Author: Ludwig van Beethoven
Publisher: Alfred Music
ISBN: 9781457472435
Category : Music
Languages : en
Pages : 64
Book Description
A Piano Duet for 2 pianos, 4 hands, composed by Ludwig van Beethoven.
Piano Concerto No. 3 in C Minor, Opus 37
Author: Ludwig van Beethoven
Publisher: Alfred Music
ISBN: 9781457472435
Category : Music
Languages : en
Pages : 64
Book Description
A Piano Duet for 2 pianos, 4 hands, composed by Ludwig van Beethoven.
Publisher: Alfred Music
ISBN: 9781457472435
Category : Music
Languages : en
Pages : 64
Book Description
A Piano Duet for 2 pianos, 4 hands, composed by Ludwig van Beethoven.
Concerto [no. 3], Op. 37, in C minor
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 70
Book Description
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 70
Book Description
The complete symphonies and piano concertos
Concerto no. I[-V] for the piano: No. 3, Op. 37, C minor
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 72
Book Description
Concerto no. 3 for piano and orchestra in C minor, op. 37
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Concertos
Languages : en
Pages : 140
Book Description
Publisher:
ISBN:
Category : Concertos
Languages : en
Pages : 140
Book Description
Concerto no. III in C minor for the pianoforte, op. 37
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 154
Book Description
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 154
Book Description
Concerto no. I[-V] for the piano: No. 3, Op. 37, C minor
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 70
Book Description
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 70
Book Description
Concerto, no. 3, C minor, for pianoforte and orchestra
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : de
Pages : 136
Book Description
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : de
Pages : 136
Book Description
Concerto no. 3, C minor, op. 37, for pianoforte and orchestra
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 138
Book Description
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 138
Book Description
The Symphonic Repertoire, Volume IV
Author: A. Peter Brown
Publisher: Indiana University Press
ISBN: 0253072115
Category : Music
Languages : en
Pages : 1026
Book Description
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony. Volume IV The Second Golden Age of the Viennese Symphony Brahms, Bruckner, Dvorák, Mahler, and Selected Contemporaries Although during the mid-19th century the geographic center of the symphony in the Germanic territories moved west and north from Vienna to Leipzig, during the last third of the century it returned to the old Austrian lands with the works of Brahms, Bruckner, Dvorák, and Mahler. After nearly a half century in hibernation, the sleeping Viennese giant awoke to what some viewed as a reincarnation of Beethoven with the first hearing of Brahms's Symphony No. 1, which was premiered at Vienna in December 1876. Even though Bruckner had composed some gigantic symphonies prior to Brahms's first contribution, their full impact was not felt until the composer's complete texts became available after World War II. Although Dvorák was often viewed as a nationalist composer, in his symphonic writing his primary influences were Beethoven, Schubert, and Brahms. For both Bruckner and Mahler, the symphony constituted the heart of their output; for Brahms and Dvorák, it occupied a less central place. Yet for all of them, the key figure of the past remained Beethoven. The symphonies of these four composers, together with the works of Goldmark, Zemlinsky, Schoenberg, Berg, Smetana, Fibich, Janácek, and others are treated in Volume IV, The Second Golden Age of the Viennese Symphony, covering the period from roughly 1860 to 1930.
Publisher: Indiana University Press
ISBN: 0253072115
Category : Music
Languages : en
Pages : 1026
Book Description
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony. Volume IV The Second Golden Age of the Viennese Symphony Brahms, Bruckner, Dvorák, Mahler, and Selected Contemporaries Although during the mid-19th century the geographic center of the symphony in the Germanic territories moved west and north from Vienna to Leipzig, during the last third of the century it returned to the old Austrian lands with the works of Brahms, Bruckner, Dvorák, and Mahler. After nearly a half century in hibernation, the sleeping Viennese giant awoke to what some viewed as a reincarnation of Beethoven with the first hearing of Brahms's Symphony No. 1, which was premiered at Vienna in December 1876. Even though Bruckner had composed some gigantic symphonies prior to Brahms's first contribution, their full impact was not felt until the composer's complete texts became available after World War II. Although Dvorák was often viewed as a nationalist composer, in his symphonic writing his primary influences were Beethoven, Schubert, and Brahms. For both Bruckner and Mahler, the symphony constituted the heart of their output; for Brahms and Dvorák, it occupied a less central place. Yet for all of them, the key figure of the past remained Beethoven. The symphonies of these four composers, together with the works of Goldmark, Zemlinsky, Schoenberg, Berg, Smetana, Fibich, Janácek, and others are treated in Volume IV, The Second Golden Age of the Viennese Symphony, covering the period from roughly 1860 to 1930.