As these changes occur, Richardson traces a shift in the works studied from mere representation of spatial change toward actual engagement with shifting physical and social geographies, as they inch ever closer toward the production of an actual spatial experience for their audiences. In the final chapters of this book, Richardson offers in-depth and highly original readings of the storytelling projects of Medem and Mar as in particular, showing how these two artists invite readers to not only reconceive hegemonic notions of space and place, but to practice alternative notions of being-in-place. In these final readings, Constructing Spain, points to the newest developments in contemporary Spanish narrative and film, a rise of new grammars of creation to challenge the ongoing capital-driven creative destruction of globalized Spanish geography.