Author: Wolfgang A. MozartPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Concerto for Horn and Orchestra No. 3 in E Flat Major K447
Author: Wolfgang A. MozartConcerto for Horn and Orchestra No. 3 in E Flat K.447
Author: Wolfgang A. MozartConcerto no. 3 in E♭ major, K. 447 for horn in E♭ and piano
Author: Wolfgang Amadeus MozartPublisher:
ISBN:
Category : Concertos (Horn)
Languages : en
Pages : 28
Book Description
The Cambridge Companion to the Concerto
Author: Simon P. KeefePublisher: Cambridge University Press
ISBN: 9780521834834
Category : Music
Languages : en
Pages : 344
Book Description
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Four Horn Concertos and Concert Rondo for the Horn with Piano Accompaniment
Author: Amadeus Mozart WolfgangPublisher: G Schirmer, Incorporated
ISBN: 9780793526109
Category :
Languages : en
Pages : 0
Book Description
Contents: Concert Rondo in E Flat Major (K. 371) * Concerto No. 1 in D Major (K. 412) * Concerto No. 2 in E Flat Major (K. 417) * Concerto No. 3 in E Flat Major (K. 447) * Concerto No. 4 in E Flat Major (K. 495).
Concerto in E-flat major for horn and orchestra, No. 3
Author: Wolfgang Amadeus MozartPublisher:
ISBN:
Category : Concertos (Horn)
Languages : en
Pages : 52
Book Description
French Horn Solos, Level 1
Author: Lenard B. SmithPublisher: Alfred Music
ISBN: 9781457455742
Category : Music
Languages : en
Pages : 20
Book Description
An overview of the most popular contest and recital pieces written for French horn. The material has been carefully selected to match the technical capabilities of the younger advancing player. Levels 1 & 2 are available for each instrument (flute, oboe, clarinet, alto saxophone, F horn, trumpet, trombone, tuba, drum), both with supplementary piano accompaniment volumes. Correlated to the First Division Band Course.
The Concerto
Author: Michael SteinbergPublisher: Oxford University Press
ISBN: 019802634X
Category : Music
Languages : en
Pages : 523
Book Description
Michael Steinberg's 1996 volume The Symphony: A Reader's Guide received glowing reviews across America. It was hailed as "wonderfully clear...recommended warmly to music lovers on all levels" (Washington Post), "informed and thoughtful" (Chicago Tribune), and "composed by a master stylist" (San Francisco Chronicle). Seiji Ozawa wrote that "his beautiful and effortless prose speaks from the heart." Michael Tilson Thomas called The Symphony "an essential book for any concertgoer." Now comes the companion volume--The Concerto: A Listener's Guide. In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach's Brandenburg Concertos, eighteen of Mozart's piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm and bright style. He is a master of capturing the expressive, dramatic, and emotional values of the music and of conveying the historical and personal context in which these wondrous works were composed. His writing blends impeccable scholarship, deeply felt love of music, and entertaining whimsy. Here then is a superb journey through one of music's richest and most diverse forms, with Michael Steinberg along as host, guide, and the best of companions.
Classical Form
Author: William E. CaplinPublisher: Oxford University Press
ISBN: 0199881758
Category : Music
Languages : en
Pages : 320
Book Description
Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
Concerto No. 3 in E flat major for two french horns, orchestra and harpsichord
Author: Franz Anton Rössler-RosettiPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description