Connecting the Holocaust and the Nakba Through Photograph-based Storytelling PDF Download

Author: Nawal Musleh-Motut
Publisher: Springer Nature
ISBN: 3031272382
Category : Social Science
Languages : en
Pages : 331

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Book Description
This unprecedented ethnographic study introduces a unique photography-based storytelling method that brings together everyday Palestinians and Israelis to begin connecting rather than comparing their distinct yet organically connected histories of suffering and exile resulting from the Holocaust and the Nakba. Working with Palestinians and Israelis living in their respective Canadian diasporas who are of the Holocaust and Nakba postmemory generations–those who did not experience these traumas but are nonetheless haunted by them–this study demonstrates that storytelling and photography enable the occasions and conditions of possibility necessary for willing the impossible. That is, by narrating and then exchanging their (post)memories of the Holocaust and/or the Nakba through associated vernacular photographs, project participants were able to connect rather than compare their histories of suffering and exile; take moral, ethical, and political responsibility for one another; and imagine new forms of cohabitation grounded in justice and equitable rights for all.

Author: Nawal Motut
Publisher:
ISBN:
Category :
Languages : en
Pages : 408

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Book Description
On May 14, 1948 Israel proclaimed its independence, establishing a national home for the Jewish people following the horrors of the Holocaust. However, for Palestinians this proclamation was tied to the Nakba or catastrophe, a term used to mark their displacement, dispossession, and occupation. This cycle of violence has made ethical dialogue and the witnessing of the other's trauma difficult. To begin bridging this divide, my dissertation takes up the impossible yet necessary task of "willing the impossible" (Butler, 2012, p. 222), which entails thinking the unequal yet bound tragedies of the Holocaust and the Nakba contrapuntally, morally and ethically engaging with alterity, and envisioning a new polity based on coexistence, justice, and equitable rights (Said, 2003). It does this by bringing Edward Said's (2000; 1993; 1986) theories of narrative, memory, and photography, Hannah Arendt's distinction between "fictional" and "real" stories (1998, p. 186), and Arielle Azoulay's concept of "the civil contract of photography" (2008, p. 85) into praxis through a unique photograph-based storytelling method. First, I conducted interviews with Palestinians and Israelis living in their respective Canadian diasporas who are of the Holocaust and Nakba postmemory generations (Hirsch, 2012). During these interviews participants narrated their stories of how the Holocaust and/or the Nakba have impacted their lives using family photographs. Second, participants exchanged their stories and photographs with fellow participants from both cultures. Finally, I conducted a second round of interviews in which participants reflected on the experience of narrating their stories and photographs, engaging with the other participants' stories and photographs, and the research process as a whole. Ultimately, my dissertation demonstrates that storytelling and photography enable the "occasions" (Fabian, 1990, p. 7) and "conditions of possibility" (Culhane, 2011, p. 258) necessary for willing the impossible through "civil imagination" (Azoulay, 2012, p. 5). That is, by narrating and exchanging their postmemories of the Holocaust and/or the Nakba through photographs, my participants were able to connect rather than compare their histories of suffering and exile, take moral, ethical, and political responsibility for one another, and imagine a new form of cohabitation grounded in justice and equitable rights for all.

Author: Bashir Bashir
Publisher:
ISBN: 9780231182973
Category : HISTORY
Languages : en
Pages : 403

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Book Description
In this groundbreaking book, leading Arab and Jewish intellectuals examine how and why the Holocaust and the Nakba are interlinked without blurring fundamental differences between them. It searches for a new historical and political grammar for relating and narrating their complicated intersections.

Author: Andrea Liss
Publisher: U of Minnesota Press
ISBN: 9780816630608
Category : Photography
Languages : en
Pages : 190

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Book Description
Art historian Andrea Liss examines the inherent difficulties and productive possibilities of using photographs to bear witness, initiating a critical dialogue about the ways the post-Auschwitz generation has employed these documents to represent Holocaust memory and history. 12 color photos. 28 bandw photos.

Author: Yair Auron
Publisher: Lexington Books
ISBN: 1498559492
Category : History
Languages : en
Pages : 303

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Book Description
Yair Auron's important, innovative and instructive book relates critically to the narratives created by Israeli society regarding the events of 1948: the establishment of the State of Israel and the Palestinian Nakba. Auron proposes a humanistic approach of dialogue to foster the brotherhood of the victims and an identification with each other’s suffering, replacing the current relations of force driving the two peoples to a disaster of terrifying international implications.

Author: Mary Trent
Publisher: Taylor & Francis
ISBN: 1000615294
Category : Photography
Languages : en
Pages : 235

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Book Description
Through a variety of case studies by global scholars from diverse academic fields, this book explores photographic-album practices of historically marginalized figures from a range of time periods, geographic locations, and socio-cultural contexts. Their albums' stories span various racial, ethnic, gender and sexual identities; nationalities; religions; and dis/abilities. The vernacular albums featured in this volume present narratives that move beyond those reflected in our existing histories. Essays examine the visual, material, and aural strategies that album-makers have used to assert control over the presentation of their histories and identities, and to direct what those narratives have to say, a point of special relevance as these albums move out of private domestic space and into public archives, institutions, and digital formats. This book does not consider photographic albums and scrapbooks as separate genres, but as a continuum of modern creative practices of photographic and mass-print collage aimed at self-expression and narrative-building that co-evolved and were readily accessible. The book will be of interest to scholars working in art history, history of photography, visual culture, material culture, media studies, and cultural studies.

Author: Victoria Biggs
Publisher: Bloomsbury Publishing
ISBN: 183860491X
Category : History
Languages : en
Pages : 208

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Book Description
How are forbidden histories told and transmitted among young people in Israel/Palestine? What can their stories teach us about their everyday experiences of segregation and political violence? This book investigates how young people use storytelling to navigate borders, memory, and unseen spaces, and to confront questions of belonging and those they see as the 'other'. The study is unique in its inclusion of children from a broad spectrum of communities, including Palestinian refugee camps and right-wing Israeli settlement homes. The book shows that boundary spaces are fertile ground for the transmission of forbidden stories and memories. Young people are at the centre of the research and Victoria Biggs argues that storytelling reveals much more about their experiences and perceptions than either quantitative data or qualitative interviews. Through analysis of the language, metaphor, violence, and endings employed in the stories, storytelling is shown to be a political act that plays a vital role in shaping conflict-affected young people's concepts of community, exclusion, and belonging.

Author: David Shneer
Publisher: Jewish Cultures of the World
ISBN: 9780813553931
Category : History
Languages : en
Pages : 283

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Book Description
Most view the relationship of Jews to the Soviet Union through the lens of repression and silence. Focusing on an elite group of two dozen Soviet-Jewish photographers, including Arkady Shaykhet, Alexander Grinberg, Mark Markov-Grinberg, Evgenii Khaldei, Dmitrii Baltermants, and Max Alpert, Through Soviet Jewish Eyes presents a different picture. These artists participated in a social project they believed in and with which they were emotionally and intellectually invested-they were charged by the Stalinist state to tell the visual story of the unprecedented horror we now call the Holocaust. These wartime photographers were the first liberators to bear witness with cameras to Nazi atrocities, three years before Americans arrived at Buchenwald and Dachau. In this passionate work, David Shneer tells their stories and highlights their work through their very own images-he has amassed never-before-published photographs from families, collectors, and private archives. Through Soviet Jewish Eyes helps us understand why so many Jews flocked to Soviet photography; what their lives and work looked like during the rise of Stalinism, during and then after the war; and why Jews were the ones charged with documenting the Soviet experiment and then its near destruction at the hands of the Nazis.

Author: Sa'ed Atshan
Publisher: Duke University Press
ISBN: 1478012013
Category : Social Science
Languages : en
Pages : 170

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Book Description
Berlin is home to Europe’s largest Palestinian diaspora community and one of the world’s largest Israeli diaspora communities. Germany’s guilt about the Nazi Holocaust has led to a public disavowal of anti-Semitism and strong support for the Israeli state. Meanwhile, Palestinians in Berlin report experiencing increasing levels of racism and Islamophobia. In The Moral Triangle Sa’ed Atshan and Katharina Galor draw on ethnographic fieldwork and interviews with Israelis, Palestinians, and Germans in Berlin to explore these asymmetric relationships in the context of official German policies, public discourse, and the private sphere. They show how these relationships stem from narratives surrounding moral responsibility, the Holocaust, the Israel/Palestine conflict, and Germany’s recent welcoming of Middle Eastern refugees. They also point to spaces for activism and solidarity among Germans, Israelis, and Palestinians in Berlin that can help foster restorative justice and account for multiple forms of trauma. Highlighting their interlocutors’ experiences, memories, and hopes, Atshan and Galor demonstrate the myriad ways in which migration, trauma, and contemporary state politics are inextricably linked.

Author: S. Yizhar
Publisher: Farrar, Straus and Giroux
ISBN: 0374713855
Category : Fiction
Languages : en
Pages : 145

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Book Description
"Exhilarating . . . How often can you say about a harrowing, unquiet book that it makes you wrestle with your soul?" —Neel Mukherjee, The Times (London) It's 1948 and the Arab villagers of Khirbet Khizeh are about to be violently expelled from their homes. A young Israeli soldier who is on duty that day finds himself battling on two fronts: with the villagers and, ultimately, with his own conscience. Published just months after the founding of the state of Israel and the end of the 1948 war, the novella Khirbet Khizeh was an immediate sensation when it first appeared. Since then, the book has continued to challenge and disturb, even finding its way onto the school curriculum in Israel. The various debates it has prompted would themselves make Khirbet Khizeh worth reading, but the novella is much more than a vital historical document: it is also a great work of art. Yizhar's haunting, lyrical style and charged view of the landscape are in many ways as startling as his wrenchingly honest view of modern Israel's primal scene. Considered a modern Hebrew masterpiece, Khirbet Khizeh is an extraordinary and heartbreaking book that is destined to be a classic of world literature.