Author: Donald Brinegar
Publisher:
ISBN:
Category :
Languages : en
Pages : 266
Book Description
A primer of the basic principles required for excellence in Choral Conducting. Author Donald Brinegar along with Primer editor Dr. William Belan and contributors Dr. Christopher Gravis, Dr. Joseph Schubert, and Dr. John St. Marie examine seven (7) principles of learning to be a choral conductor. Here is what the Professionals are saying-"This text (Conducting Primer) should be a requirement for all graduate conducting students. The questions presented in the text provide the reader an opportunity to self-assess and reflect upon their current approach to scores, rehearsal technique and podium time."--Nicholle Andrews, Director of Choral Studies, University of Redlands. "One might be tempted to say what else can be said about conducting that hasn't already been explored ad nauseam? On the contrary, Donald Brinegar and his fellow contributors have written a consequential resource that, in my opinion, will greatly influence the philosophy and application of undergraduate and graduate conducting curricula for many generations to come. But don't be fooled, this resource is not just for the university conducting classroom. The truth is, if you find yourself responsible for leading an ensemble, you will greatly benefit from the wealth found in Don's seven principles."--Michael Murphy, Stephen F. Austin State University "In Conducting Primer: Seven Principles of Choral Conducting, Donald Brinegar has coalesced several of the most important concepts pertaining to conducting pedagogy in one beautiful source. The guidebook is an absolute must for serious students and teachers of conducting. I absolutely would buy this book if only for the information held within Principle 7: Space and Time - -Fermatas. Nowhere in the conducting pedagogy literature is such a concise yet impactful collection of thoughts and applied techniques pertaining to the enigmatic musical idea of the fermata."--James Bass, University of California, Los Angeles. "In my first choral seminar class with Donald Brinegar, in the Three-Summer MM in Choral Conducting Program at Cal State LA, he finished his initial lecture and asked the class, " Questions?, Comments?, Suggestions?, Epiphanies?" In this book, Professor Brinegar leads the reader through a refreshing process for score study, preparation, and gesture. When a conductor begins to study a score they come to the score with questions or asking questions. Those questions guide the study until comments are stated, potentially argued or countered, or found true. Through questions and comments, the score begins to suggest context and meaning, and an audiation is forming. Then, the conductor arrives at epiphanies of context and meaning through audiation, allowing for all musical elements to be accounted for and seen in one's conducting gestures. This book is a significant contribution to choral conducting and pedagogy; It will encourage its readers to explore all musical elements at a depth that opens up audiation, imagination, musicianship, and gesture."--Alan Davis, Music Educator "Finally, the book you didn't know you have been waiting for! In Conducting Primer: Seven Principles of Choral Conducting, the brilliant professor Donald Brinegar and his colleagues unpack the 'big ideas' of choral conducting that we all should be eager to digest. The principles of this text are essential for any self-respecting conductor who wishes to put musical gestures before physical gestures, musicianship before conducting, and art and others before the self."--Davy Chinn, Director, Indiana Wesleyan University Chorale"Donald Brinegar and his colleagues at CSULA, in Conducting Primer, rattle traditional assumptions and conducting methodologies, and through seven laser-sharp principles, creates THE most comprehensive book/study on this subject available to date. Required reading for the serious conductor.-- Z. Randall Stroope, Regent's Professor and Doug and Nickie Burns Endowed Chair, Oklahoma State University.
Conducting Primer Seven Principles of Choral Conducting
Author: Donald Brinegar
Publisher:
ISBN:
Category :
Languages : en
Pages : 266
Book Description
A primer of the basic principles required for excellence in Choral Conducting. Author Donald Brinegar along with Primer editor Dr. William Belan and contributors Dr. Christopher Gravis, Dr. Joseph Schubert, and Dr. John St. Marie examine seven (7) principles of learning to be a choral conductor. Here is what the Professionals are saying-"This text (Conducting Primer) should be a requirement for all graduate conducting students. The questions presented in the text provide the reader an opportunity to self-assess and reflect upon their current approach to scores, rehearsal technique and podium time."--Nicholle Andrews, Director of Choral Studies, University of Redlands. "One might be tempted to say what else can be said about conducting that hasn't already been explored ad nauseam? On the contrary, Donald Brinegar and his fellow contributors have written a consequential resource that, in my opinion, will greatly influence the philosophy and application of undergraduate and graduate conducting curricula for many generations to come. But don't be fooled, this resource is not just for the university conducting classroom. The truth is, if you find yourself responsible for leading an ensemble, you will greatly benefit from the wealth found in Don's seven principles."--Michael Murphy, Stephen F. Austin State University "In Conducting Primer: Seven Principles of Choral Conducting, Donald Brinegar has coalesced several of the most important concepts pertaining to conducting pedagogy in one beautiful source. The guidebook is an absolute must for serious students and teachers of conducting. I absolutely would buy this book if only for the information held within Principle 7: Space and Time - -Fermatas. Nowhere in the conducting pedagogy literature is such a concise yet impactful collection of thoughts and applied techniques pertaining to the enigmatic musical idea of the fermata."--James Bass, University of California, Los Angeles. "In my first choral seminar class with Donald Brinegar, in the Three-Summer MM in Choral Conducting Program at Cal State LA, he finished his initial lecture and asked the class, " Questions?, Comments?, Suggestions?, Epiphanies?" In this book, Professor Brinegar leads the reader through a refreshing process for score study, preparation, and gesture. When a conductor begins to study a score they come to the score with questions or asking questions. Those questions guide the study until comments are stated, potentially argued or countered, or found true. Through questions and comments, the score begins to suggest context and meaning, and an audiation is forming. Then, the conductor arrives at epiphanies of context and meaning through audiation, allowing for all musical elements to be accounted for and seen in one's conducting gestures. This book is a significant contribution to choral conducting and pedagogy; It will encourage its readers to explore all musical elements at a depth that opens up audiation, imagination, musicianship, and gesture."--Alan Davis, Music Educator "Finally, the book you didn't know you have been waiting for! In Conducting Primer: Seven Principles of Choral Conducting, the brilliant professor Donald Brinegar and his colleagues unpack the 'big ideas' of choral conducting that we all should be eager to digest. The principles of this text are essential for any self-respecting conductor who wishes to put musical gestures before physical gestures, musicianship before conducting, and art and others before the self."--Davy Chinn, Director, Indiana Wesleyan University Chorale"Donald Brinegar and his colleagues at CSULA, in Conducting Primer, rattle traditional assumptions and conducting methodologies, and through seven laser-sharp principles, creates THE most comprehensive book/study on this subject available to date. Required reading for the serious conductor.-- Z. Randall Stroope, Regent's Professor and Doug and Nickie Burns Endowed Chair, Oklahoma State University.
Publisher:
ISBN:
Category :
Languages : en
Pages : 266
Book Description
A primer of the basic principles required for excellence in Choral Conducting. Author Donald Brinegar along with Primer editor Dr. William Belan and contributors Dr. Christopher Gravis, Dr. Joseph Schubert, and Dr. John St. Marie examine seven (7) principles of learning to be a choral conductor. Here is what the Professionals are saying-"This text (Conducting Primer) should be a requirement for all graduate conducting students. The questions presented in the text provide the reader an opportunity to self-assess and reflect upon their current approach to scores, rehearsal technique and podium time."--Nicholle Andrews, Director of Choral Studies, University of Redlands. "One might be tempted to say what else can be said about conducting that hasn't already been explored ad nauseam? On the contrary, Donald Brinegar and his fellow contributors have written a consequential resource that, in my opinion, will greatly influence the philosophy and application of undergraduate and graduate conducting curricula for many generations to come. But don't be fooled, this resource is not just for the university conducting classroom. The truth is, if you find yourself responsible for leading an ensemble, you will greatly benefit from the wealth found in Don's seven principles."--Michael Murphy, Stephen F. Austin State University "In Conducting Primer: Seven Principles of Choral Conducting, Donald Brinegar has coalesced several of the most important concepts pertaining to conducting pedagogy in one beautiful source. The guidebook is an absolute must for serious students and teachers of conducting. I absolutely would buy this book if only for the information held within Principle 7: Space and Time - -Fermatas. Nowhere in the conducting pedagogy literature is such a concise yet impactful collection of thoughts and applied techniques pertaining to the enigmatic musical idea of the fermata."--James Bass, University of California, Los Angeles. "In my first choral seminar class with Donald Brinegar, in the Three-Summer MM in Choral Conducting Program at Cal State LA, he finished his initial lecture and asked the class, " Questions?, Comments?, Suggestions?, Epiphanies?" In this book, Professor Brinegar leads the reader through a refreshing process for score study, preparation, and gesture. When a conductor begins to study a score they come to the score with questions or asking questions. Those questions guide the study until comments are stated, potentially argued or countered, or found true. Through questions and comments, the score begins to suggest context and meaning, and an audiation is forming. Then, the conductor arrives at epiphanies of context and meaning through audiation, allowing for all musical elements to be accounted for and seen in one's conducting gestures. This book is a significant contribution to choral conducting and pedagogy; It will encourage its readers to explore all musical elements at a depth that opens up audiation, imagination, musicianship, and gesture."--Alan Davis, Music Educator "Finally, the book you didn't know you have been waiting for! In Conducting Primer: Seven Principles of Choral Conducting, the brilliant professor Donald Brinegar and his colleagues unpack the 'big ideas' of choral conducting that we all should be eager to digest. The principles of this text are essential for any self-respecting conductor who wishes to put musical gestures before physical gestures, musicianship before conducting, and art and others before the self."--Davy Chinn, Director, Indiana Wesleyan University Chorale"Donald Brinegar and his colleagues at CSULA, in Conducting Primer, rattle traditional assumptions and conducting methodologies, and through seven laser-sharp principles, creates THE most comprehensive book/study on this subject available to date. Required reading for the serious conductor.-- Z. Randall Stroope, Regent's Professor and Doug and Nickie Burns Endowed Chair, Oklahoma State University.
Pitch Perfect: a Theory and Practice of Choral Intonation
Author: Donald Brinegar
Publisher:
ISBN: 9781695710634
Category :
Languages : en
Pages : 294
Book Description
Here is what the experts are saying:"Donald Brinegar's deeply scholarly, highly original "Pitch Perfect" is the result of his life-long study and practice of choral tuning. His decades of workshops on this topic have become legendary and his book details numerous areas of theoretical and practical means that form the basis of his approach, including various tuning systems, scales and modes, tetrachords and the medieval hexachordal system, acoustics, text study, rehearsal techniques and many others, all carefully organized through a system of nested hierarchies grouping related topics. Brinegar then applies his theories to a number of specific compositions from the Renaissance to the present day. "Pitch Perfect" is an essential book for the library of all choral conductors, written by an esteemed choral master." -- Dr. Morten Lauridsen, Composer, University Professor, USC, National Medal of Arts Recipient, 2007."Pitch Perfect brilliantly combines two of Don Brinegar's lifelong loves - teaching and the art of comprehensive score preparation. He connects a wide variety of important technical data, puts it in his "teacher centrifuge," and the result is a unique and fresh new perspective on musical nature, with practical application to conducting, score analysis, and performance. Serious emerging and seasoned conductors need a copy of this book!" Dr. Z. Randall Stroope, Composer and University Professor"My musical life changed when I discovered that the major third my tenors were singing at the final cadence of a Renaissance motet WERE in tune, but it was in tune to a different tuning system than the tempered piano. THANK Y0U maestro Brinegar for sharing your tuning system with me more than twenty years ago and codifying it in "Pitch Perfect." The tuning system outlined in this new book (with historical musical examples from major composers) is cellular, functional, historical, lunar, mathematical, musical, natural, over-tonal, partial, philosophical, practical, scientific, solar, spiritual, tetra-chordal, under-tonal, hexa-chordal, and visual. Vocal colors emerge from a natural system of balancing and tuning chords. Functional and helpful conducting gestures suggest themselves from an understanding of the tuning hierarchy. Sharing this tuning system with my singers enabled them to sing more beautifully, more balanced, more resonant, and more expressive than ever before, and has influenced all of my compositions. "Pitch Perfect" WORKS!" Dr. Ronald Kean, Composer and Professor Emeritus."Don is a master teacher. Over the years many of us have been greatly influenced by his work through his choirs, his choral adjudications, and in his classroom. In this book, Don eloquently and systematically explains his "principles and foundations" for improved intonation through his words and numerous musical examples. This book is a compilation of his lifetime journey of listening, learning, reflecting, and teaching--as if you were sitting in his classroom or speaking to you personally." Dr. J. Edmund Hughes, University Professor of Choral Studies."I have been singing out of tune with nature. This one idea made me want to dig deeper into this book and not put it down.As a choral singer and a conductor, this book is changing how I hear, how I rehearse, and how I sing. What a journey! Thank you, Don, for sharing your knowledge and your life-long love of choral beauty." Jenny Tisi, Choral Director and Vocalist."A big thank you to Donald Brinegar for this magnificent gift to the music community. The intellectual rigor of addressing this comprehensive subject is astounding. Professor Sigrid Johnson, Renowned Choral Conductor.Coming Soon!!! The Teacher's Companion to Pitch Perfect A Theory and Practice of Choral Intonation gives step by step lesson plans for the implementation of Pitch Perfect. Lesson plans include material for: Theory classes, Choral Seminars, Choral Rehearsals, Master Classes, and Conference Presentations
Publisher:
ISBN: 9781695710634
Category :
Languages : en
Pages : 294
Book Description
Here is what the experts are saying:"Donald Brinegar's deeply scholarly, highly original "Pitch Perfect" is the result of his life-long study and practice of choral tuning. His decades of workshops on this topic have become legendary and his book details numerous areas of theoretical and practical means that form the basis of his approach, including various tuning systems, scales and modes, tetrachords and the medieval hexachordal system, acoustics, text study, rehearsal techniques and many others, all carefully organized through a system of nested hierarchies grouping related topics. Brinegar then applies his theories to a number of specific compositions from the Renaissance to the present day. "Pitch Perfect" is an essential book for the library of all choral conductors, written by an esteemed choral master." -- Dr. Morten Lauridsen, Composer, University Professor, USC, National Medal of Arts Recipient, 2007."Pitch Perfect brilliantly combines two of Don Brinegar's lifelong loves - teaching and the art of comprehensive score preparation. He connects a wide variety of important technical data, puts it in his "teacher centrifuge," and the result is a unique and fresh new perspective on musical nature, with practical application to conducting, score analysis, and performance. Serious emerging and seasoned conductors need a copy of this book!" Dr. Z. Randall Stroope, Composer and University Professor"My musical life changed when I discovered that the major third my tenors were singing at the final cadence of a Renaissance motet WERE in tune, but it was in tune to a different tuning system than the tempered piano. THANK Y0U maestro Brinegar for sharing your tuning system with me more than twenty years ago and codifying it in "Pitch Perfect." The tuning system outlined in this new book (with historical musical examples from major composers) is cellular, functional, historical, lunar, mathematical, musical, natural, over-tonal, partial, philosophical, practical, scientific, solar, spiritual, tetra-chordal, under-tonal, hexa-chordal, and visual. Vocal colors emerge from a natural system of balancing and tuning chords. Functional and helpful conducting gestures suggest themselves from an understanding of the tuning hierarchy. Sharing this tuning system with my singers enabled them to sing more beautifully, more balanced, more resonant, and more expressive than ever before, and has influenced all of my compositions. "Pitch Perfect" WORKS!" Dr. Ronald Kean, Composer and Professor Emeritus."Don is a master teacher. Over the years many of us have been greatly influenced by his work through his choirs, his choral adjudications, and in his classroom. In this book, Don eloquently and systematically explains his "principles and foundations" for improved intonation through his words and numerous musical examples. This book is a compilation of his lifetime journey of listening, learning, reflecting, and teaching--as if you were sitting in his classroom or speaking to you personally." Dr. J. Edmund Hughes, University Professor of Choral Studies."I have been singing out of tune with nature. This one idea made me want to dig deeper into this book and not put it down.As a choral singer and a conductor, this book is changing how I hear, how I rehearse, and how I sing. What a journey! Thank you, Don, for sharing your knowledge and your life-long love of choral beauty." Jenny Tisi, Choral Director and Vocalist."A big thank you to Donald Brinegar for this magnificent gift to the music community. The intellectual rigor of addressing this comprehensive subject is astounding. Professor Sigrid Johnson, Renowned Choral Conductor.Coming Soon!!! The Teacher's Companion to Pitch Perfect A Theory and Practice of Choral Intonation gives step by step lesson plans for the implementation of Pitch Perfect. Lesson plans include material for: Theory classes, Choral Seminars, Choral Rehearsals, Master Classes, and Conference Presentations
The Choral Singer's Survival Guide
Author: Tony Thornton
Publisher: GIA Publications
ISBN: 9780976200208
Category : Music
Languages : en
Pages : 252
Book Description
Publisher: GIA Publications
ISBN: 9780976200208
Category : Music
Languages : en
Pages : 252
Book Description
The Coding Manual for Qualitative Researchers
Author: Johnny Saldana
Publisher: SAGE
ISBN: 1446200124
Category : Reference
Languages : en
Pages : 282
Book Description
The Coding Manual for Qualitative Researchers is unique in providing, in one volume, an in-depth guide to each of the multiple approaches available for coding qualitative data. In total, 29 different approaches to coding are covered, ranging in complexity from beginner to advanced level and covering the full range of types of qualitative data from interview transcripts to field notes. For each approach profiled, Johnny Saldaña discusses the method’s origins in the professional literature, a description of the method, recommendations for practical applications, and a clearly illustrated example.
Publisher: SAGE
ISBN: 1446200124
Category : Reference
Languages : en
Pages : 282
Book Description
The Coding Manual for Qualitative Researchers is unique in providing, in one volume, an in-depth guide to each of the multiple approaches available for coding qualitative data. In total, 29 different approaches to coding are covered, ranging in complexity from beginner to advanced level and covering the full range of types of qualitative data from interview transcripts to field notes. For each approach profiled, Johnny Saldaña discusses the method’s origins in the professional literature, a description of the method, recommendations for practical applications, and a clearly illustrated example.
One Universe:
Author: Charles Tsun-Chu Liu
Publisher: Joseph Henry Press
ISBN: 0309064880
Category : Science
Languages : en
Pages : 226
Book Description
A new window opens onto the cosmos... Almost every day we are challenged by new information from the outermost reaches of space. Using straightforward language, One Universe explores the physical principles that govern the workings of our own world so that we can appreciate how they operate in the cosmos around us. Bands of color in a sunlit crystal and the spectrum of starlight in giant telescopes, the arc of a hard-hit baseball and the orbit of the moon, traffic patterns on a freeway and the spiral arms in a galaxy full of stars--they're all tied together in grand and simple ways. We can understand the vast cosmos in which we live by exploring three basic concepts: motion, matter, and energy. With these as a starting point, One Universe shows how the physical principles that operate in our kitchens and backyards are actually down-to-Earth versions of cosmic processes. The book then takes us to the limits of our knowledge, asking the ultimate questions about the origins and existence of life as we know it and where the universe came from--and where it is going. Glorious photographs--many seen for the first time in these pages--and original illustrations expand and enrich our understanding. Evocative and clearly written, One Universe explains complex ideas in ways that every reader can grasp and enjoy. This book captures the grandeur of the heavens while making us feel at home in the cosmos. Above all, it helps us realize that galaxies, stars, planets, and we ourselves all belong to One Universe.
Publisher: Joseph Henry Press
ISBN: 0309064880
Category : Science
Languages : en
Pages : 226
Book Description
A new window opens onto the cosmos... Almost every day we are challenged by new information from the outermost reaches of space. Using straightforward language, One Universe explores the physical principles that govern the workings of our own world so that we can appreciate how they operate in the cosmos around us. Bands of color in a sunlit crystal and the spectrum of starlight in giant telescopes, the arc of a hard-hit baseball and the orbit of the moon, traffic patterns on a freeway and the spiral arms in a galaxy full of stars--they're all tied together in grand and simple ways. We can understand the vast cosmos in which we live by exploring three basic concepts: motion, matter, and energy. With these as a starting point, One Universe shows how the physical principles that operate in our kitchens and backyards are actually down-to-Earth versions of cosmic processes. The book then takes us to the limits of our knowledge, asking the ultimate questions about the origins and existence of life as we know it and where the universe came from--and where it is going. Glorious photographs--many seen for the first time in these pages--and original illustrations expand and enrich our understanding. Evocative and clearly written, One Universe explains complex ideas in ways that every reader can grasp and enjoy. This book captures the grandeur of the heavens while making us feel at home in the cosmos. Above all, it helps us realize that galaxies, stars, planets, and we ourselves all belong to One Universe.
Catalogs
Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 700
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 700
Book Description
The Conductor as Leader
Author: Ramona M. Wis
Publisher: GIA Publications
ISBN: 9781579996536
Category : Conducting
Languages : en
Pages : 214
Book Description
This book applies the principles of business leadership to the task of leading a musical ensemble.
Publisher: GIA Publications
ISBN: 9781579996536
Category : Conducting
Languages : en
Pages : 214
Book Description
This book applies the principles of business leadership to the task of leading a musical ensemble.
Conducting Primer in Practice
Author: Donald Brinegar
Publisher:
ISBN:
Category :
Languages : en
Pages : 121
Book Description
Exercises are drawn from the Conducting Primer: Seven Principles of Choral Conducting
Publisher:
ISBN:
Category :
Languages : en
Pages : 121
Book Description
Exercises are drawn from the Conducting Primer: Seven Principles of Choral Conducting
Conducting Choirs, Volume 1: The Promising Conductor: A Practical Guide for Beginning Choral Conductors
Author: David P. DeVenney
Publisher: Roger Dean Publishing Company
ISBN: 9781429117531
Category : Music
Languages : en
Pages : 100
Book Description
Intended for beginning conductors, this volume offers a conceptual approach to conducting rather than an imitative one. Students begin by building right-hand and then left-hand gestures and are provided with exercises designed to increase independence and expressiveness. Approaches to repertory and programming are also introduced, as are score marking, rehearsal strategies and preparation, and singing technique. In total, it is a concise guide that offers a wealth of practical information and stands alone as a resource for even part-time choir directors.
Publisher: Roger Dean Publishing Company
ISBN: 9781429117531
Category : Music
Languages : en
Pages : 100
Book Description
Intended for beginning conductors, this volume offers a conceptual approach to conducting rather than an imitative one. Students begin by building right-hand and then left-hand gestures and are provided with exercises designed to increase independence and expressiveness. Approaches to repertory and programming are also introduced, as are score marking, rehearsal strategies and preparation, and singing technique. In total, it is a concise guide that offers a wealth of practical information and stands alone as a resource for even part-time choir directors.
Choral Repertoire
Author: Dennis Shrock
Publisher: Oxford University Press
ISBN: 0197622402
Category : Music
Languages : en
Pages : 929
Book Description
"Choral Repertoire is the definitive and comprehensive one-volume presentation of the most significant composers and compositions of choral music from the Western Hemisphere throughout recorded history. The book is designed for multiple uses-as a programming guide for practicing conductors, instructional resource for students and teachers of choral music, historic and stylistic reference for choral singers, and source of information about composers and compositions for choral enthusiasts-and as such, the book intends to further and make accessible important information relevant to the vast scope of choral music. Organized by era (Medieval, Renaissance, Baroque, Classical, and Modern), Choral Repertoire covers general characteristics of each historical era, trends and styles unique to various countries, biographical sketches of more than six hundred composers, and performance annotations of more than five thousand individual works. Of the composers, there is substantive coverage of women and composers of color, and of the repertoire, there is inclusion of lesser-known works as well as those works that are considered standard"--
Publisher: Oxford University Press
ISBN: 0197622402
Category : Music
Languages : en
Pages : 929
Book Description
"Choral Repertoire is the definitive and comprehensive one-volume presentation of the most significant composers and compositions of choral music from the Western Hemisphere throughout recorded history. The book is designed for multiple uses-as a programming guide for practicing conductors, instructional resource for students and teachers of choral music, historic and stylistic reference for choral singers, and source of information about composers and compositions for choral enthusiasts-and as such, the book intends to further and make accessible important information relevant to the vast scope of choral music. Organized by era (Medieval, Renaissance, Baroque, Classical, and Modern), Choral Repertoire covers general characteristics of each historical era, trends and styles unique to various countries, biographical sketches of more than six hundred composers, and performance annotations of more than five thousand individual works. Of the composers, there is substantive coverage of women and composers of color, and of the repertoire, there is inclusion of lesser-known works as well as those works that are considered standard"--