Author: Olu Obafemi
Publisher: Bayreuth African Studies
ISBN:
Category : Drama
Languages : en
Pages : 334
Book Description
Contemporary Nigerian Theatre
Author: Olu Obafemi
Publisher: Bayreuth African Studies
ISBN:
Category : Drama
Languages : en
Pages : 334
Book Description
Publisher: Bayreuth African Studies
ISBN:
Category : Drama
Languages : en
Pages : 334
Book Description
Marketing Contemporary Nigerian Theatre and Cultural Entertainment
Author: Sunday Enessi Ododo
Publisher:
ISBN: 9789789379316
Category : Cultural industries
Languages : en
Pages : 354
Book Description
Publisher:
ISBN: 9789789379316
Category : Cultural industries
Languages : en
Pages : 354
Book Description
Creolisations in Nigerian Theatre
Author: Victor Samson Dugga
Publisher: Spotlight Poets
ISBN:
Category : Drama
Languages : en
Pages : 224
Book Description
Publisher: Spotlight Poets
ISBN:
Category : Drama
Languages : en
Pages : 224
Book Description
The Place of Oral Tradition in Contemporary Nigerian Theatre
Author: Olu Obafemi
Publisher:
ISBN:
Category : Oral tradition
Languages : en
Pages : 13
Book Description
Publisher:
ISBN:
Category : Oral tradition
Languages : en
Pages : 13
Book Description
Aesthetics of Adaptation in Contemporary Nigerian Drama
Author: Gbemisola Adeoti
Publisher:
ISBN: 9789788406570
Category : Nigerian drama (English)
Languages : en
Pages : 74
Book Description
Publisher:
ISBN: 9789788406570
Category : Nigerian drama (English)
Languages : en
Pages : 74
Book Description
Festival Drama
Cultural Heritage and Social Vision in Contemporary Nigerian Theatre
Arts Administration in Contemporary Nigeria
Author: Remi Ademola Adedokun
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 216
Book Description
Nigerian Feminist Theatre
Author: Mabel Tobrise
Publisher: Sam Bookman Publishers for Humanities
ISBN:
Category : Drama
Languages : en
Pages : 92
Book Description
Publisher: Sam Bookman Publishers for Humanities
ISBN:
Category : Drama
Languages : en
Pages : 92
Book Description
African Theatre in Performance
Author: Dele Layiwola
Publisher: Routledge
ISBN: 1134429339
Category : Performing Arts
Languages : en
Pages : 158
Book Description
In this lively and varied tribute to Martin Banham, Layiwola has assembled critical commentaries and two plays which focus primarily on Nigerian theatre - both traditional and contemporary. Dele Layiwola, Dapo Adelugba and Sonny Oti trace the beginnings of the School of Drama in 1960, at the University of Ibadan, Nigeria, where Martin Banham played a key and influential role in the growth of thriving Nigerian theatre repetoire and simulaneously encouraging the creation of a new theatre based on traditional Nigerian theatre forms. This comparative approach is taken up in Dele Layiwola's study of ritual and drama in the context of various traditions worldwide, while Oyin Ogunba presents a lucid picture of the complex use of theatre space in Yoruba ritual dramadar drama. Harsh everyday realitites, both physical and political, are graphically demonstrated by Robert McClaren (Zimbabwe) and Oga Steve Abah (Nigeria) who both show surprising and alarming links between extreme actual experiences and theatre creation and performance. The texts of the two plays - When Criminals Turn Judges by Ola Rotimi, The Hand that Feeds the King by Wale Ogunyemi, are followed by Austin O. Asagba's study of oral tradition and text in plays by Osofisan and Agbeyegbe, and Frances Harding's study on power, language, and imagery in Wole Soyinka's plays.
Publisher: Routledge
ISBN: 1134429339
Category : Performing Arts
Languages : en
Pages : 158
Book Description
In this lively and varied tribute to Martin Banham, Layiwola has assembled critical commentaries and two plays which focus primarily on Nigerian theatre - both traditional and contemporary. Dele Layiwola, Dapo Adelugba and Sonny Oti trace the beginnings of the School of Drama in 1960, at the University of Ibadan, Nigeria, where Martin Banham played a key and influential role in the growth of thriving Nigerian theatre repetoire and simulaneously encouraging the creation of a new theatre based on traditional Nigerian theatre forms. This comparative approach is taken up in Dele Layiwola's study of ritual and drama in the context of various traditions worldwide, while Oyin Ogunba presents a lucid picture of the complex use of theatre space in Yoruba ritual dramadar drama. Harsh everyday realitites, both physical and political, are graphically demonstrated by Robert McClaren (Zimbabwe) and Oga Steve Abah (Nigeria) who both show surprising and alarming links between extreme actual experiences and theatre creation and performance. The texts of the two plays - When Criminals Turn Judges by Ola Rotimi, The Hand that Feeds the King by Wale Ogunyemi, are followed by Austin O. Asagba's study of oral tradition and text in plays by Osofisan and Agbeyegbe, and Frances Harding's study on power, language, and imagery in Wole Soyinka's plays.