Confessions of an Opera Singer PDF Download

Author: Kathleen Howard
Publisher: New York : A.A. Knopf
ISBN:
Category : Howard, Kathleen, 1884-1956
Languages : en
Pages : 300

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Author: Howard Kathleen
Publisher: Hardpress Publishing
ISBN: 9781318940653
Category :
Languages : en
Pages : 256

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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Author: Kathleen Howard
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Kathleen 1884-1956 Howard
Publisher:
ISBN: 9781361218136
Category : History
Languages : en
Pages : 302

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Author: Kathleen Howard
Publisher: Scholar's Choice
ISBN: 9781296279202
Category :
Languages : en
Pages : 288

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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Kathleen Howard
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 160

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Book Description
Confessions of an Opera Singer by Kathleen Howard is about the musings and dreams of an upper-class girl who was brought up with an early love of opera. Excerpt: "I WAS very young and I was engaged to be married. We had just lost our money in a rather dramatic fashion, and we were all doing what we could to supply the sudden deficit. My sister began to prepare herself to be a teacher, my brother left his boarding school and came home to go into a friend's office, and I—well, I accepted the hand and heart of the young man in our set with whom I had had most pleasure in dancing in winter and sailing in summer."

Author: Kathleen Howard
Publisher: CreateSpace
ISBN: 9781453667576
Category :
Languages : en
Pages : 154

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Book Description
"Confessions of a Metropolitan Opera Singer" is the autobiography of Kathleen Howard, a Metropolitan Opera star from 1916 through 1928. Turning to film acting after her voice broke, Kathleen Howard was also an accomplished writer who served on the staff of Harper's Bazaar. She made her first movie appearance, appropriately cast as an Italian grande dame, in Death Takes a Holiday. Generations of W.C. Fields fans have doted upon Howard's full-blooded portrayals of Fields' virago wife in It's a Gift and The Man on the Flying Trapeze. Toning down her screen mannerisms a bit, Kathleen Howard spent her last decade in films in such supporting roles. "Confessions of a Metropolitan Opera Singer" provides a great overview of what life was like for a Metropolitan Opera star in the early 1900's, and remains a fascinating read.

Author: Deborah Voigt
Publisher: Harper Collins
ISBN: 0062118293
Category : Biography & Autobiography
Languages : en
Pages : 221

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“A startlingly frank look at the life of one of our generation’s most prominent operatic stars.”—Associated Press In Call Me Debbie, internationally renowned opera singer Deborah Voigt describes her journey to become one of the world’s most celebrated artists and also discusses her private battles with addictions to food and alcohol, and a myriad of other self-destructive tendencies that nearly destroyed her. Voigt reveals here the troubling sequence of addictive behavior that led to her being fired from a London opera production for being too large to fit into the “little black dress” demanded by the role, and her subsequent gastric bypass surgery and its dramatic aftermath. She speaks openly of the “cross-addiction” that led to severe alcoholism, frightening all-night blackouts, and suicide attempts. Here, too, is the story of how she achieved complete sobriety, thanks to a twelve-step program and a recommitment to her Christian faith. Highlighting hilarious anecdotes and juicy gossip about what really goes on backstage, Voigt talks candidly about the impresarios, singers, and conductors with whom she’s worked and offers fascinating insight into the roles she has played and the characters she loves. Complete with eight pages of color photographs, Call Me Debbie is an inspirational story that offers a unique look into the life of an incredible artist.

Author: Ruth A. Solie
Publisher: Univ of California Press
ISBN: 0520916506
Category : Music
Languages : en
Pages : 367

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Book Description
Addressing Western and non-Western music, composers from Francesca Caccini to Charles Ives, and musical communities from twelfth-century monks to contemporary opera queens, these essays explore questions of gender and sexuality. Musicology and Difference brings together some of the freshest and most challenging voices in musicology today on a question of importance to all the humanistic disciplines.

Author: Stanley R. McDaniel
Publisher: Wipf and Stock Publishers
ISBN: 1666755931
Category : Music
Languages : en
Pages : 837

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Book Description
Servanthood of Song is a history of American church music from the colonial era to the present. Its focus is on the institutional and societal pressures that have shaped church song and have led us directly to where we are today. The gulf which separates advocates of traditional and contemporary worship—Black and White, Protestant and Catholic—is not new. History repeatedly shows us that ministry, to be effective, must meet the needs of the entire worshiping community, not just one segment, age group, or class. Servanthood of Song provides a historical context for trends in contemporary worship in the United States and suggests that the current polemical divisions between advocates of contemporary and traditional, classically oriented church music are both unnecessary and counterproductive. It also draws from history to show that, to be the powerful component of worship it can be, music—whatever the genre—must be viewed as a ministry with training appropriate to that. Servanthood of Song provides a critical resource for anyone considering a career in either musical or pastoral ministries in the American church as well as all who care passionately about vital and authentic worship for the church of today.