Author: Karen L. Ryan-Hayes
Publisher: Cambridge University Press
ISBN: 9780521026260
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
This wide-ranging study presents an examination of the extraordinary diversity and range of satirical writing in contemporary Russian literature. Through the close analysis of seminal satirical texts written by five Russian and emigré authors in the 1970s and 1980s, Karen Ryan-Hayes demonstrates that formal and thematic parody is pervasive and that it provides additional levels of meaning in contemporary Russian satire. The author focuses on different subgenres of satire and offers practical criticism on each text.
Contemporary Russian Satire
Author: Karen L. Ryan-Hayes
Publisher: Cambridge University Press
ISBN: 9780521026260
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
This wide-ranging study presents an examination of the extraordinary diversity and range of satirical writing in contemporary Russian literature. Through the close analysis of seminal satirical texts written by five Russian and emigré authors in the 1970s and 1980s, Karen Ryan-Hayes demonstrates that formal and thematic parody is pervasive and that it provides additional levels of meaning in contemporary Russian satire. The author focuses on different subgenres of satire and offers practical criticism on each text.
Publisher: Cambridge University Press
ISBN: 9780521026260
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
This wide-ranging study presents an examination of the extraordinary diversity and range of satirical writing in contemporary Russian literature. Through the close analysis of seminal satirical texts written by five Russian and emigré authors in the 1970s and 1980s, Karen Ryan-Hayes demonstrates that formal and thematic parody is pervasive and that it provides additional levels of meaning in contemporary Russian satire. The author focuses on different subgenres of satire and offers practical criticism on each text.
Stalin in Russian Satire, 1917–1991
Author: Karen L. Ryan
Publisher: Univ of Wisconsin Press
ISBN: 0299234436
Category : History
Languages : en
Pages : 254
Book Description
During Stalin’s lifetime the crimes of his regime were literally unspeakable. More than fifty years after his death, Russia is still coming to terms with Stalinism and the people’s own role in the abuses of the era. During the decades of official silence that preceded the advent of glasnost, Russian writers raised troubling questions about guilt, responsibility, and the possibility of absolution. Through the subtle vehicle of satire, they explored the roots and legacy of Stalinism in forms ranging from humorous mockery to vitriolic diatribe. Examining works from the 1917 Revolution to the fall of the Soviet Union in 1991, Karen L. Ryan reveals how satirical treatments of Stalin often emphasize his otherness, distancing him from Russian culture. Some satirists portray Stalin as a madman. Others show him as feminized, animal-like, monstrous, or diabolical. Stalin has also appeared as the unquiet dead, a spirit that keeps returning to haunt the collective memory of the nation. While many writers seem anxious to exorcise Stalin from the body politic, for others he illuminates the self in disturbing ways. To what degree Stalin was and is “in us” is a central question of all these works. Although less visible than public trials, policy shifts, or statements of apology, Russian satire has subtly yet insistently participated in the protracted process of de-Stalinization.
Publisher: Univ of Wisconsin Press
ISBN: 0299234436
Category : History
Languages : en
Pages : 254
Book Description
During Stalin’s lifetime the crimes of his regime were literally unspeakable. More than fifty years after his death, Russia is still coming to terms with Stalinism and the people’s own role in the abuses of the era. During the decades of official silence that preceded the advent of glasnost, Russian writers raised troubling questions about guilt, responsibility, and the possibility of absolution. Through the subtle vehicle of satire, they explored the roots and legacy of Stalinism in forms ranging from humorous mockery to vitriolic diatribe. Examining works from the 1917 Revolution to the fall of the Soviet Union in 1991, Karen L. Ryan reveals how satirical treatments of Stalin often emphasize his otherness, distancing him from Russian culture. Some satirists portray Stalin as a madman. Others show him as feminized, animal-like, monstrous, or diabolical. Stalin has also appeared as the unquiet dead, a spirit that keeps returning to haunt the collective memory of the nation. While many writers seem anxious to exorcise Stalin from the body politic, for others he illuminates the self in disturbing ways. To what degree Stalin was and is “in us” is a central question of all these works. Although less visible than public trials, policy shifts, or statements of apology, Russian satire has subtly yet insistently participated in the protracted process of de-Stalinization.
Contemporary Russian Satire
Author: Karen L. Ryan-Hayes
Publisher: Cambridge University Press
ISBN: 0521475155
Category : Humor
Languages : en
Pages : 306
Book Description
This wide-ranging 1996 study presents an examination of the extraordinary diversity and range of satirical writing in Russian literature and will be of interest not only to Slavicists but also to those interested in genre theory. Through the close analysis of seminal satirical texts written by five Russian and émigré authors in the 1970s and 1980s, Karen Ryan-Hayes demonstrates that formal and thematic parody is pervasive and that it provides additional levels of meaning in contemporary Russian satire. Each work under examination is placed within the wider European literary context as well as within the Russian tradition and is representative of a different sub-genre of satire. The author focuses on a variety of these genres and modes and offers practical criticism on each text. The writers under discussion have enjoyed a positive reception in the West and their works demonstrate the variety and vitality of Russian and Soviet satire.
Publisher: Cambridge University Press
ISBN: 0521475155
Category : Humor
Languages : en
Pages : 306
Book Description
This wide-ranging 1996 study presents an examination of the extraordinary diversity and range of satirical writing in Russian literature and will be of interest not only to Slavicists but also to those interested in genre theory. Through the close analysis of seminal satirical texts written by five Russian and émigré authors in the 1970s and 1980s, Karen Ryan-Hayes demonstrates that formal and thematic parody is pervasive and that it provides additional levels of meaning in contemporary Russian satire. Each work under examination is placed within the wider European literary context as well as within the Russian tradition and is representative of a different sub-genre of satire. The author focuses on a variety of these genres and modes and offers practical criticism on each text. The writers under discussion have enjoyed a positive reception in the West and their works demonstrate the variety and vitality of Russian and Soviet satire.
Contemporary Russian Drama
The Blizzard
Author: Vladimir Sorokin
Publisher: Macmillan
ISBN: 0374114374
Category : Fiction
Languages : en
Pages : 193
Book Description
"In this short, surreal twist on the classic Russian novel, a doctor travels to a distant village to save its citizens from an epidemic, but a metaphysical snowstorm gets in his way"--
Publisher: Macmillan
ISBN: 0374114374
Category : Fiction
Languages : en
Pages : 193
Book Description
"In this short, surreal twist on the classic Russian novel, a doctor travels to a distant village to save its citizens from an epidemic, but a metaphysical snowstorm gets in his way"--
Encyclopaedia of Contemporary Russian
Author: Tatiana Smorodinskaya
Publisher: Routledge
ISBN: 1136787860
Category : History
Languages : en
Pages : 779
Book Description
The Encyclopedia is an invaluable resource on recent and contemporary Russian culture and history for students, teachers, and researchers across the disciplines.
Publisher: Routledge
ISBN: 1136787860
Category : History
Languages : en
Pages : 779
Book Description
The Encyclopedia is an invaluable resource on recent and contemporary Russian culture and history for students, teachers, and researchers across the disciplines.
Renaissance of Classical Allusions in Contemporary Russian Media
Author: Svitlana Malykhina
Publisher: Lexington Books
ISBN: 0739178458
Category : Social Science
Languages : en
Pages : 211
Book Description
Renaissance of Classical Allusions in Contemporary Russian Media builds on a growing body of work concerning post-Soviet media culture during the last, transformative decade. Making sense of the literary allusions in media discourse, Svitlana Malykhina reminds us that allusions can serve as a primary marker of identity—national and cultural—and may also be a way of negotiating the gap between what has to be reported and what can be banned by censorship. Malykhina presents the changes and continuities between rhetoric strategies of Soviet-style media and postcommunist Russian media, identifying the key literary and historical references in public discourse, which are then picked up by the media. The book analyzes the political, cultural, and social factors at play in the development and expansion of these allusions in both official and alternative discourses. Examining the rise of the Internet, which has remained wholly uncensored in Russia, Malykhina reveals that the Russian Internet media began to function as alternative mass media. Yet, the success of the Internet media has also brought complex and unintended consequences. Malykhina offers an empirically rich examination of conventional classical allusions in media discourse, focusing mainly on the rhetorical techniques by which subversive meanings of these references were generated.
Publisher: Lexington Books
ISBN: 0739178458
Category : Social Science
Languages : en
Pages : 211
Book Description
Renaissance of Classical Allusions in Contemporary Russian Media builds on a growing body of work concerning post-Soviet media culture during the last, transformative decade. Making sense of the literary allusions in media discourse, Svitlana Malykhina reminds us that allusions can serve as a primary marker of identity—national and cultural—and may also be a way of negotiating the gap between what has to be reported and what can be banned by censorship. Malykhina presents the changes and continuities between rhetoric strategies of Soviet-style media and postcommunist Russian media, identifying the key literary and historical references in public discourse, which are then picked up by the media. The book analyzes the political, cultural, and social factors at play in the development and expansion of these allusions in both official and alternative discourses. Examining the rise of the Internet, which has remained wholly uncensored in Russia, Malykhina reveals that the Russian Internet media began to function as alternative mass media. Yet, the success of the Internet media has also brought complex and unintended consequences. Malykhina offers an empirically rich examination of conventional classical allusions in media discourse, focusing mainly on the rhetorical techniques by which subversive meanings of these references were generated.
Contemporary Queer Plays by Russian Playwrights
Author: Roman Kozyrchikov
Publisher: Bloomsbury Publishing
ISBN: 1350203793
Category : Performing Arts
Languages : en
Pages : 313
Book Description
Contemporary Queer Plays by Russian Playwrights is the first anthology of LGBTQ-themed plays written by Russian queer authors and straight allies in the 21st century. The book features plays by established and emergent playwrights of the Russian drama scene, including Roman Kozyrchikov, Andrey Rodionov and Ekaterina Troepolskaya, Valery Pecheykin, Natalya Milanteva, Olzhas Zhanaydarov, Vladimir Zaytsev, and Elizaveta Letter. Writing for children, teenagers, and adults, these authors explore gay, lesbian, trans, and other queer lives in prose and in verse. From a confession-style solo play to poetic satire on contemporary Russia; from a play for children to love dramas that have been staged for adult-only audiences in Moscow and other cities, this important anthology features work that was written around or after 2013-the year when the law on the prohibition of “propaganda of non-traditional sexual relations among minors” was passed by the Russian government. These plays are universal stories of humanity that spread a message of tolerance, acceptance, and love and make clear that a queer scenario does not necessarily have to end in a tragedy just because it was imagined and set in Russia. They show that breathing, growing old, falling in love, falling out of love, and falling in love again can be just as challenging and rewarding in Moscow and elsewhere in Russia as it can be in New York, Tokyo, Johannesburg, or Buenos Aires.
Publisher: Bloomsbury Publishing
ISBN: 1350203793
Category : Performing Arts
Languages : en
Pages : 313
Book Description
Contemporary Queer Plays by Russian Playwrights is the first anthology of LGBTQ-themed plays written by Russian queer authors and straight allies in the 21st century. The book features plays by established and emergent playwrights of the Russian drama scene, including Roman Kozyrchikov, Andrey Rodionov and Ekaterina Troepolskaya, Valery Pecheykin, Natalya Milanteva, Olzhas Zhanaydarov, Vladimir Zaytsev, and Elizaveta Letter. Writing for children, teenagers, and adults, these authors explore gay, lesbian, trans, and other queer lives in prose and in verse. From a confession-style solo play to poetic satire on contemporary Russia; from a play for children to love dramas that have been staged for adult-only audiences in Moscow and other cities, this important anthology features work that was written around or after 2013-the year when the law on the prohibition of “propaganda of non-traditional sexual relations among minors” was passed by the Russian government. These plays are universal stories of humanity that spread a message of tolerance, acceptance, and love and make clear that a queer scenario does not necessarily have to end in a tragedy just because it was imagined and set in Russia. They show that breathing, growing old, falling in love, falling out of love, and falling in love again can be just as challenging and rewarding in Moscow and elsewhere in Russia as it can be in New York, Tokyo, Johannesburg, or Buenos Aires.
Encyclopedia of Contemporary Russian Culture
Author: Tatiana Smorodinskaya
Publisher: Routledge
ISBN: 0415320941
Category : History
Languages : en
Pages : 780
Book Description
The Encyclopedia is an invaluable resource on recent and contemporary Russian culture and history for students, teachers, and researchers across the disciplines.
Publisher: Routledge
ISBN: 0415320941
Category : History
Languages : en
Pages : 780
Book Description
The Encyclopedia is an invaluable resource on recent and contemporary Russian culture and history for students, teachers, and researchers across the disciplines.
The Master and Margarita
Author: Mikhail Bulgakov
Publisher: Grove/Atlantic, Inc.
ISBN: 0802190510
Category : Fiction
Languages : en
Pages : 306
Book Description
Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly
Publisher: Grove/Atlantic, Inc.
ISBN: 0802190510
Category : Fiction
Languages : en
Pages : 306
Book Description
Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly