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Contemporary Art + Philanthropy

Contemporary Art + Philanthropy PDF Author: Terry E. Smith
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 112

Book Description
"This publication paperws that were presented at a forum held on 10 August 2006 at Sherman Galleries, Sydney, NSW, Australia."--Verso title page.

Contemporary Art + Philanthropy

Contemporary Art + Philanthropy PDF Author: Terry E. Smith
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 112

Book Description
"This publication paperws that were presented at a forum held on 10 August 2006 at Sherman Galleries, Sydney, NSW, Australia."--Verso title page.

Philanthropy and Social Media

Philanthropy and Social Media PDF Author: Mary Lou R. Ibadlit
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 140

Book Description
In 2008, the Barack Obama presidential campaign used new media to great effect, rallying younger voters and cultivating a different type of donor by honoring smaller gifts that accumulated to make an impact. Using social media and new technology to inspire, engage, and empower individuals across the United States, the Obama campaign was able to develop a significant donor base with record-breaking results. Arts organizations, like political campaigns, rely on donors to support their ongoing cultural work. With the shift in generational philanthropic habits becoming clearer, the integration of new trends in social media and technology in a nonprofit's development and fundraising strategy is crucial to the long term success of the organization and offers invaluable tools in development and fundraising for the 21st-century. My objective for this thesis is to explore the current trends and new developments that have influenced the online philanthropy landscape through developing an in-depth understanding of three contemporary art museums: the Museum of Modern Art New York City, NY, the Indianapolis Museum of Art Indianapolis, IN and the Museum of Contemporary Art Chicago, IL. By analyzing the current use of social media and technology in these institutions, I will arrive at recommendations for the integration of current trends and new developments in online philanthropy in the overall fundraising and development strategies for other arts institutions.

The Confluence of Contemporary Art and Philanthropy

The Confluence of Contemporary Art and Philanthropy PDF Author: Arnie Lizan
Publisher:
ISBN:
Category : Art patronage
Languages : en
Pages : 74

Book Description


Contemporary Art + Philanthropy

Contemporary Art + Philanthropy PDF Author: Nicholas Jose
Publisher: Power Publications, Sydney
ISBN: 9780957738232
Category : Art
Languages : en
Pages : 0

Book Description
In this volume, Nicholas Jose, Elaine Ng, Carrillo Gantner, Britta Erickson and Gene Sherman continue the conversation begun at the 2006 Forum by exploring the current and future role of private foundations in sustaining contemporary art in the Asia-Pacific region during a time of rapid development, transition and change.

Engines of Culture

Engines of Culture PDF Author: Daniel M. Fox
Publisher: Routledge
ISBN: 1351294024
Category : Art
Languages : en
Pages : 148

Book Description
This book shows why American social policy was incomplete with respect to the arts and argues that art museums are an instructive example of the accommodation of public and private interests. It is useful for political scientists, policymakers, scholars of philanthropy, artists, and historians.

Museums and Wealth

Museums and Wealth PDF Author: Nizan Shaked
Publisher: Bloomsbury Publishing
ISBN: 1350045780
Category : Art
Languages : en
Pages : 289

Book Description
A critical analysis of contemporary art collections and the value form, this book shows why the nonprofit system is unfit to administer our common collections, and offers solutions for diversity reform and redistributive restructuring. In the United States, institutions administered by the nonprofit system have an ambiguous status as they are neither entirely private nor fully public. Among nonprofits, the museum is unique as it is the only institution where trustees tend to collect the same objects they hold in “public trust” on behalf of the nation, if not humanity. The public serves as alibi for establishing the symbolic value of art, which sustains its monetary value and its markets. This structure allows for wealthy individuals at the helm to gain financial benefits from, and ideological control over, what is at its core purpose a public system. The dramatic growth of the art market and the development of financial tools based on art-collateral loans exacerbate the contradiction between the needs of museum leadership versus that of the public. Indeed, a history of private support in the US is a history of racist discrimination, and the common collections reflect this fact. A history of how private collections were turned public gives context. Since the late Renaissance, private collections legitimized the prince's right to rule, and later, with the great revolutions, display consolidated national identity. But the rise of the American museum reversed this and re-privatized the public collection. A materialist description of the museum as a model institution of the liberal nation state reveals constellations of imperialist social relations.

Diversity, Access, and Participation in Contemporary Arts Philanthropy

Diversity, Access, and Participation in Contemporary Arts Philanthropy PDF Author: Olivia Junell
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 90

Book Description
This thesis investigates a contemporary movement to incorporate goals of increased diversity, access, and participation into the artistic, operational, and programmatic missions of non-profit arts organizations. In the past several years, a number of major funding institutions have reworked their strategic plans to incorporate these equivocal goals into their philanthropic mission. While this progress is consistent within multicultural initiatives of the past decade, actually implementing these new directives becomes highly complicated. Changing funding priorities bring forward a litany of concerns; in particular I question who is given agency within these processes and how ideological frameworks can translate into meaningful action. In my research I utilize two lines of investigation. First is an in-depth analysis of the changing missions of three case studies: Irvine Foundation, Ford Foundation, and Chicago Community Trust and the organizations they support. The second line follows the narratives of individual arts practitioners who incorporate the tenets of diversity, engagement, and participation in their practices. I explore how the ideals of diversity, access, and participation manifest in each of these cases, with an eye towards how the large-scale goals at the funding level and the embedded goals of ground level practitioners might come together to suggest new ways of operating at the organizational level.

The Private Museum

The Private Museum PDF Author: Georgina Walker
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 155

Book Description


Artists for Artists

Artists for Artists PDF Author: Foundation for Contemporary Arts
Publisher:
ISBN: 9780615669458
Category : Art
Languages : en
Pages : 0

Book Description
In 1962, Jasper Johns, John Cage, Robert Rauschenberg and other artists came together to help Merce Cunningham finance a proposed season on Broadway by organizing a sale of their artworks. Their success led to the formation of the Foundation for Contemporary Arts--now among the most celebrated of grant-giving organizations--and a radical new way for artists to support other artists through the sale of their work. Artists for Artists celebrates the fiftieth anniversary of the Foundation, tracing its vital role in supporting artists and sponsoring some of the signal performance events of the last half-century. This beautifully designed book includes a full event history, profiles of key artist-beneficiaries, the original texts of the Foundation-sponsored Six Lectures series of 1966 (most never before published) and an oral history including the Foundation's co-founder, Jasper Johns.

Women's Culture

Women's Culture PDF Author: Kathleen D. McCarthy
Publisher: University of Chicago Press
ISBN: 0226555844
Category : Art
Languages : en
Pages : 342

Book Description
Kathleen McCarthy here presents the first book-length treatment of the vital role middle- and upper-class women played in the development of American museums in the century after 1830. By promoting undervalued areas of artistic endeavor, from folk art to the avant-garde, such prominent individuals as Isabella Stewart Gardner, Gertrude Vanderbilt Whitney, and Abby Aldrich Rockefeller were able to launch national feminist reform movements, forge extensive nonprofit marketing systems, and "feminize" new occupations.