Concerto, no 17 (first movement) in d minor for violin PDF Download

Author: Giovanni Battista Viotti
Publisher:
ISBN:
Category : Concertos (Violin with string orchestra)
Languages : en
Pages : 36

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Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Concertos (Violins (2) with string orchestra)
Languages : en
Pages : 32

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Author: Pierre Baillot
Publisher: Northwestern University Press
ISBN: 0810133016
Category : Music
Languages : en
Pages : 658

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Never before available in English, this classic work is a major contribution to the art and technique of violin playing and an important document in the history of performance practice. A contemporary of Kreutzer and Rode, Pierre Marie Francois de Sales Baillot provides in his treatise many insights into the style of nineteenth-century fingering, bowing, ornamentation, and expressiveness that are not apparent from the directions and markings found in scores of that time. Such information will be invaluable for performers interested in understanding the intentions of composers such as Viotti, Haydn, Mozart, Beethoven, and Mendelssohn. This complete, unabridged translation, which includes an extensive introduction by the translator, Louise Goldberg, and a foreword by Zvi Zeitlin, will be indispensable for musicologists, performers, and lovers of eighteenth- and nineteenth-century classical music.

Author: Northwestern University (Evanston, Ill.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 80

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Author: Rodolphe Kreutzer
Publisher:
ISBN:
Category : Concertos (Violin)
Languages : en
Pages : 44

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Author: Frederic Barclay Emery
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 704

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Author: David Daniels
Publisher: Scarecrow Press
ISBN: 0810856743
Category : Music
Languages : en
Pages : 634

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Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals

Author: Rudolf Steiner
Publisher: Rudolf Steiner Press
ISBN: 1855845660
Category : Religion
Languages : en
Pages : 226

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‘This gave my mother the opportunity of mentioning to Dr Steiner an idea… Could one affect the physical body in a healing, strengthening and regulating way through certain rhythmical movements of the etheric body – which after all was the centre of all that was rhythmical – as well as of health and illness? Dr Steiner not only enthusiastically affirmed this possibility, but spontaneously declared himself ready to give the necessary directions which I could then work out with my mother’s help.’ – Lory Maier-Smits Alongside original material by Rudolf and Marie Steiner, this volume features unique first-hand accounts of the birth of the art of eurythmy by a number of its early students and practitioners. The practical and artistic stages of its development are chronicled in detail, alongside reports from the first public performance onwards. Rudolf Steiner offers inspiration to the original eurythmists to make their own discoveries – to perceive and fashion in movement their creative ‘inner voice’. The artistic principles are established for later development and elaboration, to reveal and foster human creativity in many poetic and musical contexts. Through the text, links between eurythmy and temple-dances, that accompanied ancient initiations, gradually emerge. The impulse to dance is rediscovered as inherent in the ‘lost Word’, or the primordial root language still available in ‘genetic etymology’– the sounds of speech used in all languages. Music eurythmy, we learn, did not start from dancing, but from the archetypal structure of the musical system. Consequently, we can witness directly how an eloquent performing art can properly develop when technique and inspiration meet. The text is supported by extensive supplementary material, including eurythmy forms, a chronological survey, notes and indexes.

Author: Northwestern University (Evanston, Ill.). School of Music
Publisher:
ISBN:
Category : Universities and colleges
Languages : en
Pages : 92

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Author: Christoph Graupner
Publisher: A-R Editions, Inc.
ISBN: 0895793342
Category : Concerti grossi
Languages : en
Pages : 208

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