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Author: Mary Sue Morrow Publisher: Stuyvesant, [N.Y.] : Pendragon Press ISBN: Category : History Languages : en Pages : 584
Book Description
Concert life in Vienna between 1760 and 1810, both public and private, offered an intriguing variety of musical events, here studied through repertoire, business and financial aspects, and the position they held in Vienna's larger cultural wor ld. Also included are five extensive appendices of the concert calendars and patrons.
Author: Mary Sue Morrow Publisher: Stuyvesant, [N.Y.] : Pendragon Press ISBN: Category : History Languages : en Pages : 584
Book Description
Concert life in Vienna between 1760 and 1810, both public and private, offered an intriguing variety of musical events, here studied through repertoire, business and financial aspects, and the position they held in Vienna's larger cultural wor ld. Also included are five extensive appendices of the concert calendars and patrons.
Author: David Wyn Jones Publisher: Cambridge University Press ISBN: 052189574X Category : Biography & Autobiography Languages : en Pages : 265
Book Description
Presenting a fresh perspective on the life and work of Joseph Haydn, this biography probes the darker side of Haydn's personality, his commercial opportunism and double dealing, his penny-pinching and his troubled marriage.
Author: DavidWyn Jones Publisher: Routledge ISBN: 1351564072 Category : History Languages : en Pages : 554
Book Description
This volume brings together a selection of the most stimulating and influential writing on Haydn and his music in the English language. Written by a range of established and younger scholars it probes a variety of aesthetic, biographical, compositional, performance and reception issues. A specially written introduction summarizes the significance of each essay, directs the reader to appropriate complementary material and seeks the common ground between the essays; to assist with consistent referencing the individual essays retain their original pagination. This representative compendium of Haydn research provides the opportunity to explore the intellectual diversity of recent scholarship and is an indispensable publication for students of Haydn, whether new or old, amateur or professional.
Author: Caryl Clark Publisher: Cambridge University Press ISBN: 1139827227 Category : Music Languages : en Pages : 354
Book Description
This Companion provides an accessible and up-to-date introduction to the musical work and cultural world of Joseph Haydn. Readers will gain an understanding of the changing social, cultural, and political spheres in which Haydn studied, worked, and nurtured his creative talent. Distinguished contributors provide chapters on Haydn and his contemporaries, his working environments in Eisenstadt and Eszterháza, and humor and exoticism in Haydn's oeuvre. Chapters on the reception of his music explore keyboard performance practices, Haydn's posthumous reputation, sound recordings and images of his symphonies. The book also surveys the major genres in which Haydn wrote, including symphonies, string quartets, keyboard sonatas and trios, sacred music, miscellaneous vocal genres, and operas composed for Eszterháza and London.
Author: Daniel Heartz Publisher: W. W. Norton & Company ISBN: 9780393037128 Category : Music Languages : en Pages : 844
Book Description
Historians have long tried to place the music of Haydn and Mozart in the lineage of German Lutheran music. In this book, Daniel Heartz shows that the first Viennese school grew from a Catholic inheritance in Italian music and from local tradition, with an admixture of French currents. The generation of composers led by Haydn no longer trained in Italy. By the time young Mozart joined the ranks of the Viennese school, its accomplishments towered above all others of the time. The author's approach can be compared to viewing a majestic mountain range in its totality: the highest peaks take on even greater majesty when seen in their natural context of foothills and lesser peaks. This is how Haydn and Mozart were viewed by their contemporaries, whose world of perception Heartz recreates, using, among other things, the visual art of the period. His focus is on music as a part of cultural history at a particular time and place. Stylistic terms and a priori periods matter less to him than the common denominators of geography, culture, and political history. Book jacket.
Author: John M. Gingerich Publisher: Cambridge University Press ISBN: 1139952080 Category : Music Languages : en Pages : 446
Book Description
Why couldn't Schubert get his 'great' C-Major Symphony performed? Why was he the first composer to consistently write four movements for his piano sonatas? Since neither Schubert's nor Beethoven's piano sonatas were ever performed in public, who did hear them? Addressing these questions and many others, John M. Gingerich provides a new understanding of Schubert's career and his relationship to Beethoven. Placing the genres of string quartet, symphony, and piano sonata within the cultural context of the 1820s, the book examines how Schubert was building on Beethoven's legacy. Gingerich brings new understandings of how Schubert tried to shape his career to bear on new hermeneutic readings of the works from 1824 to 1828 that share musical and extra-musical pre-occupations, centering on the 'Death and the Maiden' Quartet and the Cello Quintet, as well as on analyses of the A-minor Quartet, the Octet, and of the 'great' C-Major Symphony.
Author: Mary Sue Morrow
Author: Mary Sue Morrow
Author: Simon McVeigh
Author: Simon P. Keefe
Author: David Wyn Jones
Author: John Carnelley
Author: DavidWyn Jones
Author: Caryl Clark
Author: Daniel Heartz
Author: John M. Gingerich
Author: Edward Klorman