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Author: Harriet Senie Publisher: Oxford University Press, USA ISBN: Category : Art Languages : en Pages : 300
Book Description
In the twentieth century, public sculpture has changed almost beyond recognition. Works inspired by classical and Renaissance traditions - imposing equestrian monuments and triumphal arches - have been replaced by works such as Claes Oldenburg's Clothespin and Christo's Running Fence. This break from tradition has led to radically different approaches to public sculpture - but not without bitter controversy within both the art community and the general public. Contemporary Public Sculpture offers the first comprehensive look at this highly diverse and often controversial branch of modern art. Beginning with the revival of public sculpture in the 1960s, with the work of Picasso, Calder, Moore, Nevelson, and others, Senie traces the developments that defined a new civic art: one which substituted the artist's fame for public content and sparked debates about cost, the role of government, and the place of public art in a democratic society. She shows how the growing irrelevance of traditional memorials resulted in a new approach to the genre defined by Maya Lin's Vietnam Veteran's Memorial, which set out to "heal a nation" rather than glorify a military event by honoring victims rather than heroes; and how dissatisfaction with modern "glass box" architecture and its surrounding barren urban spaces led architectural firms like Skidmore, Owings, & Merrill to use art to enliven both. Senie discusses how the earthworks of Robert Smithson and others inspired public sculpture that brought various landscape elements into urban sites; and she explores works by George Sugarman and Scott Burton that combine sculpture and furniture, changing the very idea of public art by creating a stage for publiclife. Finally, she examines the controversies that arise when citizens (including the press and politicians) confront publicly funded work - such as Joel Shapiro's "Headless Gumby" or Serra's Tilted Arc - that defies their sense of what public sculpture should be. Illustrated with over one hundred halftones, this overview of contemporary public sculpture provides a clear understanding of why it is there, why it looks the way it does, and what is really at stake in the continuing public art controversy.
Author: Harriet Senie Publisher: Oxford University Press, USA ISBN: Category : Art Languages : en Pages : 300
Book Description
In the twentieth century, public sculpture has changed almost beyond recognition. Works inspired by classical and Renaissance traditions - imposing equestrian monuments and triumphal arches - have been replaced by works such as Claes Oldenburg's Clothespin and Christo's Running Fence. This break from tradition has led to radically different approaches to public sculpture - but not without bitter controversy within both the art community and the general public. Contemporary Public Sculpture offers the first comprehensive look at this highly diverse and often controversial branch of modern art. Beginning with the revival of public sculpture in the 1960s, with the work of Picasso, Calder, Moore, Nevelson, and others, Senie traces the developments that defined a new civic art: one which substituted the artist's fame for public content and sparked debates about cost, the role of government, and the place of public art in a democratic society. She shows how the growing irrelevance of traditional memorials resulted in a new approach to the genre defined by Maya Lin's Vietnam Veteran's Memorial, which set out to "heal a nation" rather than glorify a military event by honoring victims rather than heroes; and how dissatisfaction with modern "glass box" architecture and its surrounding barren urban spaces led architectural firms like Skidmore, Owings, & Merrill to use art to enliven both. Senie discusses how the earthworks of Robert Smithson and others inspired public sculpture that brought various landscape elements into urban sites; and she explores works by George Sugarman and Scott Burton that combine sculpture and furniture, changing the very idea of public art by creating a stage for publiclife. Finally, she examines the controversies that arise when citizens (including the press and politicians) confront publicly funded work - such as Joel Shapiro's "Headless Gumby" or Serra's Tilted Arc - that defies their sense of what public sculpture should be. Illustrated with over one hundred halftones, this overview of contemporary public sculpture provides a clear understanding of why it is there, why it looks the way it does, and what is really at stake in the continuing public art controversy.
Author: Cameron Cartiere Publisher: Routledge ISBN: 1317572025 Category : Social Science Languages : en Pages : 291
Book Description
The Everyday Practice of Public Art: Art, Space, and Social Inclusion is a multidisciplinary anthology of analyses exploring the expansion of contemporary public art issues beyond the built environment. It follows the highly successful publication The Practice of Public Art (eds. Cartiere and Willis), and expands the analysis of the field with a broad perspective which includes practicing artists, curators, activists, writers and educators from North America, Europe and Australia, who offer divergent perspectives on the many facets of the public art process. The collection examines the continual evolution of public art, moving beyond monuments and memorials to examine more fully the development of socially-engaged public art practice. Topics include constructing new models for developing and commissioning temporary and performance-based public artworks; understanding the challenges of a socially-engaged public art practice vs. social programming and policymaking; the social inclusiveness of public art; the radical developments in public art and social practice pedagogy; and unravelling the relationships between public artists and the communities they serve. The Everyday Practice of Public Art offers a diverse perspective on the increasingly complex nature of artistic practice in the public realm in the twenty-first century.
Author: Cameron Cartiere Publisher: Routledge ISBN: 113589468X Category : Art Languages : en Pages : 276
Book Description
This exciting new collection of essays by practicing artists, curators, activists, art writers, administrators, city planners, and educators offers divergent perspectives on the numerous facets of the public art process. The volume also includes a useful graphic timeline of public art history.
Author: Suzanne Lacy Publisher: ISBN: Category : Art Languages : en Pages : 300
Book Description
"In this wonderfully bold and speculative anthology of writings, artists and critics offer a highly persuasive set of argument and pleas for imaginative, socially responsible, and socially responsive public art.... "--Amazon.
Author: Hilde Hein Publisher: Rowman Altamira ISBN: 075911417X Category : Art Languages : en Pages : 197
Book Description
Public Art acknowledges the trend among contemporary museums to promote participatory and processual exhibition strategies meant to elicit subjective experience. At the same time it valorizes the object-oriented tradition that has long differentiated museums from other institutions similarly committed to public service and the perpetuation of cultural values. To blend and expand these aims, Hein draws upon a movement toward ephemerality and impermanence in public art. She proposes a new dynamic for the museum that is temporal and pluralistic, while retaining a grounding in material things. The museum is an agent, not a repository; and like public art, it interacts constructively with passing and transitory publics. As an actor with social clout, the museum has moral impact and responsibilities beyond those of the individuals that comprise its collective identity. The book should be read by museum workers and students, by arts and foundation administrators, critics, educators, aestheticians, institutional historians and theorists, and by anyone interested in the transmission of cultural concepts and values.
Author: John T. Young Publisher: ISBN: 9780295977089 Category : Art Languages : en Pages : 136
Book Description
Young introduces us to examples of portrait art featuring political figures, such as the famous collaborative marble carving of Mao Zedong in the Memorial Hall at Tiananmen Square in Beijing, and others that depict anonymous subjects, such as Situ Zhaoguang's playful sculpture - located on a Beijing traffic island amid busy streets - of a girl engrossed in reading a book, plugging her ears to the noise. China's rich ethnic culture is evident in works such as Yuan Yunsheng's mural at the Beijing airport, portraying the Dai people's Water Splashing Festival (whose nude bather was censored until recently and covered over by plywood). Folklore serves as the inspiration for works such as the collaborative granite sculpture Five Rams in Guangzhou, while historical figures and events from imperial China are the subjects of many works, such as Silk Road, a massive sculpture by Ma Gaihu and others marking the Chinese end of the ancient trade route.
Author: Cher Krause Knight Publisher: John Wiley & Sons ISBN: 1444360612 Category : Social Science Languages : en Pages : 158
Book Description
This book takes a bold look at public art and its populist appeal, offering a more inclusive guide to America's creative tastes and shared culture. It examines the history of American public art – from FDR's New Deal to Christo's The Gates – and challenges preconceived notions of public art, expanding its definition to include a broader scope of works and concepts. Expands the definition of public art to include sites such as Boston's Big Dig, Las Vegas' Treasure Island, and Disney World Offers a refreshing alternative to the traditional rhetoric and criticism surrounding public art Includes insightful analysis of the museum and its role in relation to public art
Author: Harriet Senie Publisher: Smithsonian Institution ISBN: 1588344347 Category : Art Languages : en Pages : 337
Book Description
In this groundbreaking anthology, twenty-two artists, architects, historians, critics, curators, and philosophers explore the role of public art in creating a national identity, contending that each work can only be understood by analyzing the context in which it is commissioned, built, and received. They emphasize the historical continuum between traditional works such as Mount Rushmore, the Washington Monument, and the New York Public Library lions, in addition to contemporary memorials such as the Vietnam Veterans Memorial and the Names Project AIDS Quilt. They discuss the influence of patronage on form and content, isolate the factors that precipitate controversy, and show how public art overtly and covertly conveys civic values and national culture. Complete with an updated introduction, Critical Issues in Public Art shows how monuments, murals, memorials, and sculptures in public places are complex cultural achievements that must speak to increasingly diverse groups.
Author: Cameron Cartiere Publisher: Taylor & Francis ISBN: 1000631427 Category : Art Languages : en Pages : 241
Book Description
This collection of original essays takes a multi-disciplinary approach to explore the theme of failure through the broad spectrum of public art and social practice. The anthology brings together practicing artists, curators, activists, art writers, administrators, planners, and educators from around the world to offer differing perspectives on the many facets of failure in commissioning, planning, producing, evaluating, and engaging communities in the continually evolving field of art in the public realm. As such, this book offers a survey of currently unexplored and interconnected thinking, and provides a much-needed critical voice to the commissioning of public and participatory arts. The volume includes case studies from the UK, the US, China, Cuba, and Denmark, as well as discussions of digital public art collections. The Failures of Public Art and Participation will be of interest for students and scholars of visual arts, design and architecture interested in how art in the public realm fits within social and political contexts.
Author: Glenn Harper Publisher: Isc Press ISBN: Category : Art Languages : en Pages : 228
Book Description
Sculpture parks and gardens, whether woodland sanctuaries or urban retreats, sprawling sites or intimate oases, offer sculpture lovers and artists alike unique ways to experience the outdoors, sculpture, and the intersections between nature and culture. Since the mid-20th century, these venues have become important tourist destinations and essential aspects of public life in cities such as Chicago, Minneapolis, and Seattle and regions such as Yorkshire in England and the Hudson Highlands in New York. Landscapes for Art: Contemporary Sculpture Parks surveys a wide range of sculpture parks and gardens that focus on contemporary art--from well-established, museum-type institutions to small-scale, non-collecting, experimental programs. The book includes profiles of sculpture parks in the U.S., U.K., Japan, Australia, Lithuania, China, Italy, Canada, the Netherlands, Belgium, India, Latvia, Sweden, and Finland (among others). There are articles on key topics by art critics, landscape architects, and sculpture park professionals and interviews with Isamu Noguchi, Martin Friedman, and Alfio Bonanno.
Author: Harriet Senie
Author: Harriet Senie
Author: Cameron Cartiere
Author: Cameron Cartiere
Author: Suzanne Lacy
Author: Hilde Hein
Author: John T. Young
Author: Cher Krause Knight
Author: Harriet Senie
Author: Cameron Cartiere
Author: Glenn Harper