Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 154
Book Description
Concerto no. III in C minor for the pianoforte, op. 37
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 154
Book Description
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 154
Book Description
Goldberg variations, BWV988 [registro sonoro]
Eighteenth-Century Keyboard Music
Author: Robert Marshall
Publisher: Routledge
ISBN: 1135887764
Category : Music
Languages : en
Pages : 460
Book Description
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1135887764
Category : Music
Languages : en
Pages : 460
Book Description
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Program Notes
Author: Cleveland Orchestra
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 808
Book Description
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 808
Book Description
Strong on Music
Author: Vera Brodsky Lawrence
Publisher: University of Chicago Press
ISBN: 9780226470108
Category : Biography & Autobiography
Languages : en
Pages : 902
Book Description
In this second volume of Strong on Music, Vera Brodsky Lawrence carries into the 1850s her landmark account of the nineteenth-century New York music scene. Using music entries from George Templeton Strong's famous journals—most published here for the first time—as a point of departure, Lawrence provides a vivid portrait of a vibrant musical culture. Each chapter presents one year in the musical life of New York City, with Lawrence's extensive commentary enriched both by excerpts from Strong's diaries and a lavish selection of little-known music criticism and comment from the period. The reviews, written by an often truculent, sometimes venal tribe of music journalists, cover the entire world of music—from opera to barrel organ, salon to saloon. In this New York, operas performed by renowned artists are parodied by blackface minstrels; performances of the Philharmonic Society are drowned by the raucous chatter of flirtatious adolescents, who turn concerts into a noisy singles' hangout; and irate critics trash the first performances of Verdi operas, calling the plots indecent and the scores noisy and unmelodic. In this volatile atmosphere, a native musical culture is born; its whose first faltering efforts are dubiously received, and the first American composers begin to emerge.
Publisher: University of Chicago Press
ISBN: 9780226470108
Category : Biography & Autobiography
Languages : en
Pages : 902
Book Description
In this second volume of Strong on Music, Vera Brodsky Lawrence carries into the 1850s her landmark account of the nineteenth-century New York music scene. Using music entries from George Templeton Strong's famous journals—most published here for the first time—as a point of departure, Lawrence provides a vivid portrait of a vibrant musical culture. Each chapter presents one year in the musical life of New York City, with Lawrence's extensive commentary enriched both by excerpts from Strong's diaries and a lavish selection of little-known music criticism and comment from the period. The reviews, written by an often truculent, sometimes venal tribe of music journalists, cover the entire world of music—from opera to barrel organ, salon to saloon. In this New York, operas performed by renowned artists are parodied by blackface minstrels; performances of the Philharmonic Society are drowned by the raucous chatter of flirtatious adolescents, who turn concerts into a noisy singles' hangout; and irate critics trash the first performances of Verdi operas, calling the plots indecent and the scores noisy and unmelodic. In this volatile atmosphere, a native musical culture is born; its whose first faltering efforts are dubiously received, and the first American composers begin to emerge.
The Monthly Musical Record
Schubert's Late Music
Author: Lorraine Byrne Bodley
Publisher: Cambridge University Press
ISBN: 1316453758
Category : Music
Languages : en
Pages : 489
Book Description
Schubert's late music has proved pivotal for the development of diverse fields of musical scholarship, from biography and music history to the theory of harmony. This collection addresses current issues in Schubert studies including compositional technique, the topical issue of 'late' style, tonal strategy and form in the composer's instrumental music, and musical readings of the 'postmodern' Schubert. Offering fresh approaches to Schubert's instrumental and vocal works and their reception, this book argues that the music that the composer produced from 1822–8 is central to a paradigm shift in the history of music during the nineteenth century. The contributors provide a timely reassessment of Schubert's legacy, assembling a portrait of the composer that is very different from the sentimental Schubert permeating nineteenth-century culture and the postmodern Schubert of more recent literature.
Publisher: Cambridge University Press
ISBN: 1316453758
Category : Music
Languages : en
Pages : 489
Book Description
Schubert's late music has proved pivotal for the development of diverse fields of musical scholarship, from biography and music history to the theory of harmony. This collection addresses current issues in Schubert studies including compositional technique, the topical issue of 'late' style, tonal strategy and form in the composer's instrumental music, and musical readings of the 'postmodern' Schubert. Offering fresh approaches to Schubert's instrumental and vocal works and their reception, this book argues that the music that the composer produced from 1822–8 is central to a paradigm shift in the history of music during the nineteenth century. The contributors provide a timely reassessment of Schubert's legacy, assembling a portrait of the composer that is very different from the sentimental Schubert permeating nineteenth-century culture and the postmodern Schubert of more recent literature.
Beyond the Art of Finger Dexterity
Author: David Gramit
Publisher: University Rochester Press
ISBN: 9781580462501
Category : Biography & Autobiography
Languages : en
Pages : 302
Book Description
Carl Czerny was a highly successful composer of popular piano music, and his pedagogical works remain fundamental to the training of pianists. But Czerny's reputation in these areas has obscured the remarkable breadth of his activity, and especially his work as a composer of serious music. This collection aims to address this.
Publisher: University Rochester Press
ISBN: 9781580462501
Category : Biography & Autobiography
Languages : en
Pages : 302
Book Description
Carl Czerny was a highly successful composer of popular piano music, and his pedagogical works remain fundamental to the training of pianists. But Czerny's reputation in these areas has obscured the remarkable breadth of his activity, and especially his work as a composer of serious music. This collection aims to address this.
The Penguin Companion to Classical Music
Author: Paul Griffiths
Publisher: Penguin UK
ISBN: 0141909765
Category : Music
Languages : en
Pages : 1412
Book Description
This superbly authoratitive new work provides a comprehensive A-Z guide to some 1000 years of Western music. It explores in detail the lives and achievements of a vast range of composers, as well as looking at such key topics as music history (from medieval plainchant to contemporary minimalism), performers, theory and jargon. Throught Griffiths skilfully blends lightly worn scholarship with personal insight, whether examining the emotional colouring that different musical keys achieve or charting the rise and development of the symphony.
Publisher: Penguin UK
ISBN: 0141909765
Category : Music
Languages : en
Pages : 1412
Book Description
This superbly authoratitive new work provides a comprehensive A-Z guide to some 1000 years of Western music. It explores in detail the lives and achievements of a vast range of composers, as well as looking at such key topics as music history (from medieval plainchant to contemporary minimalism), performers, theory and jargon. Throught Griffiths skilfully blends lightly worn scholarship with personal insight, whether examining the emotional colouring that different musical keys achieve or charting the rise and development of the symphony.