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Author: Amelie Meyer Publisher: GRIN Verlag ISBN: 3346143511 Category : Literary Collections Languages : en Pages : 47
Book Description
Bachelor Thesis from the year 2011 in the subject American Studies - Miscellaneous, grade: 2,3, University of Göttingen (Philosophische Fakultät), language: English, abstract: At the turn of the nineteenth century, the city of New York underwent a tremendous change that is regarded as a complete “transformation of American culture” (Zurier). An abundance of scholarly works have been devoted to those developments that were of a geographic, economic or social nature. An equally great focus has been on the rise of a new kind of consumer culture which, according to Tottis, rang in an “age of Amusement” which included the advent of the department store, popular entertainment and advertisement (Zurier). Recent scholars, among them Rebecca Zurier, have concentrated on the role of public display within this consumer culture. People were not only there “to buy, but merely to ‘see’ the things” they desired to purchase (Bowlby, “Looking”). The display and constant “visuality” of the outer look of the city on the one hand and the mutual gazing of city people on the other hand caused the need for a “new skill of urban viewing” people had yet to learn (Manthorne). Thus, new ways of seeing developed. Within this context of a heavily pictorial and visual consumer culture, scholars have examined the works of the Ashcan School, a group of artists known for their ‘common’ city depictions. Up to the present, few scholars did not concentrate on the Ashcan artists’ portrayal of poor living conditions, toil and tenements. Instead, they began to analyze the consumerist scenes of the Ashcan School’s oeuvre: they contemplated the issues of public display, its effects on New York’s citizen and they also scraped the surface of the gender issue within consumerism. This bachelor thesis is intended to extent this study in order to provide a coherent picture of how consumerism, gender and new ways of seeing play together in a number of Ashcan works. The portrayals of Everett Shinn and John Sloan have been chosen for their depicted content of entertainment, shopping and urban viewing.
Author: Amelie Meyer Publisher: GRIN Verlag ISBN: 3346143511 Category : Literary Collections Languages : en Pages : 47
Book Description
Bachelor Thesis from the year 2011 in the subject American Studies - Miscellaneous, grade: 2,3, University of Göttingen (Philosophische Fakultät), language: English, abstract: At the turn of the nineteenth century, the city of New York underwent a tremendous change that is regarded as a complete “transformation of American culture” (Zurier). An abundance of scholarly works have been devoted to those developments that were of a geographic, economic or social nature. An equally great focus has been on the rise of a new kind of consumer culture which, according to Tottis, rang in an “age of Amusement” which included the advent of the department store, popular entertainment and advertisement (Zurier). Recent scholars, among them Rebecca Zurier, have concentrated on the role of public display within this consumer culture. People were not only there “to buy, but merely to ‘see’ the things” they desired to purchase (Bowlby, “Looking”). The display and constant “visuality” of the outer look of the city on the one hand and the mutual gazing of city people on the other hand caused the need for a “new skill of urban viewing” people had yet to learn (Manthorne). Thus, new ways of seeing developed. Within this context of a heavily pictorial and visual consumer culture, scholars have examined the works of the Ashcan School, a group of artists known for their ‘common’ city depictions. Up to the present, few scholars did not concentrate on the Ashcan artists’ portrayal of poor living conditions, toil and tenements. Instead, they began to analyze the consumerist scenes of the Ashcan School’s oeuvre: they contemplated the issues of public display, its effects on New York’s citizen and they also scraped the surface of the gender issue within consumerism. This bachelor thesis is intended to extent this study in order to provide a coherent picture of how consumerism, gender and new ways of seeing play together in a number of Ashcan works. The portrayals of Everett Shinn and John Sloan have been chosen for their depicted content of entertainment, shopping and urban viewing.
Author: Rebecca Zurier Publisher: Univ of California Press ISBN: 0520220188 Category : Art Languages : en Pages : 420
Book Description
"Zurier vividly locates the Ashcan School artists within the early twentieth-century crosscurrents of newspaper journalism, literary realism, illustration, sociology, and urban spectatorship. Her compassionate study newly assesses the artists' rejection of 'genteel' New York, their alignments with mass media, and their innovative ways of seeing in the modern city."—Wanda M. Corn, author of The Great American Thing: Modern Art and National Identity, 1915-35 If the Ashcan School brought a special and embracing eye to the city, Rebecca Zurier in her richly contextual and impressively interdisciplinary book explains and evokes that historically specific urban vision in all its richness. Finally, in Picturing the City, we have the study these painters have long deserved. And we gain new and delightful access to New York City at the moment of its emergence as a compelling embodiment of metropolitan modernity."—Thomas Bender, Director, International Center for Advanced Studies, New York University "Picturing the City is both meticulous and wide-ranging in its assessment of the Ashcan artists and their passionate efforts to represent New York. It charts their pleasures and problems, warmth and prejudices, generosity and differences, originality and formula. It takes seriously their habits as journalists and provides the most complete sense of their immersion in a world of urban spectatorship and vision. Rebecca Zurier has written a wonderful, timely book that will be a benchmark for any future discussions of them."—Anthony W. Lee, author of Picturing Chinatown: Art and Orientalism in San Francisco "Rebecca Zurier takes us on an intellectually exhilarating and breathtakingly beautiful visual voyage through turn-of-the-century New York City as the Ashcan painters saw it. As we watch them learn a new way of looking in the commercially dynamic, sensual New York of a century ago, we too see that time and place with fresh eyes. Inevitably, thanks to Zurier, the way we look at city life today will change as well."—Lizabeth Cohen, author of A Consumers' Republic: The Politics of Mass Consumption in Postwar America
Author: Ellen Wiley Todd Publisher: Univ of California Press ISBN: 9780520074712 Category : Art Languages : en Pages : 464
Book Description
In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.
Author: Joshua Brown Publisher: Univ of California Press ISBN: 9780520248144 Category : Art Languages : en Pages : 396
Book Description
"Beyond the Lines offers the most imaginative reading I have seen of 19th century visual journalism. The book illuminates in highly original ways how Gilded Age engravers both shaped and reflected popular views regarding race, ethnicity, and labor strife."—Eric Foner, Columbia University
Author: Publisher: ISBN: Category : Art Languages : en Pages : 848
Book Description
Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.
Author: Travis Vogan Publisher: University of Chicago Press ISBN: 0226820084 Category : Biography & Autobiography Languages : en Pages : 372
Book Description
The untold story of an American hustler who upset the art world and became a pop culture icon, cutting a swath across twentieth-century history and culture. LeRoy Neiman—the cigar-smoking and mustachioed artist famous for his Playboy illustrations, sports paintings, and brash interviews—stood among the twentieth century’s most famous, wealthy, and polarizing artists. His stylish renderings of musicians, athletes, and sporting events captivated fans but baffled critics, who accused Neiman of debasing art with popular culture. Neiman cashed in on the controversy, and his extraordinary popularity challenged the norms of what art should be, where it belongs, and who should have access to it. The story of a Depression-era ragamuffin–turned–army chef–turned–celebrity artist, Neiman’s biography is a rollicking ride through twentieth-century American history, punctuated by encounters with the likes of Muhammad Ali, Frank Sinatra, Joe Namath, and Andy Warhol. In the whirlwind of his life, Neiman himself once remarked that even he didn’t know who he really was—but, he said, the fame and money that came his way made it all worth it. In this first biography of the captivating and infamous man, Travis Vogan hunts for the real Neiman amid the America that made him. .
Author: Eric Avila Publisher: Oxford University Press ISBN: 0190200596 Category : History Languages : en Pages : 166
Book Description
The iconic images of Uncle Sam and Marilyn Monroe, or the "fireside chats" of Franklin D. Roosevelt and the oratory of Martin Luther King, Jr.: these are the words, images, and sounds that populate American cultural history. From the Boston Tea Party to the Dodgers, from the blues to Andy Warhol, dime novels to Disneyland, the history of American culture tells us how previous generations of Americans have imagined themselves, their nation, and their relationship to the world and its peoples. This Very Short Introduction recounts the history of American culture and its creation by diverse social and ethnic groups. In doing so, it emphasizes the historic role of culture in relation to broader social, political, and economic developments. Across the lines of race, class, gender, and sexuality, as well as language, region, and religion, diverse Americans have forged a national culture with a global reach, inventing stories that have shaped a national identity and an American way of life. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: Carol Strickland Publisher: Andrews McMeel Publishing ISBN: 9780740768729 Category : Art Languages : en Pages : 220
Book Description
Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.
Author: Harmony Hammond Publisher: Rizzoli International Publications ISBN: Category : Art Languages : en Pages : 222
Book Description
Profiles of 18 prominent lesbian artists, from Kate Millett and Joan Snyder to Deborah Kass and Catherine Opie, complete this groundbreaking contribution to contemporary art history."--BOOK JACKET.
Author: Amelie Meyer
Author: Amelie Meyer
Author: Rebecca Zurier
Author: Ellen Wiley Todd
Author: Joshua Brown
Author: 
Author: Robert Henri
Author: Travis Vogan
Author: Eric Avila
Author: Carol Strickland
Author: Harmony Hammond