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Author: Publisher: Penn State Press ISBN: 9780271047201 Category : Art Languages : en Pages : 328
Book Description
The news media have given us potent demonstrations of the ambiguity of ostensibly truthful representations of public events. Jordana Mendelson uses this ambiguity as a framework for the study of Spanish visual culture from 1929 to 1939--a decade marked, on the one hand, by dictatorship, civil war, and Franco's rise to power and, on the other, by a surge in the production of documentaries of various types, from films and photographs to international exhibitions. Mendelson begins with an examination of El Pueblo Español, a model Spanish village featured at the 1929 International Exposition in Barcelona. She then discusses Buñuel's and Dalí's documentary films, relating them not only to French Surrealism but also to issues of rural tradition in the formation of regional and national identities. Her highly original book concludes with a discussion of the 1937 Spanish Pavilion, where Picasso's famed painting of the Fascist bombing of a Basque town--Guernica--was exhibited along with monumental photomurals by Josep Renau. Based upon years of archival research, Mendelson's book opens a new perspective on the cultural politics of a turbulent era in modern Spain. It explores the little-known yet rich intersection between avant-garde artists and government institutions. It shows as well the surprising extent to which Spanish modernity was fashioned through dialogue between the seemingly opposed fields of urban and rural, fine art, and mass culture.
Author: Publisher: Penn State Press ISBN: 9780271047201 Category : Art Languages : en Pages : 328
Book Description
The news media have given us potent demonstrations of the ambiguity of ostensibly truthful representations of public events. Jordana Mendelson uses this ambiguity as a framework for the study of Spanish visual culture from 1929 to 1939--a decade marked, on the one hand, by dictatorship, civil war, and Franco's rise to power and, on the other, by a surge in the production of documentaries of various types, from films and photographs to international exhibitions. Mendelson begins with an examination of El Pueblo Español, a model Spanish village featured at the 1929 International Exposition in Barcelona. She then discusses Buñuel's and Dalí's documentary films, relating them not only to French Surrealism but also to issues of rural tradition in the formation of regional and national identities. Her highly original book concludes with a discussion of the 1937 Spanish Pavilion, where Picasso's famed painting of the Fascist bombing of a Basque town--Guernica--was exhibited along with monumental photomurals by Josep Renau. Based upon years of archival research, Mendelson's book opens a new perspective on the cultural politics of a turbulent era in modern Spain. It explores the little-known yet rich intersection between avant-garde artists and government institutions. It shows as well the surprising extent to which Spanish modernity was fashioned through dialogue between the seemingly opposed fields of urban and rural, fine art, and mass culture.
Author: Cesar Aira Publisher: David Zwirner Books ISBN: 1941701868 Category : Art Languages : en Pages : 66
Book Description
Translated into English for the first time, On Contemporary Art, a speech by the renowned novelist César Aira, was delivered at a 2010 colloquium in Madrid dedicated to bridging the gap between writing and the visual arts. On Aira’s dizzying and dazzling path, everything comes under question—from reproducibility of artworks to the value of the written word itself. In the end, Aira leaves us stranded on the bridge between writing and art that he set out to construct in the first place, flailing as we try to make sense of where we stand. Aira’s On Contemporary Art exemplifies what the ekphrasis series is dedicated to doing—exploring the space in which words give meaning to objects, and objects shape our words. Like the great writers Walter Benjamin and Hermann Broch before him, Aira operates in the space between fiction and essay writing, art and analysis. Pursuing questions about reproducibility, art making, and limits of language, Aira’s unique voice adds new insights to the essential conversations that continue to inform our understanding of art.
Author: Mark A. Roglán Publisher: Ediciones El Viso ISBN: 9788494603457 Category : Art Languages : en Pages : 0
Book Description
The United States is probably the country outside of Spain which has valued Spanish art the most. This claim is based on the sheer number of Spanish works purchased in the recent history of this nation, the high quality of these works and their widespread distribution among most of the museums in the country?s leading cities. This fascination with Spanish art is reflected in the specialisation of some of these institutions, as well as in the way these works make up the most important core of some collections or are represented on par with those of other schools in more encyclopaedic museums. This monograph reveals the wonderful Spanish artistic heritage conserved in the museums of the United States and its enormous quality and interest, from the Middle Ages until contemporary art. With essays by the conservators of American museums and experts in Spanish art, this volume evaluates the importance of the works of art from Spain in the different museums and tells the story of how they have been collected in the United States of America.
Author: William Dyckes Publisher: ISBN: Category : Art, Modern Languages : en Pages : 168
Book Description
Commentary/essays by leading art critics combine in this look at the art of Spain. Includes art, painting, sculpture of over 200 artists from every important movement and reveals the many facets of the Spanish art scene.
Author: Paul J. Smith Publisher: Polity ISBN: 9780745630526 Category : Social Science Languages : en Pages : 192
Book Description
This accessible introduction to the exciting field of contemporary Spanish visual culture is the first of its kind. It combines cultural context with close readings of particular works. Going beyond the field of cinema, in which Spain is an acknowledged leader, Smith examines new developments in television, where original and innovative series drama has recently blossomed. He also explores Spanish fashion, where 'classic' design is married to high tech production and distribution. Two aspects of Spanish visual art are considered: the career of Miquel Barcelo, global artist and pure painter, and Basque conceptual art which, through photography and installation, puts a new spin on international questions of gender and sexuality. Finally, Contemporary Spanish Culture examines Catalan independent cinema and the most recent work of Spain's best known director, Pedro Almodovar, who has resurrected a genre long considered dead: the art movie. This innovative new book provides an ideal introduction for undergraduates and will be essential reading for those working in Hispanic studies, cultural studies, and film.
Author: Lord K2 Publisher: Dokument Forlag ISBN: 9789188369697 Category : Art Languages : en Pages : 144
Book Description
The birthplace of graffiti, New York City, has evolved into a global center for street art. Its public surfaces host a range of media from handmade stickers and wheatpastes to huge installations and murals. Artists from across the globe routinely travel to New York City to grace its walls as they refashion the city into one huge never-ending unofficial street art festival. Among these are such contemporary urban legends as D'Face, Banksy, Os Gemeos, Case, MaClaim, Invader, Stik and Faith 47. Street Art NYC showcases both sanctioned and unsanctioned works captured in the course of a transformative decade that saw the emergence of over a dozen distinctly engaging projects. The hugely popular Bushwick Collective, L.I.S.A Project NYC and Welling Court Mural Project are highlighted with introductory essays. Local community-based projects and festivals, as well as those responding to specific environmental and social issues, are also represented. Banksy's one month 2013 residency, Better Out than In is documented with words and images. And homage is paid to the legendary 5 Pointz graffiti and street art mecca. Street Art NYC is is a beautifully designed hardcover book. The full color photographs by Lord K2 captures the art in the city, printed on thick coated paper, and Lois Stavsky's text provides the context. This is the only book to spotlight the transformational decade that marked the shift from largely unsanctioned to widely curated street art throughout New York City's five boroughs. This book is a collaboration between Lord K2, an award-winning photographer and curator of the online Museum of Urban Art and Lois Stavsky, a noted street art documentarian and editor of the popular blog, Street Art NYC.
Author: Samuel Amago Publisher: University of Toronto Press ISBN: 1487531362 Category : Art Languages : en Pages : 276
Book Description
Spanish comics have attracted considerable critical attention internationally: dissertations have been written, monographs have been published, and an array of cultural institutions in Spain (the media, publishing houses, bookstores, museums, and archives) have increasingly promoted the pleasures, pertinence, and power of graphic narrative to an ever-expanding readership – all in an area of cultural production that was held, until recently, to be the stuff of child’s play, the unenlightened, or the unsophisticated. This volume takes up the charge of examining how contemporary comics in Spain have confronted questions of cultural legitimacy through serious and timely engagement with diverse themes, forms, and approaches – a collective undertaking that, while keenly in step with transnational theoretical trends, foregrounds local, regional, and national dimensions particular to the late twentieth- and early twenty-first-century Spanish milieu. From memory and history to the economic and the political, and from the body and personal space to mental geography, the essays collected in Consequential Art account for several key ways in which a range of comics practitioners have deployed the image-text connection and alternative methods of seeing to interrogate some of the most significant cultural issues in Spain.
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Author: City Art Museum (Saint Louis, Missouri, Estats Units d'America)
Author: Cesar Aira
Author: Art Institute of Chicago
Author: Mark A. Roglán
Author: William Dyckes
Author: Paul J. Smith
Author: Lord K2
Author: Samuel Amago
Author: Detroit Museum of Art