Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 64
Book Description
Concerto no. 14 in E[flat] major, for the piano, Köchel 449
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 64
Book Description
Concerto no. 14 in E♭ major, for the piano, Köchel 449
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 64
Book Description
Piano concertos nos. 11-16
Author: Wolfgang Amadeus Mozart
Publisher: Courier Corporation
ISBN: 0486254682
Category : Music
Languages : en
Pages : 259
Book Description
Unabridged reprint, from definitive Breitkopf & Härtel edition, of 6 great concertos, including Mozart's cadenzas for Nos. 12–16. Large, easy-to-read noteheads, ample margins and spaces between staves permit notes, harmonic analysis, fingerings, etc. Inexpensive, high-quality edition will be welcomed by pianists and music lovers.
Publisher: Courier Corporation
ISBN: 0486254682
Category : Music
Languages : en
Pages : 259
Book Description
Unabridged reprint, from definitive Breitkopf & Härtel edition, of 6 great concertos, including Mozart's cadenzas for Nos. 12–16. Large, easy-to-read noteheads, ample margins and spaces between staves permit notes, harmonic analysis, fingerings, etc. Inexpensive, high-quality edition will be welcomed by pianists and music lovers.
The National Union Catalog, Pre-1956 Imprints
Library of Congress Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1068
Book Description
A cumulative list of works represented by Library of Congress printed cards.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1068
Book Description
A cumulative list of works represented by Library of Congress printed cards.
National Union Catalog
The Gramophone
Author:
Publisher:
ISBN:
Category : Audio equipment industry
Languages : en
Pages : 942
Book Description
Publisher:
ISBN:
Category : Audio equipment industry
Languages : en
Pages : 942
Book Description
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 996
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 996
Book Description
Program Notes ...
Author: Chicago Symphony Orchestra
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 1614
Book Description
The volume for the 50th season, 1940/41, includes "Repertoire, 1891-1941" [62] p. and "Solists, 1891-1941" [5] p.
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 1614
Book Description
The volume for the 50th season, 1940/41, includes "Repertoire, 1891-1941" [62] p. and "Solists, 1891-1941" [5] p.
Historical Musicology
Author: Stephen A. Crist
Publisher: Boydell & Brewer
ISBN: 9781580461115
Category : History
Languages : en
Pages : 460
Book Description
How do we know what notes a composer intended in a given piece? -- how those notes should be played and sung? -- the nature of musical life in Bach's Leipzig, Schubert's Vienna? -- how music related to literature and other arts and social currents in different times and places? -- what attitudes musicians and music lovers had toward the music that they heard and made? We know all this from musical manuscripts and prints, opera libretti, composers' letters, reviews in newspapers and magazines, archival data, contemporary pedagogical writings, essays on aesthetics, and much else. Some of these categories of sources are the bedrock of music history and musicology. Others have begun to be examined only in recent years. Furthermore, musicologists -- including biographers of famous composers -- now explore these various kinds of sources in a variety of ways, some of them richly traditional and others exciting and novel. These seventeen essays, all newly written, use a wide array of source materials to probe issues pertaining to a cross section of musical works and musical life from the sixteenth through the twentieth centuries. The resulting, pluralistic profile of current musicology will prove welcome to anyone fascinated by the problems of reconstructing -- reimagining, sometimes -- the evanescent musical art of the past and pondering its implications for musical life today and in the future. Roberta Montemorra Marvin is Director of Research and Development for International Programs, University of Iowa; Stephen A. Crist is Associate Professor and Chair of the Music Department at Emory University.
Publisher: Boydell & Brewer
ISBN: 9781580461115
Category : History
Languages : en
Pages : 460
Book Description
How do we know what notes a composer intended in a given piece? -- how those notes should be played and sung? -- the nature of musical life in Bach's Leipzig, Schubert's Vienna? -- how music related to literature and other arts and social currents in different times and places? -- what attitudes musicians and music lovers had toward the music that they heard and made? We know all this from musical manuscripts and prints, opera libretti, composers' letters, reviews in newspapers and magazines, archival data, contemporary pedagogical writings, essays on aesthetics, and much else. Some of these categories of sources are the bedrock of music history and musicology. Others have begun to be examined only in recent years. Furthermore, musicologists -- including biographers of famous composers -- now explore these various kinds of sources in a variety of ways, some of them richly traditional and others exciting and novel. These seventeen essays, all newly written, use a wide array of source materials to probe issues pertaining to a cross section of musical works and musical life from the sixteenth through the twentieth centuries. The resulting, pluralistic profile of current musicology will prove welcome to anyone fascinated by the problems of reconstructing -- reimagining, sometimes -- the evanescent musical art of the past and pondering its implications for musical life today and in the future. Roberta Montemorra Marvin is Director of Research and Development for International Programs, University of Iowa; Stephen A. Crist is Associate Professor and Chair of the Music Department at Emory University.