Author: Joseph Conrad
Publisher: Ardent Media
ISBN:
Category : Prefaces
Languages : en
Pages : 224
Book Description
Conrad's Prefaces to His Works
Author: Joseph Conrad
Publisher: Ardent Media
ISBN:
Category : Prefaces
Languages : en
Pages : 224
Book Description
Publisher: Ardent Media
ISBN:
Category : Prefaces
Languages : en
Pages : 224
Book Description
Essays on Conrad
Author: Ian Watt
Publisher: Cambridge University Press
ISBN: 9780521783873
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
A landmark collection of Ian Watt's essays on Joseph Conrad.
Publisher: Cambridge University Press
ISBN: 9780521783873
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
A landmark collection of Ian Watt's essays on Joseph Conrad.
The Nigger of the Narcissus
Conrad in the Nineteenth Century
Author: Ian Watt
Publisher: Univ of California Press
ISBN: 9780520044050
Category : Literary Criticism
Languages : en
Pages : 400
Book Description
“Nothing short of a masterpiece. . . . One of the great critical works produced since the 1950s.”—New York Times
Publisher: Univ of California Press
ISBN: 9780520044050
Category : Literary Criticism
Languages : en
Pages : 400
Book Description
“Nothing short of a masterpiece. . . . One of the great critical works produced since the 1950s.”—New York Times
Conrad's Prefaces
Author: Joseph Conrad
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 224
Book Description
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 224
Book Description
A Preface to Conrad
Author: Cedric, M.A. Ph.D. (Professor) Watts
Publisher: Routledge
ISBN: 1317874285
Category : Literary Criticism
Languages : en
Pages : 235
Book Description
Widely recommended, this guide to Conrad offers a vivid and incisive account of his life and literary career, and gives detailed attention to the contexts, themes, problems and paradoxes of his works.
Publisher: Routledge
ISBN: 1317874285
Category : Literary Criticism
Languages : en
Pages : 235
Book Description
Widely recommended, this guide to Conrad offers a vivid and incisive account of his life and literary career, and gives detailed attention to the contexts, themes, problems and paradoxes of his works.
The Preface
Author: Ross K. Tangedal
Publisher: Springer Nature
ISBN: 3030851516
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
Building on insights from the fields of textual criticism, bibliography, narratology, authorship studies, and book history, The Preface: American Authorship in the Twentieth Century examines the role that prefaces played in the development of professional authorship in America. Many of the prefaces written by American writers in the twentieth century catalogue the shifting landscape of a more self-consciously professionalized trade, one fraught with tension and compromise, and influenced by evolving reading publics. With analyses of Willa Cather, Ring Lardner, F. Scott Fitzgerald, Ernest Hemingway, Robert Penn Warren, and Toni Morrison, Ross K. Tangedal argues that writers used prefaces as a means of expanding and complicating authority over their work and, ultimately, as a way to write about their careers. Tangedal’s approach offers a new way of examining American writers in the evolving literary marketplace of the twentieth century.
Publisher: Springer Nature
ISBN: 3030851516
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
Building on insights from the fields of textual criticism, bibliography, narratology, authorship studies, and book history, The Preface: American Authorship in the Twentieth Century examines the role that prefaces played in the development of professional authorship in America. Many of the prefaces written by American writers in the twentieth century catalogue the shifting landscape of a more self-consciously professionalized trade, one fraught with tension and compromise, and influenced by evolving reading publics. With analyses of Willa Cather, Ring Lardner, F. Scott Fitzgerald, Ernest Hemingway, Robert Penn Warren, and Toni Morrison, Ross K. Tangedal argues that writers used prefaces as a means of expanding and complicating authority over their work and, ultimately, as a way to write about their careers. Tangedal’s approach offers a new way of examining American writers in the evolving literary marketplace of the twentieth century.
Dostoevsky and English Modernism 1900–1930
Author: Peter Kaye
Publisher: Cambridge University Press
ISBN: 1139425692
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
When Constance Garnett's translations (1910–20) made Dostoevsky's novels accessible in England for the first time they introduced a disruptive and liberating literary force, and English novelists had to confront a new model and rival. The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy and James - either admired or feared Dostoevsky as a monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a prophet and, in the cases of Lawrence and Conrad, a hated rival who compelled creative response. This study constructs a map of English modernist novelists' misreadings of Dostoevsky, and in so doing it illuminates their aesthetic and cultural values and the nature of the modern English novel.
Publisher: Cambridge University Press
ISBN: 1139425692
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
When Constance Garnett's translations (1910–20) made Dostoevsky's novels accessible in England for the first time they introduced a disruptive and liberating literary force, and English novelists had to confront a new model and rival. The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy and James - either admired or feared Dostoevsky as a monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a prophet and, in the cases of Lawrence and Conrad, a hated rival who compelled creative response. This study constructs a map of English modernist novelists' misreadings of Dostoevsky, and in so doing it illuminates their aesthetic and cultural values and the nature of the modern English novel.
Youth - Heart of Darkness - The End of the Tether
Author: Joseph Conrad
Publisher: Read Books Ltd
ISBN: 1528760352
Category : History
Languages : en
Pages : 356
Book Description
This vintage book contains three short stories written by Joseph Conrad. These stories do not share the same narrative, but do share a theme: the stages of life. 'Youth' focuses on a young man’s first sea-voyage to the East; 'Heart of Darkness' concerns a particularly unenlightened maturity; and 'The end of the Tether' deals with the old age of an ex-military man. Conrad's masterful writing has influenced many important twentieth-century writers and artists, including T. S. Eliot, Jorge Luis Borges, and Werner Herzog. This text is highly recommended for fans of Conrad’s seminal work, and it would make for a worthy addition to any collection. This antiquarian volume is being republished now in an affordable, modern edition - complete with a specially commissioned biography of the author.
Publisher: Read Books Ltd
ISBN: 1528760352
Category : History
Languages : en
Pages : 356
Book Description
This vintage book contains three short stories written by Joseph Conrad. These stories do not share the same narrative, but do share a theme: the stages of life. 'Youth' focuses on a young man’s first sea-voyage to the East; 'Heart of Darkness' concerns a particularly unenlightened maturity; and 'The end of the Tether' deals with the old age of an ex-military man. Conrad's masterful writing has influenced many important twentieth-century writers and artists, including T. S. Eliot, Jorge Luis Borges, and Werner Herzog. This text is highly recommended for fans of Conrad’s seminal work, and it would make for a worthy addition to any collection. This antiquarian volume is being republished now in an affordable, modern edition - complete with a specially commissioned biography of the author.
The English Book and Its Marginalia
Author: Asako Nakai
Publisher: BRILL
ISBN: 9004488278
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
This book is about books that recount the story of encountering another book. There are various versions of the story told and retold from the heyday of imperialism up to the present day (Homi Bhabha calls it the trope of ‘the discovery of the English book’); by considering each of these versions carefully, we may also give an alternative account of twentieth-century ‘English literature’ as the site of an intercultural discourse. This project is very much inspired by debate on postcolonial theory, namely, the debate between Said and Bhabha. Part I is devoted to the discussion of Conrad, especially of Heart of Darkness, and investigates how the novella has continually been reproduced to the extent that it represents ‘the English Book’ of colonial/postcolonial literatures. The chapter on Hugh Clifford (Ch.3) is virtually the first intensive critique of his novels, such as Saleh (1908), with a particular focus on their intertextual relations with Conrad’s texts. Part II examines how the story of the English Book is repeated and revised in the texts of the following authors: Joyce Cary, Isak Dinesen, V. S. Naipaul, Kaiko Takeshi, and Ngũgĩ wa Thiong’o.
Publisher: BRILL
ISBN: 9004488278
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
This book is about books that recount the story of encountering another book. There are various versions of the story told and retold from the heyday of imperialism up to the present day (Homi Bhabha calls it the trope of ‘the discovery of the English book’); by considering each of these versions carefully, we may also give an alternative account of twentieth-century ‘English literature’ as the site of an intercultural discourse. This project is very much inspired by debate on postcolonial theory, namely, the debate between Said and Bhabha. Part I is devoted to the discussion of Conrad, especially of Heart of Darkness, and investigates how the novella has continually been reproduced to the extent that it represents ‘the English Book’ of colonial/postcolonial literatures. The chapter on Hugh Clifford (Ch.3) is virtually the first intensive critique of his novels, such as Saleh (1908), with a particular focus on their intertextual relations with Conrad’s texts. Part II examines how the story of the English Book is repeated and revised in the texts of the following authors: Joyce Cary, Isak Dinesen, V. S. Naipaul, Kaiko Takeshi, and Ngũgĩ wa Thiong’o.