Contemporary Photographers from Maryland and Washington PDF Download

Author: Baltimore Museum of Art
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 2

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Author: University of Maryland, College Park. Art Gallery
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 42

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Author:
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 878

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Author: Renato Danese
Publisher: McGraw-Hill Companies
ISBN:
Category : Photography
Languages : en
Pages : 224

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Book Description

Author: Kathleen M. H. Ewing
Publisher: Johns Hopkins University Press
ISBN: 9780801854163
Category : Photography
Languages : en
Pages : 0

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Book Description
For nearly fifty years, A. Aubrey Bodine was a Maryland institution, the photographer for the Baltimore Sunday Sun. Surveying the entire range of his work (there are ten thousand Bodine negatives in Baltimore's Peale Museum alone) Kathleen Ewing has selected sixty-eight photographs to show the photographer at his representative—and sometimes surprising—best. In her accompanying text, Ewing places Bodine's work in the romantic pictorial tradition, alongside the early work of Alfred Stieglitz, Edward Westen, Laura Gilpin, and others. Bodine is perhaps best remembered for his photographs of the Chesapeake Bay and its watermen, but he was also a portrait photographer of consummate skill, capturing subjects as diverse as a group of Amish children and H. L. Mencken by his woodpile on his seventy-fifth birthday. His images of blazing Bessemer steel furnaces and shining barn roofs are equally striking. While Bodine's camera focused mainly on Maryland, he occasionally ventured beyond to show misty rooftops in Nuremberg or championship boxers. A. Aubrey Bodine, Baltimore Pictorialist is a book to be treasured by Marylanders rediscovering an old friend as well as by admirers of photography seeing for the first time the work of a fine American artist.

Author: Constance B. Schulz
Publisher: JHU Press
ISBN: 1421411202
Category : History
Languages : en
Pages : 193

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Book Description
Compelling photographs of people and places throughout Maryland during one of the nation's most anxious decades. Between 1935 and 1943, the United States government commissioned forty-four photographers to capture American faces, along with living and working conditions, across the country. Nearly 180,000 photographs were taken—4,000 in Maryland—and they are now preserved in the Prints and Photographs Division of the Library of Congress. Constance B. Schulz presents a selection of these images in Maryland in Black and White. Maryland in the 1930s and early ‘40s truly represented a microcosm of America, a middle ground where beach and mountain, north and south, urban and rural, black and white, farmer and businessman, rich and poor, young and old met. This period also witnessed a turning point in the state’s history. The pace and nature of change varied from region to region, but even in areas that seemed most resistant to it—the Chesapeake Bay, where oyster tongers harvested their catch using methods unchanged for centuries, or the mountains and streams of Garrett County, where the seasons timelessly repeated themselves—the momentum toward a modern economy, influenced if not dominated by urban and national concerns, had significant impact. Within these pages, the farms and coal fields of 1930s and '40s Western Maryland, the tobacco fields of Southern Maryland, watermen in wooden boats along the Eastern Shore, and smiling couples dancing at a wartime senior prom come back to life. These photographs reveal places we know but scarcely recognize and give us another look at the people of "the greatest generation."

Author: Renato Danese
Publisher:
ISBN:
Category : Photography --united States --exhibitions
Languages : en
Pages : 48

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Robert Adams -- Lewis Baltz -- Harry Callahan -- William Clift -- Linda Connor -- Bevan Davies -- Roy DeCarava -- William Eggleston -- Elliott Erwitt -- Larry Fink -- Frank Gohlke -- John Gossage -- Jonathan Green -- Jan Groover -- Mary Ellen Mark -- Joel Meyerowitz -- Richard Misrach -- Nicholas Nixon -- Tod Papageorge -- Stephen Shore.

Author: Andy Grundberg
Publisher: Yale University Press
ISBN: 0300259891
Category : Photography
Languages : en
Pages : 554

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A leading critic’s inside story of “the photo boom” during the crucial decades of the 1970s and 80s When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography’s “boom years,” chronicling the medium’s increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography’s embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s. Grundberg reflects on the landmark exhibitions that defined the moment and his encounters with the work of leading photographers—many of whom he knew personally—including Gordon Matta-Clark, Cindy Sherman, and Robert Mapplethorpe. He navigates crucial themes such as photography’s relationship to theory as well as feminism and artists of color. Part memoir and part history, this perspective by one of the period’s leading critics ultimately tells a larger story about the crucial decades of the 70s and 80s through the medium of photography.

Author: William A. Fagaly
Publisher: Museum
ISBN:
Category : Art, American
Languages : en
Pages : 84

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Author:
Publisher: Penn State Press
ISBN: 9780271044491
Category : Art
Languages : en
Pages : 484

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Book Description
The Photographic Experience deals with episodes and issues relating to the spread and practice of photography from its beginnings to World War I. Bridget and Heinz Henisch concern themselves with the reception accorded to the new art by professionals, amateurs, and the general public. They examine reactions to the new invention in the press, literature, poetry, music, and fashion; the response of intellectuals and painters; and the beliefs held by prominent photographers concerning the nature of the medium and its mission. With a wide array of images - many never before published - they illustrate the photograph's use as a record of public and private moments in life.