Author: Louis Spohr
Publisher:
ISBN:
Category : Concertos (Violin)
Languages : en
Pages : 52
Book Description
Concerto no. 7 in E minor, op. 38
Author: Louis Spohr
Publisher:
ISBN:
Category : Concertos (Violin)
Languages : en
Pages : 52
Book Description
Publisher:
ISBN:
Category : Concertos (Violin)
Languages : en
Pages : 52
Book Description
Concerto No. 7 in E Minor for Flute and Piano
Author: Jean Pierre Rampal
Publisher:
ISBN:
Category : Flute and piano music, Arranged
Languages : en
Pages : 26
Book Description
Publisher:
ISBN:
Category : Flute and piano music, Arranged
Languages : en
Pages : 26
Book Description
Structural Novelty and Tradition in the Early Romantic Piano Concerto
Author: Stephan D. Lindeman
Publisher: Pendragon Press
ISBN: 9781576470008
Category : Juvenile Nonfiction
Languages : en
Pages : 368
Book Description
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: Pendragon Press
ISBN: 9781576470008
Category : Juvenile Nonfiction
Languages : en
Pages : 368
Book Description
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR
Concerto no. 7 in A minor, opus 9, for violin and piano
Author: Pierre Rode
Publisher:
ISBN:
Category : Concertos (Violin)
Languages : en
Pages : 38
Book Description
Publisher:
ISBN:
Category : Concertos (Violin)
Languages : en
Pages : 38
Book Description
The Cambridge Companion to the Concerto
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521834834
Category : Music
Languages : en
Pages : 344
Book Description
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Publisher: Cambridge University Press
ISBN: 9780521834834
Category : Music
Languages : en
Pages : 344
Book Description
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Concerto no. 7 in E minor
Author: Louis Spohr
Publisher:
ISBN:
Category : Concertos (Violin)
Languages : en
Pages : 50
Book Description
Publisher:
ISBN:
Category : Concertos (Violin)
Languages : en
Pages : 50
Book Description
Concerto no. IV in E minor, op. 7, for cello and piano
Author: Bernhard Romberg
Publisher:
ISBN:
Category : Concertos (Cello)
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : Concertos (Cello)
Languages : en
Pages : 40
Book Description
The Concerto
Author: Stephan D. Lindeman
Publisher: Taylor & Francis
ISBN: 0415976197
Category : Music
Languages : en
Pages : 666
Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Publisher: Taylor & Francis
ISBN: 0415976197
Category : Music
Languages : en
Pages : 666
Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Bending the Rules of Music Theory
Author: Timothy Cutler
Publisher: Routledge
ISBN: 1351069152
Category : Music
Languages : en
Pages : 314
Book Description
For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.
Publisher: Routledge
ISBN: 1351069152
Category : Music
Languages : en
Pages : 314
Book Description
For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.