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Author: Timothy Salzman Publisher: Hal Leonard Corporation ISBN: 9781574630343 Category : Music Languages : en Pages : 212
Book Description
This is a five-volume series on major contemporary composers and their works for wind band. Included in this initial volume are rare, behind-the-notes perspectives acquired from personal interviews with each composer. An excellent resource for conductors, composers or enthusiasts interested in acquiring a richer musical understanding of the composers' training, compositional approach, musical influences and interpretative ideas. Features the music of: Timothy Broege, Michael Colgrass, Michael Daugherty, David Gillingham, John Harbison, Karel Husa, Alfred Reed and others.
Author: Timothy Salzman Publisher: Hal Leonard Corporation ISBN: 9781574630343 Category : Music Languages : en Pages : 212
Book Description
This is a five-volume series on major contemporary composers and their works for wind band. Included in this initial volume are rare, behind-the-notes perspectives acquired from personal interviews with each composer. An excellent resource for conductors, composers or enthusiasts interested in acquiring a richer musical understanding of the composers' training, compositional approach, musical influences and interpretative ideas. Features the music of: Timothy Broege, Michael Colgrass, Michael Daugherty, David Gillingham, John Harbison, Karel Husa, Alfred Reed and others.
Author: David Schiff Publisher: Oxford University Press ISBN: 0190259159 Category : Biography & Autobiography Languages : en Pages : 297
Book Description
Elliott Carter (1908-2012) was the foremost composer of classical music in America during the second half of the 20th century. Over the course of a career that spanned seven decades, he consistently produced works that critics hailed as creatively daring, intellectually demanding, and emotionally complex. Distancing himself from the various "schools" and movements that grew and waned in popularity during the postwar era, Carter cultivated a deeply personal musical style that he developed and refined up until the very end of his life. This book of the composer springs from author David Schiff's life-long interest in Elliott Carter's music and his close personal connection with the composer which spanned over forty years. This critical overview of Carter's life and work explores aspects of the composer's life about which he was usually reticent--and occasionally misleading--such as his complicated relationships with Charles Ives, Aaron Copland, Nicolas Nabokov, and his own parents. Schiff's study of Carter's complete oeuvre--from his politically charged Depression-era ballets to the deeply personal and reflective late works--is based on extensive study of the composer's personal sketches and letters. Featuring an in-depth look at the legacy project of Carter's final decade, seven settings of American modernist poetry by E.E. Cummings, T.S. Eliot, Marianne Moore, Ezra Pound, Wallace Stevens and William Carlos Williams, this newest addition to the Master Musicians Series paints with a fine brush the story of America's foremost composer of the second half of the twentieth century.
Author: Neil Butterworth Publisher: Routledge ISBN: 1136790241 Category : Music Languages : en Pages : 561
Book Description
The Dictionary of American Classical Composers covers over 650 composers active from the 18th century to today. Covering all classical styles, it offers the most comprehensive overview of key composers in the United States available. Entries include basic biographical information and critical analysis of each composer's key works and ideas. Entries also include worklists and bibliographic information. Whenever possible, the entries will have been checked by the composers themselves to assure greatest possible accuracy. This new edition, completely updated and expanded from the 1984 edition, also includes over 200 historic photographs.
Author: Libby Van Cleve Publisher: Rowman & Littlefield ISBN: 0810886723 Category : Music Languages : en Pages : 143
Book Description
After decades of experimentation, musicians have begun to utilize a strikingly colorful palette of sounds on woodwind instruments. Flute, clarinet, and saxophone players, in many different musical settings, regularly use sounds that were unheard of in the middle of the twentieth century. Oboists, in comparison, have lagged somewhat behind their more adventurous colleagues. In writing Oboe Unbound: Contemporary Techniques, author Libby Van Cleve opens up the tradition-bound assumptions of the instrument’s capabilities. Not only does she include descriptions of the instrument’s standard technique from range and reeds to the use of vibrato, but she also discusses recent techniques, such as multiphonics, microtones, altered timbres, and extended range, to name a few. Van Cleve bolsters this book with numerous music examples and professionally-tested fingering charts, and concludes with basic information about the use of electronics for amplification, recording, and sound enhancement. The book’s appendixes include a substantial bibliography of music and literature and a discography including jazz, non-western, and art music recordings. The revised edition incorporates new information about resources now available through the internet and marks the launch of a website that includes examples of all the contemporary sounds as well as audio and video recordings of unreleased compositions.
Author: John H. Baron Publisher: Pendragon Press ISBN: 9781576471005 Category : Juvenile Nonfiction Languages : en Pages : 506
Book Description
This is the first comprehensive overview of instrumental chamber music from the 16th century to the present. There are comparisons of different genres, composers, and periods. Situations for chamber music at different moments in history are brought into a continuum, and all aspects of chamber music are placed into perspective. A History of the Idea of Chamber Music is chronologically organized at the most general level. Beyond that, national schools figure prominently, as well as genres and personalities. Throughout this book the composition of chamber music, the performance of chamber music, and the social, economic, political, and aesthetic conditions for chamber music have been considered per se and as they interact. (From the Introduction)
Author: Timothy Salzman Publisher: Hal Leonard Corporation ISBN: 9781574630480 Category : Music Languages : en Pages : 324
Book Description
This is a five-volume series on major contemporary composers and their works for wind band. Included in this initial volume are rare, behind-the-notes perspectives acquired from personal interviews with each composer. An excellent resource for conductors, composers or enthusiasts interested in acquiring a richer musical understanding of the composers' training, compositional approach, musical influences and interpretative ideas. Features the music of: Timothy Broege, Michael Colgrass, Michael Daugherty, David Gillingham, John Harbison, Karel Husa, Alfred Reed and others.
Author: James R. Briscoe Publisher: Indiana University Press ISBN: 9780253216830 Category : Music Languages : en Pages : 542
Book Description
"This anthology of musical scores is a new edition of a text that has been widely used in courses in women's music. James R. Briscoe's New Historical Anthology compiles fifty-five compositions by forty-six women composers from the ancient Greeks to the present. Each work is introduced by an informative essay by a specialist in the field, with recommendations for further reading."--BOOK JACKET.
Author: Timothy Salzman
Author: Timothy Salzman
Author: Thomas G. Everett
Author: David Schiff
Author: Neil Butterworth
Author: Libby Van Cleve
Author: John H. Baron
Author: 
Author: David M. Cummings
Author: Timothy Salzman
Author: James R. Briscoe