Author: John Ward
Publisher: Stainer & Bell, Limited
ISBN:
Category : Music
Languages : en
Pages : 152
Book Description
Consort music of four parts
Author: John Ward
Publisher: Stainer & Bell, Limited
ISBN:
Category : Music
Languages : en
Pages : 152
Book Description
Publisher: Stainer & Bell, Limited
ISBN:
Category : Music
Languages : en
Pages : 152
Book Description
Consort Music of Four Parts
Author: John Jenkins
Publisher: London : Published for the Royal Musical Association
ISBN:
Category : Chamber music
Languages : en
Pages : 216
Book Description
Contains 32 "airs," 8 suites, 5 fantasias, and 12 assorted dances.
Publisher: London : Published for the Royal Musical Association
ISBN:
Category : Chamber music
Languages : en
Pages : 216
Book Description
Contains 32 "airs," 8 suites, 5 fantasias, and 12 assorted dances.
Four part consort music
Author: William Byrd
Publisher:
ISBN:
Category : Fantasia
Languages : en
Pages : 58
Book Description
Publisher:
ISBN:
Category : Fantasia
Languages : en
Pages : 58
Book Description
The four-part consort music
The Consort Music of William Lawes, 1602-1645
Author: John Patrick Cunningham
Publisher: Boydell & Brewer
ISBN: 0954680979
Category : Music
Languages : en
Pages : 378
Book Description
This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.
Publisher: Boydell & Brewer
ISBN: 0954680979
Category : Music
Languages : en
Pages : 378
Book Description
This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.
Musical Creativity in Restoration England
Author: Rebecca Herissone
Publisher: Cambridge University Press
ISBN: 1107289556
Category : Composition (Music)
Languages : en
Pages : 568
Book Description
Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.
Publisher: Cambridge University Press
ISBN: 1107289556
Category : Composition (Music)
Languages : en
Pages : 568
Book Description
Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.
The lyra viol consorts
Author: John Jenkins
Publisher: A-R Editions, Inc.
ISBN: 0895792710
Category : Music
Languages : en
Pages : 242
Book Description
Publisher: A-R Editions, Inc.
ISBN: 0895792710
Category : Music
Languages : en
Pages : 242
Book Description
Compositional Artifice in the Music of Henry Purcell
Author: Alan Howard
Publisher: Cambridge University Press
ISBN: 110700666X
Category : Music
Languages : en
Pages : 315
Book Description
The first major study to propose an analytical approach to Purcell's music beginning from contemporary compositional aims and techniques.
Publisher: Cambridge University Press
ISBN: 110700666X
Category : Music
Languages : en
Pages : 315
Book Description
The first major study to propose an analytical approach to Purcell's music beginning from contemporary compositional aims and techniques.
The Renaissance Flute
Author: Kate Clark
Publisher: Oxford University Press
ISBN: 0190913355
Category : Music
Languages : en
Pages : 208
Book Description
The renaissance flute, with its rich history, stunning repertoire, and mellow tone, has attracted a significant following among flutists, whether they specialize in modern flute or historical instruments. Yet, actually delving into the study of renaissance flute has proven a challenge - there exists a confusing array of editions of renaissance music, specialized (and often expensive) facsimiles of manuscripts and early prints, and in unfamiliar notations, while at the same time there is a dearth of resources for beginners. Confronting this challenge with the first ever practitioners' handbook for renaissance flute, Kate Clark and Amanda Markwick offer flutists of all levels a clear and accessible introduction to the world and repertoire of the instrument. In The Renaissance Flute: A Contemporary Guide, Clark and Markwick cover all aspects, from practicalities such as buying and maintaining the instrument, to actual music for solo and group performance, to theory designed to improve the understanding and playing of renaissance polyphony. This approach enables students to immerse themselves at their own pace and build on their skills with each chapter. With nearly 40 full pages of exercises, and a companion website with recorded examples and filmed instructions from the authors, The Renaissance Flute provides professionals and newcomers alike a new entryway into the world and practice of renaissance music.
Publisher: Oxford University Press
ISBN: 0190913355
Category : Music
Languages : en
Pages : 208
Book Description
The renaissance flute, with its rich history, stunning repertoire, and mellow tone, has attracted a significant following among flutists, whether they specialize in modern flute or historical instruments. Yet, actually delving into the study of renaissance flute has proven a challenge - there exists a confusing array of editions of renaissance music, specialized (and often expensive) facsimiles of manuscripts and early prints, and in unfamiliar notations, while at the same time there is a dearth of resources for beginners. Confronting this challenge with the first ever practitioners' handbook for renaissance flute, Kate Clark and Amanda Markwick offer flutists of all levels a clear and accessible introduction to the world and repertoire of the instrument. In The Renaissance Flute: A Contemporary Guide, Clark and Markwick cover all aspects, from practicalities such as buying and maintaining the instrument, to actual music for solo and group performance, to theory designed to improve the understanding and playing of renaissance polyphony. This approach enables students to immerse themselves at their own pace and build on their skills with each chapter. With nearly 40 full pages of exercises, and a companion website with recorded examples and filmed instructions from the authors, The Renaissance Flute provides professionals and newcomers alike a new entryway into the world and practice of renaissance music.
Dowland: Lachrimae (1604)
Author: Peter Holman
Publisher: Cambridge University Press
ISBN: 9780521588294
Category : Music
Languages : en
Pages : 120
Book Description
Dowland's Lachrimae (1604) is perhaps the greatest but most enigmatic publication of instrumental music from before the eighteenth century. This new handbook, the first detailed study of the collection, investigates its publication history, its instrumentation, its place in the history of Renaissance dance music, and its reception history. Two extended chapters examine the twenty-one pieces in the collection in detail, discussing the complex internal relationships between the cycle of seven 'Lachrimae' pavans, the relationships between them and other pieces inside and outside the collection, and possible connections between the Latin titles of the seven pavans and Elizabethan conceptions of melancholy. The extraordinarily multi-faceted nature of the collection also leads the author to illuminate questions of patronage, the ordering and format of the collection, pitch and transposition, tonality and modality, and even numerology.
Publisher: Cambridge University Press
ISBN: 9780521588294
Category : Music
Languages : en
Pages : 120
Book Description
Dowland's Lachrimae (1604) is perhaps the greatest but most enigmatic publication of instrumental music from before the eighteenth century. This new handbook, the first detailed study of the collection, investigates its publication history, its instrumentation, its place in the history of Renaissance dance music, and its reception history. Two extended chapters examine the twenty-one pieces in the collection in detail, discussing the complex internal relationships between the cycle of seven 'Lachrimae' pavans, the relationships between them and other pieces inside and outside the collection, and possible connections between the Latin titles of the seven pavans and Elizabethan conceptions of melancholy. The extraordinarily multi-faceted nature of the collection also leads the author to illuminate questions of patronage, the ordering and format of the collection, pitch and transposition, tonality and modality, and even numerology.