Author: Alessandro MarcelloPublisher:
ISBN:
Category : Concertos (Oboe with string orchestra)
Languages : de
Pages : 32
Book Description
Concerto für Oboe, 2 Violinen, Viola, Basso, und Cembalo, C-Moll
Author: Alessandro MarcelloPublisher:
ISBN:
Category : Concertos (Oboe with string orchestra)
Languages : de
Pages : 32
Book Description
Concerto Fur Oboe, 2 Violinen, Viola, Basso und Cembalo C-moll
Author: Concerto für Oboe in c moll
Author: Alessandro MarcelloPublisher:
ISBN:
Category : Concertos (Oboe with instrumental ensemble)
Languages : en
Pages : 20
Book Description
Quartett, Es-dur, für Flöte, Violine, Viola und Basso continuo, op. 8/6
Author: Johann Christian BachPublisher:
ISBN:
Category : Quartets (Flute, violin, viola, continuo), Arranged
Languages : en
Pages : 94
Book Description
The Pathetick Musician
Author: Bruce HaynesPublisher: Oxford University Press
ISBN: 0199373760
Category : Music
Languages : en
Pages : 361
Book Description
What is rhetorical music? In The Pathetick Musician, Bruce Haynes and Geoffrey Burgess illustrate the vital place of rhetoric and eloquent expression in the creation and performance of Baroque music. Through engaging explorations of the cantatas of J.S. Bach, the authors explode the conventional notion of historical authenticity in music, proposing adventurous new directions to reinvigorate the performance of early music in the modern setting. Along the way, Haynes and Burgess investigate intersections between music and oratory, dance, gesture, poetry, painting and sculpture, and offer insights into figural elaboration, articulation, nuance and temporality. Aimed primarily at performers of Baroque music, the book situates the study of performance practice in a broader cultural context, and as much as an invaluable resource for advanced study, it contains a wealth of information that pertains directly to anyone working in the field of early music. Based on a draft sketched by celebrated Baroque oboist and early music scholar Bruce Haynes before his death in 2011, The Pathetick Musician is the fruit of the combined wisdom of two musicians renowned equally for their contributions as performers and scholars. Drawing on an impressive array of Classical treatises on oratory, musical autographs and performance accounts, it is an essential companion to Haynes' controversial The End of Early Music. Geoffrey Burgess has taken up the broader claims of Haynes' philosophy to create a practical, accessible text that will be stimulating for all musicians interested in the rediscovery of early music. With copious musical examples, contemporaneous works of art, and a companion website with supplementary audio recordings, The Pathetick Musician is an invaluable resource for all interested in exploring new expressive possibilities in the performance and study of Baroque music.
Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston
Author: Boston Public Library. Allen A. Brown Collection of MusicPublisher:
ISBN:
Category : Music
Languages : en
Pages : 606
Book Description
Zwei Sonaten Für Blockflöte (Violine, Oboe, Querflöte) und Basso Continuo
Author: Alessandro ScarlattiPublisher:
ISBN:
Category : Suites (Recorder and harpsichord)
Languages : en
Pages : 38
Book Description
Sonata a tre für Violine (Flöte, Oboe), Flöte (Violine) und Basso continuo
Author: Pierre-Gabriel BuffardinPublisher:
ISBN:
Category : Music
Languages : en
Pages : 15
Book Description
The Scoring of Baroque Concertos
Author: C. R. F. MaunderPublisher: Boydell Press
ISBN: 9781843830719
Category : Music
Languages : en
Pages : 304
Book Description
Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Catalog of Copyright Entries
Author: Library of Congress. Copyright OfficePublisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1740
Book Description