Author: Nico SchülerPublisher:
ISBN:
Category : Music
Languages : de
Pages : 208
Book Description
Computer Applications in Music Research
Author: Nico SchülerComputer Applications in Music
Author: Deta S. DavisPublisher: Madison, Wis. : A-R Editions
ISBN:
Category : Computers
Languages : en
Pages : 568
Book Description
A Bibliography of Computer Applications in Music
Author: Stefan M. KostkaPublisher: European American Music Corporation
ISBN:
Category : Music
Languages : en
Pages : 72
Book Description
Computer-applications in Music Research
Author: Nico SchülerPublisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN:
Category : Music
Languages : en
Pages : 192
Book Description
At the conference «Musicology 1966-2000: A Practical Program, » on May 26, 1966, Jan LaRue speculated «that computer analysis will become one of the most important directions in musicology for the next generation...» Having passed the year 2000, we have to realize that LaRue's prediction did not come true: neither for computer-assisted music analysis, nor for computer-applications in music research in general. This volume is intended to initiate a more critical discussion of computer-applications in music research and to present concepts, methods, and results of newest research in this area.
Computer Applications in Music
Author: Computer Applications in Music
Author: Deta S. DavisA Survey of Computer Applications in Music, Musicology, and Audio Signal Processing
Author: David Brian HarrisonPublisher:
ISBN:
Category : Computer music
Languages : en
Pages : 306
Book Description
Computers in Music Research
Author: Publisher:
ISBN:
Category : Computer composition (Music)
Languages : en
Pages : 134
Book Description
Knowledge-based Programming for Music Research
Author: John W. SchafferPublisher: A-R Editions, Inc.
ISBN: 0895793784
Category : Music
Languages : en
Pages : 416
Book Description
In Knowledge-Based Programming for Music Research, Schaffer and McGee explore expert systems for applications in artificial intelligence (AI). The text concerns (1) basic principles for knowledge-based programming, (2) concepts and strategies for programming these systems, (3) a "universal data" model for music analysis, and (4) examples that concern specific aspects of design and application. The authors also investigate Prolog (programming in logic), one of the most widely used computer languages for AI, and base some of their applications on the recent implication-based theories of Eugene Narmour. Of the applications for programming a knowledge-based system, music analysis has the most potential. Beyond identifying isolated elements, it is possible to create programs that extend to chord structures and other, more complex structures. This kind of programming allows the authors to embed the rules of composition in the application and then extend the analysis throughout the musical work. It also allows them to arrive at the underlying principles for a given composition. As a tool for music analysis, such programming has profound implications for further growth. The text is designed for musicians at various levels and could also be used in courses on computer-music programming. Parts of the book have been successfully used in courses on computer programming for music research, with which the authors have direct experience. The text includes extensive examples of code for use in individual Prolog applications and a comprehensive bibliography.
Author: