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Author: Georg Christoph Wagenseil Publisher: A-R Editions, Inc. ISBN: 1987208609 Category : Music Languages : en Pages : 64
Book Description
Georg Christoph Wagenseil’s (1715–77) concerto for four harpsichords, scored without orchestra, remains the only known work of its kind based on entirely original material. There are no other known works for four harpsichords besides Bach’s concerto in A minor for four harpsichords and strings, BWV 1065, itself an adaptation of Vivaldi’s four-violin concerto in B minor, RV 580. Wagenseil’s concerto provides an interesting footnote in the development of historical keyboard instruments. Alongside a few other Viennese keyboard works, the concerto features large bass intervals necessitating the use of the Viennese short octave—a keyboard configuration with multiply split bass keys unique to mid-18th-century Viennese keyboard building. This fact further establishes the relevance of early Viennese keyboard instruments in historical keyboard performance. Several aspects of performance practice unique to Wagenseil’s concerto are discussed in the introduction to the edition: continuo realization for a keyboard concerto without orchestra, negotiating the requirements of the Viennese short octave on instruments with chromatic keyboards, and interpreting the notational idiosyncrasies of the manuscript source.
Author: Georg Christoph Wagenseil Publisher: A-R Editions, Inc. ISBN: 1987208609 Category : Music Languages : en Pages : 64
Book Description
Georg Christoph Wagenseil’s (1715–77) concerto for four harpsichords, scored without orchestra, remains the only known work of its kind based on entirely original material. There are no other known works for four harpsichords besides Bach’s concerto in A minor for four harpsichords and strings, BWV 1065, itself an adaptation of Vivaldi’s four-violin concerto in B minor, RV 580. Wagenseil’s concerto provides an interesting footnote in the development of historical keyboard instruments. Alongside a few other Viennese keyboard works, the concerto features large bass intervals necessitating the use of the Viennese short octave—a keyboard configuration with multiply split bass keys unique to mid-18th-century Viennese keyboard building. This fact further establishes the relevance of early Viennese keyboard instruments in historical keyboard performance. Several aspects of performance practice unique to Wagenseil’s concerto are discussed in the introduction to the edition: continuo realization for a keyboard concerto without orchestra, negotiating the requirements of the Viennese short octave on instruments with chromatic keyboards, and interpreting the notational idiosyncrasies of the manuscript source.
Author: Michael Thomas Roeder Publisher: Hal Leonard Corporation ISBN: 0931340616 Category : Concerto Languages : en Pages : 487
Book Description
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
Author: Publisher: ISBN: Category : Languages : en Pages : 96
Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author: Chris Woodstra Publisher: Hal Leonard Corporation ISBN: 9780879308650 Category : Music Languages : en Pages : 1620
Book Description
Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
Author: Kenyon C. Rosenberg Publisher: Scarecrow Press ISBN: 9780810823228 Category : Language Arts & Disciplines Languages : en Pages : 398
Book Description
Lists classical and operatic recordings that are specifically available in the new (and desirable) compact disc format. Individual titles are graded for their appropriateness to specific types and sizes of libraries. The main portion covers some 160 composers whose works are important in constituting a nuclear library collection of "serious" music. There are over 1,200 titles included and individually numbered (and fully cross-referenced) and graded. For numerous works, two or more performances are cited in order to provide the librarian with greater choices; monophonic works are specifically indicated. Many of the works are annotated. Annotation copyrighted by Book News, Inc., Portland, OR
Author: C. R. F. Maunder Publisher: Boydell Press ISBN: 9781843830719 Category : Music Languages : en Pages : 304
Book Description
The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Author: George B. Stauffer Publisher: Oxford University Press ISBN: 0195108027 Category : Music Languages : en Pages : 649
Book Description
J.S. Bach's 250 extant organ works represent the greatest body of music for the pipe organ, and during his lifetime Bach was able to combine great virtuosity--daring passages for the feet as well as the hands--with bold, dramatic gestures to produce music that dazzled contemporary audiences. In this book, leading musicologist George B. Stauffer shows that Bach focused steadily on organ composition for more than fifty years, and that his unending quest for novelty, innovation, and refinement resulted in pieces that continue to reward and awe listeners today.
Author: John Butt Publisher: Cambridge University Press ISBN: 9780521587808 Category : Music Languages : en Pages : 348
Book Description
The Cambridge Companion to Bach, first published in 1997, goes beyond a basic life-and-works study to provide a late twentieth-century perspective on J. S. Bach the man and composer. The book is divided into three parts. Part One is concerned with the historical context, the society, beliefs and the world-view of Bach's age. The second part discusses the music and Bach's compositional style, while Part Three considers Bach's influence and the performance and reception of his music through the succeeding generations. This Companion benefits from the insights and research of some of the most distinguished Bach scholars, and from it the reader will gain a notion of the diversity of current thought on this great composer.
Author: Georg Christoph Wagenseil
Author: Georg Christoph Wagenseil
Author: Johann Sebastian Bach
Author: Michael Thomas Roeder
Author: 
Author: Chris Woodstra
Author: Kenyon C. Rosenberg
Author: C. R. F. Maunder
Author: Wanda Landowska
Author: George B. Stauffer
Author: John Butt