Author: Ian Fleming-Williams
Publisher: Philip Wilson Publishers, Limited
ISBN:
Category : Architecture
Languages : en
Pages : 336
Book Description
This collection of 42 drawings, never previously published together, gives new insight into Constable's technical and emotional approach into his work. With the help of copious comparative illustrations and exhaustively detailed research drawn from numerous contemporary sources, the author builds up a portrait of the artist, his background and family life. The luscious quality of Constable's painting typifies an idealized image of the English countryside in the 18th centruy. Such familiar paintings as Greenham Lock and Flatford Mill were not captured in spontaneous bursts, but were committed to canvas only after numerous working-drawings and oil sketches had been completed. This is the first full-length study of the subject, presenting much hitherto unpublished material and offering a balanced and pertinent assessment of Constable and his work.
Constable and His Drawings
Author: Ian Fleming-Williams
Publisher: Philip Wilson Publishers, Limited
ISBN:
Category : Architecture
Languages : en
Pages : 336
Book Description
This collection of 42 drawings, never previously published together, gives new insight into Constable's technical and emotional approach into his work. With the help of copious comparative illustrations and exhaustively detailed research drawn from numerous contemporary sources, the author builds up a portrait of the artist, his background and family life. The luscious quality of Constable's painting typifies an idealized image of the English countryside in the 18th centruy. Such familiar paintings as Greenham Lock and Flatford Mill were not captured in spontaneous bursts, but were committed to canvas only after numerous working-drawings and oil sketches had been completed. This is the first full-length study of the subject, presenting much hitherto unpublished material and offering a balanced and pertinent assessment of Constable and his work.
Publisher: Philip Wilson Publishers, Limited
ISBN:
Category : Architecture
Languages : en
Pages : 336
Book Description
This collection of 42 drawings, never previously published together, gives new insight into Constable's technical and emotional approach into his work. With the help of copious comparative illustrations and exhaustively detailed research drawn from numerous contemporary sources, the author builds up a portrait of the artist, his background and family life. The luscious quality of Constable's painting typifies an idealized image of the English countryside in the 18th centruy. Such familiar paintings as Greenham Lock and Flatford Mill were not captured in spontaneous bursts, but were committed to canvas only after numerous working-drawings and oil sketches had been completed. This is the first full-length study of the subject, presenting much hitherto unpublished material and offering a balanced and pertinent assessment of Constable and his work.
John Constable
Author: James Hamilton
Publisher: Simon and Schuster
ISBN: 1639362738
Category : Art
Languages : en
Pages : 425
Book Description
A fresh and lively biography of the revolutionary landscape painter John Constable. John Constable, who captured the landscapes and skies of southern England in a way never before seen on canvas, is beloved but little-understood artist. His paintings reflect visions of landscape that shocked and perplexed his contemporaries: attentive to detail, spontaneous in gesture, brave in their use of color. His landscapes show that he had sharp local knowledge of the environment. His skyscapes show a clarity of expression rarely seen in other artist's work. The figures within show an understanding of the human tides of his time. And his late paintings of Salisbury Cathedral show a rare ability to transform silent, suppressed passion into paint. Constable was also an active and energetic correspondent. His letters and diaries reveal a man of opinion, passion, and discord. His letters also reveal the lives and circumstances of his extended family who serve to define the social and economic landscape against which he can be most clearly seen. These multifaceted reflections draw a sharp picture of the person, as well as the painter. James Hamilton's biography reveals a complex and troubled man. Hamilton's portrait explodes previous mythologies about this timeless artist and establishes him in his proper context as a giant of European art.
Publisher: Simon and Schuster
ISBN: 1639362738
Category : Art
Languages : en
Pages : 425
Book Description
A fresh and lively biography of the revolutionary landscape painter John Constable. John Constable, who captured the landscapes and skies of southern England in a way never before seen on canvas, is beloved but little-understood artist. His paintings reflect visions of landscape that shocked and perplexed his contemporaries: attentive to detail, spontaneous in gesture, brave in their use of color. His landscapes show that he had sharp local knowledge of the environment. His skyscapes show a clarity of expression rarely seen in other artist's work. The figures within show an understanding of the human tides of his time. And his late paintings of Salisbury Cathedral show a rare ability to transform silent, suppressed passion into paint. Constable was also an active and energetic correspondent. His letters and diaries reveal a man of opinion, passion, and discord. His letters also reveal the lives and circumstances of his extended family who serve to define the social and economic landscape against which he can be most clearly seen. These multifaceted reflections draw a sharp picture of the person, as well as the painter. James Hamilton's biography reveals a complex and troubled man. Hamilton's portrait explodes previous mythologies about this timeless artist and establishes him in his proper context as a giant of European art.
Constable
Author: Sarah Cove
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 230
Book Description
This study concentrates on the six foot canvases of the River Stour produced by Constable between 1819 and 1825 and examines the artist's development of this single thematic concept. Each work is shown beside its compositional sketch, illustrating his artistic process.
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 230
Book Description
This study concentrates on the six foot canvases of the River Stour produced by Constable between 1819 and 1825 and examines the artist's development of this single thematic concept. Each work is shown beside its compositional sketch, illustrating his artistic process.
John Constable
Author: Richard Humphreys
Publisher: Royal Academy Editions
ISBN: 9781910350812
Category : ART
Languages : en
Pages : 96
Book Description
Each year between 1819 and 1825, John Constable (1776-1837) submitted a monumental canvas to the Royal Academy of Arts in London for display in the annual Exhibition. These so-called six-footers vividly captured the life of the River Stour in Suffolk, where Constable grew up and where he returned to paint each year. The Leaping Horse, the last of these, now a major work in the Academy's collection, is the subject of this fascinating new book. Humphreys explores Constable's often avant-garde working methods, as well as his struggle to gain full acceptance within the art establishment of the early nineteenth century. With reproductions of his full-scale preliminary sketches as well as brand new photography of the painting itself, this book is the ideal companion for art lovers who seek a deeper appreciation of Constable's iconic depictions of the English countryside. AUTHOR: Richard Humphreys is the author of Wyndham Lewis (2004), and editor of Tate's British Artists series. He was formerly Curator of Programme Research at Tate Britain, London. SELLING POINT: * An engaging examination of one of the Royal Academy's most important treasures, the painting described by Lucian Freud as 'the greatest painting in the world' 50 colour illustrations
Publisher: Royal Academy Editions
ISBN: 9781910350812
Category : ART
Languages : en
Pages : 96
Book Description
Each year between 1819 and 1825, John Constable (1776-1837) submitted a monumental canvas to the Royal Academy of Arts in London for display in the annual Exhibition. These so-called six-footers vividly captured the life of the River Stour in Suffolk, where Constable grew up and where he returned to paint each year. The Leaping Horse, the last of these, now a major work in the Academy's collection, is the subject of this fascinating new book. Humphreys explores Constable's often avant-garde working methods, as well as his struggle to gain full acceptance within the art establishment of the early nineteenth century. With reproductions of his full-scale preliminary sketches as well as brand new photography of the painting itself, this book is the ideal companion for art lovers who seek a deeper appreciation of Constable's iconic depictions of the English countryside. AUTHOR: Richard Humphreys is the author of Wyndham Lewis (2004), and editor of Tate's British Artists series. He was formerly Curator of Programme Research at Tate Britain, London. SELLING POINT: * An engaging examination of one of the Royal Academy's most important treasures, the painting described by Lucian Freud as 'the greatest painting in the world' 50 colour illustrations
Late Constable Hb
Author:
Publisher:
ISBN: 9781912520725
Category :
Languages : en
Pages : 128
Book Description
On John Constable as a proto-abstractionist of pastoral landscape One of Britain's greatest landscape painters, John Constable was brought up in Dedham Vale, the valley of the River Stour in Suffolk. The eldest son of a wealthy mill owner, he entered the Royal Academy Schools in 1800 at the age of 24, and thereafter committed himself to painting nature out of doors. His "six-footers," such as The Hay Wainand The Leaping Horse, were designed to promote landscape as a subject and to stand out in the Academy's Annual Exhibition. Despite this, he sold few paintings in his lifetime and was elected a Royal Academician late in his career. With texts by leading authorities on the artist, this handsome book looks at the freedom of Constable's late works and records his enormous contribution to the English landscape tradition. John Constable(1776-1837) is one of Britain's best-known artists, and is often considered one of the greatest landscape painters of all time. He was born near the River Stour in Suffolk, an area the artist depicted so frequently that it is referred to as "Constable country." Pastoral scenes were unfashionable at the time and Constable struggled to establish himself as a painter. He was finally elected a Royal Academician in 1829, and in 1832, he exhibited The Opening of Waterloo Bridge--an effort 13 years in the making--at the Summer Exhibition.
Publisher:
ISBN: 9781912520725
Category :
Languages : en
Pages : 128
Book Description
On John Constable as a proto-abstractionist of pastoral landscape One of Britain's greatest landscape painters, John Constable was brought up in Dedham Vale, the valley of the River Stour in Suffolk. The eldest son of a wealthy mill owner, he entered the Royal Academy Schools in 1800 at the age of 24, and thereafter committed himself to painting nature out of doors. His "six-footers," such as The Hay Wainand The Leaping Horse, were designed to promote landscape as a subject and to stand out in the Academy's Annual Exhibition. Despite this, he sold few paintings in his lifetime and was elected a Royal Academician late in his career. With texts by leading authorities on the artist, this handsome book looks at the freedom of Constable's late works and records his enormous contribution to the English landscape tradition. John Constable(1776-1837) is one of Britain's best-known artists, and is often considered one of the greatest landscape painters of all time. He was born near the River Stour in Suffolk, an area the artist depicted so frequently that it is referred to as "Constable country." Pastoral scenes were unfashionable at the time and Constable struggled to establish himself as a painter. He was finally elected a Royal Academician in 1829, and in 1832, he exhibited The Opening of Waterloo Bridge--an effort 13 years in the making--at the Summer Exhibition.
Constable's Clouds
Author: John Constable
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
Book Description
Attempts to match paintings with ideas and tries to establish
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
Book Description
Attempts to match paintings with ideas and tries to establish
Constable's Skies
Author: Mark Evans
Publisher: National Geographic Books
ISBN: 050048032X
Category : Art
Languages : en
Pages : 0
Book Description
A beautiful, gift-sized volume celebrating Constable’s enduring fascination and engagement with the sky John Constable was one of the supreme painters of the weather, and his depictions of the sky are essential components of all his landscape paintings, from famous works such as The Hay Wain and Salisbury Cathedral from the Meadows to his numerous cloud studies painted on Hampstead Heath, culminating in paintings that are all sky; the landscape beneath is completely absent. In a letter to friend John Fisher, written in 1821, Constable commented, “That landscape painter who does not make his skies a very material part of his composition, neglects to avail himself of one of his greatest aids . . . It will be difficult to name a class of landscape in which the sky is not the key note, the standard of scale, and the chief organ of sentiment.” Written by Mark Evans, a leading authority on the work of John Constable, and brimming with beautiful images, Constable’s Skies captures the artist’s fascination with the sky and brings together his depictions of the English weather from throughout his career. The unprecedented fidelity of Constable’s painted skies is proven by reference to contemporary weather diaries. The book also includes a guide to where to find Constable’s work around the world.
Publisher: National Geographic Books
ISBN: 050048032X
Category : Art
Languages : en
Pages : 0
Book Description
A beautiful, gift-sized volume celebrating Constable’s enduring fascination and engagement with the sky John Constable was one of the supreme painters of the weather, and his depictions of the sky are essential components of all his landscape paintings, from famous works such as The Hay Wain and Salisbury Cathedral from the Meadows to his numerous cloud studies painted on Hampstead Heath, culminating in paintings that are all sky; the landscape beneath is completely absent. In a letter to friend John Fisher, written in 1821, Constable commented, “That landscape painter who does not make his skies a very material part of his composition, neglects to avail himself of one of his greatest aids . . . It will be difficult to name a class of landscape in which the sky is not the key note, the standard of scale, and the chief organ of sentiment.” Written by Mark Evans, a leading authority on the work of John Constable, and brimming with beautiful images, Constable’s Skies captures the artist’s fascination with the sky and brings together his depictions of the English weather from throughout his career. The unprecedented fidelity of Constable’s painted skies is proven by reference to contemporary weather diaries. The book also includes a guide to where to find Constable’s work around the world.
William Mulready
Author: Kathryn Moore Heleniak
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300023114
Category : Art
Languages : en
Pages : 287
Book Description
Kathryn Heleniak demonstrates how intimately Mulready's paintings were related to the social conditions of his time. His portrayal of blacks is linked to the abolition of slavery and to the British colonial experience; his children's genre is analysed in the light of nineteenth-century attitudes to childhood and sexuality, and in the light of Mulready's own deeply-rooted pessimism about human nature.
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300023114
Category : Art
Languages : en
Pages : 287
Book Description
Kathryn Heleniak demonstrates how intimately Mulready's paintings were related to the social conditions of his time. His portrayal of blacks is linked to the abolition of slavery and to the British colonial experience; his children's genre is analysed in the light of nineteenth-century attitudes to childhood and sexuality, and in the light of Mulready's own deeply-rooted pessimism about human nature.
Constable and Brighton
Author: Shân Lancaster
Publisher: Scala
ISBN: 9781785510694
Category : Art
Languages : en
Pages : 0
Book Description
The first comprehensive guide to Constable's lesser-known but significant works inspired by the bustling Regency resort of Brighton. There was more to John Constable's art than the great rural landscapes for which he is famous. This lavishly illustrated book focuses on a largely overlooked element in his life - his close and artistically rewarding relationship with the boisterous resort of Brighton during the years 1824-28. He went in search of healthy air for his ailing wife Maria and the peace to help him clear a backlog of commissions, and became accustomed to painting on the beach or up by the windmills that dotted the Sussex Downs. More than 100 small, vivid studies from these walks exist, most dashed off outside in all weathers, some that are almost abstract responses to storms or the light on the sea. This book assembles the most complete collection of these Brighton sketches ever published, some of them only recently discovered. Regency Brighton - what was then the largest and most fashionable resort in Europe - is also explored through maps and prints, tracing the routes Constable took through the developing town. His great contemporary, Turner, was also active there in the mid-1820s, and a range of contrasting views by both artists is featured here. AUTHOR: Shan Lancaster is a writer, editor and researcher. As a freelance journalist she has written for most national newspaper titles and as a researcher she has collaborated on numerous book developments, and television and film scripts, including the BBC Four television documentary Constable: A Country Rebel, first aired in 2014. Her research originally identified the exact location of Constable's lodgings at 9 Sober's Gardens, now 11 Sillwood Road, Brighton, and marked with a Blue Plaque. SELLING POINTS: * Features the most comprehensive selection of Constable's Brighton studies ever assembled, including works from private collections never published before * Contains an exquisite bonus selection of Turner's marine studies of Brighton from the same period, alongside authoritative texts on both artists * A beautifully illustrated book written to accompany a major exhibition, Constable and Brighton, at Brighton Museum and Art Gallery in 2017 150 colour
Publisher: Scala
ISBN: 9781785510694
Category : Art
Languages : en
Pages : 0
Book Description
The first comprehensive guide to Constable's lesser-known but significant works inspired by the bustling Regency resort of Brighton. There was more to John Constable's art than the great rural landscapes for which he is famous. This lavishly illustrated book focuses on a largely overlooked element in his life - his close and artistically rewarding relationship with the boisterous resort of Brighton during the years 1824-28. He went in search of healthy air for his ailing wife Maria and the peace to help him clear a backlog of commissions, and became accustomed to painting on the beach or up by the windmills that dotted the Sussex Downs. More than 100 small, vivid studies from these walks exist, most dashed off outside in all weathers, some that are almost abstract responses to storms or the light on the sea. This book assembles the most complete collection of these Brighton sketches ever published, some of them only recently discovered. Regency Brighton - what was then the largest and most fashionable resort in Europe - is also explored through maps and prints, tracing the routes Constable took through the developing town. His great contemporary, Turner, was also active there in the mid-1820s, and a range of contrasting views by both artists is featured here. AUTHOR: Shan Lancaster is a writer, editor and researcher. As a freelance journalist she has written for most national newspaper titles and as a researcher she has collaborated on numerous book developments, and television and film scripts, including the BBC Four television documentary Constable: A Country Rebel, first aired in 2014. Her research originally identified the exact location of Constable's lodgings at 9 Sober's Gardens, now 11 Sillwood Road, Brighton, and marked with a Blue Plaque. SELLING POINTS: * Features the most comprehensive selection of Constable's Brighton studies ever assembled, including works from private collections never published before * Contains an exquisite bonus selection of Turner's marine studies of Brighton from the same period, alongside authoritative texts on both artists * A beautifully illustrated book written to accompany a major exhibition, Constable and Brighton, at Brighton Museum and Art Gallery in 2017 150 colour
John Constable
Author: Mark Evans
Publisher: Victoria & Albert Museum
ISBN: 9781851776269
Category : Art
Languages : en
Pages : 0
Book Description
This beautiful book showcases the enduring power of Constable's landscapes. It places the artist in the context of his historical and ongoing influences and charts Constable's progress from his early works to the oils that helped to define our idea of the English countryside.
Publisher: Victoria & Albert Museum
ISBN: 9781851776269
Category : Art
Languages : en
Pages : 0
Book Description
This beautiful book showcases the enduring power of Constable's landscapes. It places the artist in the context of his historical and ongoing influences and charts Constable's progress from his early works to the oils that helped to define our idea of the English countryside.