Author: Vernon E. Lattin
Publisher: Bilingual Review Press (AZ)
ISBN:
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
This work provides the most comprehensive critical coverage of Chicano fiction to date. The papers in this volume cover all the major figures in Chicano fiction of the 1960s and 1970s as well as the theory of the Chicano novel, New Mexican narratives, and the urban experience in Chicano fiction. Ernestina N. Eger has produced an extensive bibliography of criticism on Chicano fiction, an outstanding scholarly contribution.
Chicano and Chicana Literature
Author: Charles M. Tatum
Publisher: University of Arizona Press
ISBN: 0816549982
Category : Social Science
Languages : en
Pages : 233
Book Description
The literary culture of the Spanish-speaking Southwest has its origins in a harsh frontier environment marked by episodes of intense cultural conflict, and much of the literature seeks to capture the epic experiences of conquest and settlement. The Chicano literary canon has evolved rapidly over four centuries to become one of the most dynamic, growing, and vital parts of what we know as contemporary U.S. literature. In this comprehensive examination of Chicano and Chicana literature, Charles M. Tatum brings a new and refreshing perspective to the ethnic identity of Mexican Americans. From the earliest sixteenth-century chronicles of the Spanish Period, to the poetry and narrative fiction of the second half of the nineteenth century and the first half of the twentieth century, and then to the flowering of all literary genres in the post–Chicano Movement years, Chicano/a literature amply reflects the hopes and aspirations as well as the frustrations and disillusionments of an often marginalized population. Exploring the work of Rudolfo Anaya, Sandra Cisneros, Luis Alberto Urrea, and many more, Tatum examines the important social, historical, and cultural contexts in which the writing evolved, paying special attention to the Chicano Movement and the flourishing of literary texts during the 1960s and early 1970s. Chapters provide an overview of the most important theoretical and critical approaches employed by scholars over the past forty years and survey the major trends and themes in contemporary autobiography, memoir, fiction, and poetry. The most complete and up-to-date introduction to Chicana/o literature available, this book will be an ideal reference for scholars of Hispanic and American literature. Discussion questions and suggested reading included at the end of each chapter are especially suited for classroom use.
Publisher: University of Arizona Press
ISBN: 0816549982
Category : Social Science
Languages : en
Pages : 233
Book Description
The literary culture of the Spanish-speaking Southwest has its origins in a harsh frontier environment marked by episodes of intense cultural conflict, and much of the literature seeks to capture the epic experiences of conquest and settlement. The Chicano literary canon has evolved rapidly over four centuries to become one of the most dynamic, growing, and vital parts of what we know as contemporary U.S. literature. In this comprehensive examination of Chicano and Chicana literature, Charles M. Tatum brings a new and refreshing perspective to the ethnic identity of Mexican Americans. From the earliest sixteenth-century chronicles of the Spanish Period, to the poetry and narrative fiction of the second half of the nineteenth century and the first half of the twentieth century, and then to the flowering of all literary genres in the post–Chicano Movement years, Chicano/a literature amply reflects the hopes and aspirations as well as the frustrations and disillusionments of an often marginalized population. Exploring the work of Rudolfo Anaya, Sandra Cisneros, Luis Alberto Urrea, and many more, Tatum examines the important social, historical, and cultural contexts in which the writing evolved, paying special attention to the Chicano Movement and the flourishing of literary texts during the 1960s and early 1970s. Chapters provide an overview of the most important theoretical and critical approaches employed by scholars over the past forty years and survey the major trends and themes in contemporary autobiography, memoir, fiction, and poetry. The most complete and up-to-date introduction to Chicana/o literature available, this book will be an ideal reference for scholars of Hispanic and American literature. Discussion questions and suggested reading included at the end of each chapter are especially suited for classroom use.
Bordering Fires
Author: Cristina Garcia
Publisher: Vintage
ISBN: 0307482405
Category : Fiction
Languages : en
Pages : 302
Book Description
As the descendants of Mexican immigrants have settled throughout the United States, a great literature has emerged, but its correspondances with the literature of Mexico have gone largely unobserved. In Bordering Fires, the first anthology to combine writing from both sides of the Mexican-U.S. border, Cristina Garc’a presents a richly diverse cross-cultural conversation. Beginning with Mexican masters such as Alfonso Reyes and Juan Rulfo, Garc’a highlights historic voices such as “the godfather of Chicano literature” Rudolfo Anaya, and Gloria Anzaldœa, who made a powerful case for language that reflects bicultural experience. From the fierce evocations of Chicano reality in Jimmy Santiago Baca’s Poem IX to the breathtaking images of identity in Coral Bracho’s poem “Fish of Fleeting Skin,” from the work of Carlos Fuentes to Sandra Cisneros, Ana Castillo to Octavio Paz, this landmark collection of fiction, essays, and poetry offers an exhilarating new vantage point on our continent–and on the best of contemporary literature. From the Trade Paperback edition.
Publisher: Vintage
ISBN: 0307482405
Category : Fiction
Languages : en
Pages : 302
Book Description
As the descendants of Mexican immigrants have settled throughout the United States, a great literature has emerged, but its correspondances with the literature of Mexico have gone largely unobserved. In Bordering Fires, the first anthology to combine writing from both sides of the Mexican-U.S. border, Cristina Garc’a presents a richly diverse cross-cultural conversation. Beginning with Mexican masters such as Alfonso Reyes and Juan Rulfo, Garc’a highlights historic voices such as “the godfather of Chicano literature” Rudolfo Anaya, and Gloria Anzaldœa, who made a powerful case for language that reflects bicultural experience. From the fierce evocations of Chicano reality in Jimmy Santiago Baca’s Poem IX to the breathtaking images of identity in Coral Bracho’s poem “Fish of Fleeting Skin,” from the work of Carlos Fuentes to Sandra Cisneros, Ana Castillo to Octavio Paz, this landmark collection of fiction, essays, and poetry offers an exhilarating new vantage point on our continent–and on the best of contemporary literature. From the Trade Paperback edition.
Understanding Contemporary Chicana Literature
Author: Deborah L. Madsen
Publisher: Univ of South Carolina Press
ISBN: 9781570033797
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Exploring the work of six notable authors, this text reveals characteristic themes, images and stylistic devices that make contemporary Chicana writing a vibrant and innovative part of a burgeoning Latina creativity.
Publisher: Univ of South Carolina Press
ISBN: 9781570033797
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Exploring the work of six notable authors, this text reveals characteristic themes, images and stylistic devices that make contemporary Chicana writing a vibrant and innovative part of a burgeoning Latina creativity.
Postnational Perspectives on Contemporary Hispanic Literature
Author: Heike Scharm
Publisher: University Press of Florida
ISBN: 0813052017
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
"Offers an array of disciplinary views on how theories of globalization and an emerging postnational critical imagination have impacted traditional ways of thinking about literature."--Samuel Amago, author of Spanish Cinema in the Global Context: Film on Film Moving beyond the traditional study of Hispanic literature on a nation-by-nation basis, this volume explores how globalization is currently affecting Spanish and Latin American fiction, poetry, and literary theory. Taking a postnational approach, contributors examine works by José Martí, Carlos Ruiz Zafón, Junot Díaz, Mario Vargas Llosa, Cecilia Vicuña, Jorge Luis Borges, and other writers. They discuss how expanding worldviews have impacted the way these authors write and how they are read today. Whether analyzing the increasingly popular character of the voluntary exile, the theme of masculinity in This Is How You Lose Her, or the multilingual nature of the Spanish language itself, they show how contemporary Hispanic writers and critics are engaging in cross-cultural literary conversations. Drawing from a range of fields including postcolonial, Latino, gender, exile, and transatlantic studies, these essays help characterize a new "world" literature that reflects changing understandings of memory, belonging, and identity.
Publisher: University Press of Florida
ISBN: 0813052017
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
"Offers an array of disciplinary views on how theories of globalization and an emerging postnational critical imagination have impacted traditional ways of thinking about literature."--Samuel Amago, author of Spanish Cinema in the Global Context: Film on Film Moving beyond the traditional study of Hispanic literature on a nation-by-nation basis, this volume explores how globalization is currently affecting Spanish and Latin American fiction, poetry, and literary theory. Taking a postnational approach, contributors examine works by José Martí, Carlos Ruiz Zafón, Junot Díaz, Mario Vargas Llosa, Cecilia Vicuña, Jorge Luis Borges, and other writers. They discuss how expanding worldviews have impacted the way these authors write and how they are read today. Whether analyzing the increasingly popular character of the voluntary exile, the theme of masculinity in This Is How You Lose Her, or the multilingual nature of the Spanish language itself, they show how contemporary Hispanic writers and critics are engaging in cross-cultural literary conversations. Drawing from a range of fields including postcolonial, Latino, gender, exile, and transatlantic studies, these essays help characterize a new "world" literature that reflects changing understandings of memory, belonging, and identity.
Contemporary Chicano Fiction
Author: Vernon E. Lattin
Publisher: Bilingual Review Press (AZ)
ISBN:
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
This work provides the most comprehensive critical coverage of Chicano fiction to date. The papers in this volume cover all the major figures in Chicano fiction of the 1960s and 1970s as well as the theory of the Chicano novel, New Mexican narratives, and the urban experience in Chicano fiction. Ernestina N. Eger has produced an extensive bibliography of criticism on Chicano fiction, an outstanding scholarly contribution.
Publisher: Bilingual Review Press (AZ)
ISBN:
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
This work provides the most comprehensive critical coverage of Chicano fiction to date. The papers in this volume cover all the major figures in Chicano fiction of the 1960s and 1970s as well as the theory of the Chicano novel, New Mexican narratives, and the urban experience in Chicano fiction. Ernestina N. Eger has produced an extensive bibliography of criticism on Chicano fiction, an outstanding scholarly contribution.
Magical Realism in Contemporary Chicano Fiction
Author: Roland Walter
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 160
Book Description
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 160
Book Description
Chicano Identity in Chicano Fiction
Author: Markus Widmer
Publisher: GRIN Verlag
ISBN: 3640202716
Category : Biography & Autobiography
Languages : en
Pages : 29
Book Description
Seminar paper from the year 1998 in the subject American Studies - Literature, grade: 2 (B), University of Aberdeen (English Department), course: Chicano Fiction, 9 entries in the bibliography, language: English, abstract: In this essay, I will address the question of Chicano identity by investigating two very different texts, that both deal with a quest for identity in a Mexican-American context: Tomás Rivera's ...And the Earth Did Not Devour Him and Richard Rodriguez' Hunger of Memory: The Education of Richard Rodriguez. I will first discuss the contextual differences between the two works. Then I will consider the definitions of identity upon which the texts are based. Going deeper into the works themselves, I will finally discuss along which lines the two quests for identity develop. In conclusion, I will connect my investigations to the question of whether Chicano identity is unified or fragmented. Both Tomás Rivera's ...And the Earth Did Not Devour Him and Richard Rodriguez' Hunger of Memory are about an individual searching for his identity. In both works, the protagonist is a Mexican-American or 'Chicano'. However, the differences between the two books are huge. The generic difference is most obvious: Rivera's work is a fictional narrative, which Héctor Calderón termed 'novel-as-tales'.1 Rodriguez, referring to his book, speaks of '[e]ssays impersonating an autobiography' (p. 7). This entails that the subject searching for identity is, in Rodriguez' case, the author himself, or rather his literary image. In Rivera's case, the subject is purely fictional, although some critics have identified this literary subject with the author.
Publisher: GRIN Verlag
ISBN: 3640202716
Category : Biography & Autobiography
Languages : en
Pages : 29
Book Description
Seminar paper from the year 1998 in the subject American Studies - Literature, grade: 2 (B), University of Aberdeen (English Department), course: Chicano Fiction, 9 entries in the bibliography, language: English, abstract: In this essay, I will address the question of Chicano identity by investigating two very different texts, that both deal with a quest for identity in a Mexican-American context: Tomás Rivera's ...And the Earth Did Not Devour Him and Richard Rodriguez' Hunger of Memory: The Education of Richard Rodriguez. I will first discuss the contextual differences between the two works. Then I will consider the definitions of identity upon which the texts are based. Going deeper into the works themselves, I will finally discuss along which lines the two quests for identity develop. In conclusion, I will connect my investigations to the question of whether Chicano identity is unified or fragmented. Both Tomás Rivera's ...And the Earth Did Not Devour Him and Richard Rodriguez' Hunger of Memory are about an individual searching for his identity. In both works, the protagonist is a Mexican-American or 'Chicano'. However, the differences between the two books are huge. The generic difference is most obvious: Rivera's work is a fictional narrative, which Héctor Calderón termed 'novel-as-tales'.1 Rodriguez, referring to his book, speaks of '[e]ssays impersonating an autobiography' (p. 7). This entails that the subject searching for identity is, in Rodriguez' case, the author himself, or rather his literary image. In Rivera's case, the subject is purely fictional, although some critics have identified this literary subject with the author.
The Figure of the Pocho in Contemporary Chicano Fiction
Author: Rafael Francisco Grajeda
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 302
Book Description
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 302
Book Description
The Search for Selfhood and Order in Contemporary Chicano Fiction
Author: Loretta Carrillo
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 240
Book Description
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 240
Book Description
Short Fiction By Hispanic Writers of the United States
Author: Nicol‡s Kanellos
Publisher: Arte Publico Press
ISBN: 9781611922868
Category : Fiction
Languages : en
Pages : 292
Book Description
Short Fiction by Hispanic Writers of the United States includes representative works by the most celebrated Cuban-American, Mexican-American and Puerto Rican writers of short fiction in the country. The texts cover a full range of expression, themes and styles of US Hispanics and are introduced by informative entries which place the authors in their cultural and historic frameworks. In these pages, the reader will not find picturesque, folksy or touristy renditions of Hispanic culture. Instead, Short Fiction by Hispanic Writers of the United States brings together works that are clear, incisive and authentic representations of Hispanic life in the United States. The selections are as diverse as Hispanic culture itself and as varied as the personalities of their authors. Here are Max Mart’nezÕs outrageous challenge of racial and social structures, Roberta Fern‡ndezÕs construction of Hispanic womenÕs aesthetics, Roberto Fern‡ndezÕs subversion of the English language, Nicholasa MohrÕs humorous attack on patriarchy, and Judith Ortiz CoferÕs poetic evocation of childhood and biculturalism. This collection engages in aesthetic and cultural experience that will result in a re-defined canon and a new identity for the country as whole. They are re-focusing our perception of ourselves as a people and a culture. The pressure and the commitment to do so, of course, make for excellence and innovation in literary expression. It also makes for enjoyable reading. Short Fiction by Hispanic Writers of the United States is recommended for the general fiction reader and for use in high school and college literature classes in search of a multicultural perspective.
Publisher: Arte Publico Press
ISBN: 9781611922868
Category : Fiction
Languages : en
Pages : 292
Book Description
Short Fiction by Hispanic Writers of the United States includes representative works by the most celebrated Cuban-American, Mexican-American and Puerto Rican writers of short fiction in the country. The texts cover a full range of expression, themes and styles of US Hispanics and are introduced by informative entries which place the authors in their cultural and historic frameworks. In these pages, the reader will not find picturesque, folksy or touristy renditions of Hispanic culture. Instead, Short Fiction by Hispanic Writers of the United States brings together works that are clear, incisive and authentic representations of Hispanic life in the United States. The selections are as diverse as Hispanic culture itself and as varied as the personalities of their authors. Here are Max Mart’nezÕs outrageous challenge of racial and social structures, Roberta Fern‡ndezÕs construction of Hispanic womenÕs aesthetics, Roberto Fern‡ndezÕs subversion of the English language, Nicholasa MohrÕs humorous attack on patriarchy, and Judith Ortiz CoferÕs poetic evocation of childhood and biculturalism. This collection engages in aesthetic and cultural experience that will result in a re-defined canon and a new identity for the country as whole. They are re-focusing our perception of ourselves as a people and a culture. The pressure and the commitment to do so, of course, make for excellence and innovation in literary expression. It also makes for enjoyable reading. Short Fiction by Hispanic Writers of the United States is recommended for the general fiction reader and for use in high school and college literature classes in search of a multicultural perspective.