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Author: V. Sotirova Publisher: Springer ISBN: 1137307250 Category : Literary Criticism Languages : en Pages : 202
Book Description
This stylistic study of consciousness in the Modernist novel explores shifts across different viewpoints and the techniques through which they are dialogically interconnected. The dialogic resonances in the presentation of character consciousness are analysed using linguistic evidence and evidence drawn from everyday conversational practices.
Author: V. Sotirova Publisher: Springer ISBN: 1137307250 Category : Literary Criticism Languages : en Pages : 202
Book Description
This stylistic study of consciousness in the Modernist novel explores shifts across different viewpoints and the techniques through which they are dialogically interconnected. The dialogic resonances in the presentation of character consciousness are analysed using linguistic evidence and evidence drawn from everyday conversational practices.
Author: Morag Shiach Publisher: Cambridge University Press ISBN: 052185444X Category : Literary Criticism Languages : en Pages : 224
Book Description
The novel is modernism's most vital and experimental genre. With a chronology and guide to further reading, this 2007 Companion is an accessible and informative overview of the genre.
Author: Adam Meehan Publisher: LSU Press ISBN: 0807173592 Category : Literary Criticism Languages : en Pages : 194
Book Description
In Modernism and Subjectivity: How Modernist Fiction Invented the Postmodern Subject, Adam Meehan argues that theories of subjectivity coming out of psychoanalytic, poststructuralist, and adjacent late-twentieth-century intellectual traditions had already been articulated in modernist fiction before 1945. Offering a bold new genealogy for literary modernism, Meehan finds versions of a postmodern subject embodied in works by authors who intently undermine attempts to stabilize conceptions of identity and who draw attention to the role of language in shaping conceptions of the self. Focusing on the philosophical registers of literary texts, Meehan traces the development of modernist attitudes toward subjectivity, particularly in relation to issues of ideology, spatiality, and violence. His analysis explores a selection of works published between 1904 and 1941, beginning with Joseph Conrad’s prescient portrait of the subject interpolated by ideology and culminating with Samuel Beckett’s categorical disavowal of the subjective “I.” Additional close readings of novels by F. Scott Fitzgerald, Aldous Huxley, James Joyce, Nathanael West, and Virginia Woolf establish that modernist texts conceptualize subjectivity as an ideological and linguistic construction that reverberates across understandings of consciousness, race, place, and identity. By reconsidering the movement’s function and scope, Modernism and Subjectivity charts how profoundly modernist literature shaped the intellectual climate of the twentieth century.
Author: Thalia Trigoni Publisher: Routledge ISBN: 9780367550905 Category : Intellect Languages : en Pages : 0
Book Description
This book reassesses representations of the unconscious in the early twentieth century, primarily the works of D. H. Lawrence, Virginia Woolf and T.S. Eliot, authors who engaged the notion of the intelligent unconscious, reworked it and offered it for the consumption of the general populace.
Author: Joshua Gang Publisher: JHU Press ISBN: 1421440865 Category : Literary Criticism Languages : en Pages : 223
Book Description
What might behaviorism, that debunked school of psychology, tell us about literature? If inanimate objects such as novels or poems have no mental properties of their own, then why do we talk about them as if they do? Why do we perceive the minds of characters, narrators, and speakers as if they were comparable to our own? In Behaviorism, Consciousness, and the Literary Mind, Joshua Gang offers a radical new approach to these questions, which are among the most challenging philosophical problems faced by literary study today. Recent cognitive criticism has tried to answer these questions by looking for similarities and analogies between literary form and the processes of the brain. In contrast, Gang turns to one of the twentieth century's most infamous psychological doctrines: behaviorism. Beginning in 1913, a range of psychologists and philosophers—including John B. Watson, B. F. Skinner, and Gilbert Ryle—argued that many of the things we talk about as mental phenomena aren't at all interior but rather misunderstood behaviors and physiological processes. Today, behaviorism has relatively little scientific value, but Gang argues for its enormous critical value for thinking about why language is so good at creating illusions of mental life. Turning to behaviorism's own literary history, Gang offers the first sustained examination of the outmoded science's place in twentieth-century literature and criticism. Through innovative readings of figures such as I. A. Richards, the American New Critics, Samuel Beckett, Harold Pinter, and J. M. Coetzee, Behaviorism, Consciousness, and the Literary Mind reveals important convergences between modernist writers, experimental psychology, and analytic philosophy of mind—while also giving readers a new framework for thinking about some of literature's most fundamental and exciting questions.
Author: Megan Quigley Publisher: Cambridge University Press ISBN: 110708959X Category : Literary Criticism Languages : en Pages : 243
Book Description
Modernist Fiction and Vagueness examines the development of the modernist novel in relation to changing approaches to philosophy. It argues that the puzzle of vagueness challenged the great thinkers of the early twentieth century and led to dramatic changes in both fiction and philosophy. Building on recent interest in the connections among analytic philosophy, pragmatism, and modern literature, this book posits that literary vagueness should be read as a defining quality of modernist fiction.
Author: Virginia Woolf Publisher: Good Press ISBN: Category : Fiction Languages : en Pages : 196
Book Description
Mrs Dalloway, Virginia Woolf's fourth novel, offers the reader an impression of a single June day in London in 1923. Clarissa Dalloway, the wife of a Conservative member of parliament, is preparing to give an evening party, while the shell-shocked Septimus Warren Smith hears the birds in Regent's Park chattering in Greek. There seems to be nothing, except perhaps London, to link Clarissa and Septimus. She is middle-aged and prosperous, with a sheltered happy life behind her; Smith is young, poor, and driven to hatred of himself and the whole human race. Yet both share a terror of existence, and sense the pull of death. The world of Mrs Dalloway is evoked in Woolf's famous stream of consciousness style, in a lyrical and haunting language which has made this, from its publication in 1925, one of her most popular novels.
Author: Will Self Publisher: A&C Black ISBN: 1408841215 Category : Fiction Languages : en Pages : 418
Book Description
"A brother is as easily forgotten as an umbrella."--James Joyce, "Ulysses" 1918 Audrey Death--feminist, socialist and munitions worker at Woolwich Arsenal--falls ill with encephalitis lethargica as the epidemic rages across Europe, killing a third of its victims and condemning a further third to living death. 1971 Under the curious eyes of psychiatrist Dr. Zack Busner, assumed mental patient Audrey Death lies supine in bed above a spring grotto that she has made every one of the forty-nine years she has resided in Friern Mental Hospital. 2010 Now retired, Dr. Busner travels waywardly across North London in search of the truth about that tumultuous summer when he awoke the post-encephalitic patients under his care using a new and powerful drug. Weaving together a dense tapestry of consciousness and lived life across an entire century, in his latest and most ambitious novel, Will Self takes up the challenge of Modernism and reveals how it--and it alone--can unravel new and unsettling truths about our world and how it came to be.