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Author: Olga Ciesco Publisher: Olga Ciesco ISBN: Category : Social Science Languages : en Pages : 20
Book Description
Le premier livre conçu comme une appli, accessible du bout des doigts… Découvrez le langage des mains Lorsque nous voulons expliquer clairement nos idées ou nous ouvrir à la communication, nos mains sont en mouvement, en ouverture et les gestes sont hauts. A l’inverse, quand nous voulons garder pour nous des informations, nous cessons de bouger nos mains pour ne pas trop dévoiler et si elles se mettent à bouger un peu, les gestes restent bas. Vous saurez tout sur les différentes positions de mains lors d’un entretien, d’une négociation ou de tout autre face à face.
Author: Olga Ciesco Publisher: Olga Ciesco ISBN: Category : Social Science Languages : en Pages : 20
Book Description
Le premier livre conçu comme une appli, accessible du bout des doigts… Découvrez le langage des mains Lorsque nous voulons expliquer clairement nos idées ou nous ouvrir à la communication, nos mains sont en mouvement, en ouverture et les gestes sont hauts. A l’inverse, quand nous voulons garder pour nous des informations, nous cessons de bouger nos mains pour ne pas trop dévoiler et si elles se mettent à bouger un peu, les gestes restent bas. Vous saurez tout sur les différentes positions de mains lors d’un entretien, d’une négociation ou de tout autre face à face.
Author: Mara de Gennaro Publisher: JHU Press ISBN: 1421439484 Category : Literary Criticism Languages : en Pages : 244
Book Description
A polemical reaction against a trend in global modernist studies which still privileges European and Anglophone texts. Existing studies of literary modernism generally read Anglophone Atlantic texts through the lens of critical theories emanating from Europe and North America. In Modernism after Postcolonialism, Mara de Gennaro undertakes a comparative Anglophone-Francophone study, invoking theoretical frameworks from Gayatri Spivak, Édouard Glissant, Françoise Vergès, Michel-Rolph Trouillot, Dipesh Chakrabarty, and others. Examining transnational poetics of comparison that contest the comparative practices of colonialist, racist, and ethno-nationalist discourses, the book treats these poetics as models for a creolist critical method of reading, one that searches out unpredictable, mutually generative textual relations obscured by geographic and linguistic divides. In each chapter, de Gennaro pairs a canonical English-language modernist writer (Gertrude Stein, T. S. Eliot, E. M. Forster, Virginia Woolf) with a postcolonial writer (Aimé Cesaire, Glissant, Patrick Chamoiseau, J. M. Coetzee, Edwidge Danticat), interpreting major works of prewar and interwar modernism in light of postcolonial and Francophone literature, cultural theory, and historiography. Read together, these texts suggest a turn—sometimes subtle or conflicted in earlier Atlantic modernist texts, while usually more overt in later Caribbean and postcolonial texts—toward comparative forms marked by irresolution and a wavering sense of authority. With the rise of world literature and global modernist studies, it becomes all the more pressing to examine how comparative forms can alert us to unspoken and misrecognized relations while also confronting us with the difficulty of representing the Other. By bringing into relation these ostensibly unconnected, often discrepant texts, de Gennaro challenges entrenched territorial habits of literary meaning. An aspirationally nonterritorial comparative literature, she argues, diverges not only from Eurocentric formalist approaches but also from global comparatisms that emphasize incommensurabilities to the point of eliding significant textual and contextual connections. Drawing on interdisciplinary postcolonial efforts, especially in the social sciences, to deterritorialize categories of identity, culture, and community, Modernism after Postcolonialism dispenses with outdated modernist and postcolonial paradigms to reveal how the anxious, inconclusive comparisons of transnational modernist poetics can call us to imagine new solidarities across bounded territories.
Author: Mahesse Kolé Publisher: African Books Collective ISBN: 9956553220 Category : Social Science Languages : en Pages : 259
Book Description
At a time when Côte d’Ivoire was experiencing a military-political crisis and was split in two (2002), the Coupé-Décalé appeared as a real innovation in the Ivorian musical universe. It caused a “sensation” with cultural practices, a dress code, choreographic concepts and musical forms that were atypical of the time. While pre-existing genres, such as Reggae, Hip Hop and Zuglou, are positioned as “committed” music, Coupé-Décalé, on the other hand, is in a completely different register: that of bringing joy, setting the mood, forgetting the sad reality of this difficult period. Nearly two decades later, the Coupé-Décalé continues to enjoy great popularity among a community of fans who are sensitive to the ideology promoted and the social practices that derive from it. This study develops a reflection on the Coupé-Décalé, a form of cultural mediation that consolidates a subcultural identity. It aims first to show the pictorial and imagined representations of the youth subculture through musical content, then to examine the actors, practices and interactions that lead to the development of the musical work, and finally, to demonstrate how the public and the producers, through the reception of the music and the identification with the Coupé-Décalé, constitute a subculture. In short, the Coupé-Décalé is a subcultural identity. It specifies a new relationship to politics, to social norms and, above all, a quest for pleasure, endangerment and amusement. Au moment où la Côte d’Ivoire connaît une crise militaro-politique et est coupée en deux (2002), le Coupé- Décalé apparaît comme une véritable innovation dans l’univers musical ivoirien. Il fait “ sensation” avec des pratiques culturelles, un code vestimentaire, des concepts chorégraphiques et des formes musicales atypiques à l’époque. Pendant que les genres préexistants notamment le Reggae, le Hip Hop et le Zouglou se positionnent comme des musiques “engagées”, le Coupé-Décalé, quant à lui, s’inscrit dans un tout autre registre : celui d’apporter de la joie, de mettre de l’ambiance, d’oublier la triste réalité de cette période difficile. Près de deux décennies plus tard, le Coupé-Décalé continue de jouir d’une grande popularité auprès d’une communauté de fans sensibles à l’idéologie promue et aux pratiques sociales qui en découlent. Cette étude développe une réflexion sur le Coupé-Décalé, une forme de médiation culturelle qui consolide une identité sous-culturelle. Elle veut d’abord montrer les représentations imagées et imaginées de la sous- culture jeune à travers les contenus musicaux, ensuite examiner les acteurs, pratiques et interactions qui conduisent à l’élaboration de l’œuvre musicale, et enfin, démontrer en quoi le public et les producteurs, à travers la réception de la musique et l’identification au Coupé-Décalé, constituent une sous-culture. En définitive, le Coupé-Décalé constitue une identité sous-culturelle. Il précise un nouveau rapport au politique, aux normes sociales et surtout une quête vers le plaisir, l’enjaillement et l’amusement.
Author: Publisher: Odile Jacob ISBN: 2738172261 Category : Languages : en Pages : 258
Author: Fanny de Sivers Publisher: Peeters Publishers ISBN: 9782852971127 Category : Language Arts & Disciplines Languages : fr Pages : 388
Book Description
Contributions de F. Alvarez-Pereyre, M. Bejta, C. Buridant, J. Carmignac, N.G. Contossopoulos, L. Deroy, G. Drettas, M. Erdal, M.M.J. Fernandez, L. Fleuriot, C. Fondet, M. Hasiuk, P. Klafkowski, I. Levin, A.F. Majewicz, U. Masing, D. Moinfar, U. Obst, F.J. Oinas, C. Paris, J. Pohl, V. Rukke-Dravina, W.R. Schmalstieg, F. de Sivers, N. Strazhas-Kameneckaite, J.M.C. Thomas, M. Tominaga, W. Veenker et S.C. Yau.
Author: Mehmet Tuncay Duruöz Publisher: Springer Science & Business Media ISBN: 1461494494 Category : Medical Languages : en Pages : 252
Book Description
Accurate assessment of hand function is critical to any treatment regimen of the hand compromised patient. Hand Function is a practical, clinical book which provides the knowledge needed to distinguish the different dimensions of hand function, particularly impairment, disability and handicap. Beginning with an overview of basic principles and examination, subsequent chapters evaluate the hand function in specific afflicted populations, including the rheumatoid patient, the stroke patient, the trauma patient, the geriatric patient and the pediatric patient, as well as special populations such as diabetes mellitus patients and musicians. An appendix containing hand function scales essential to the assessment of disability is also included. Rheumatologists, physiatrists, hand surgeons, orthopedists, occupational therapists and physical therapists will all find Hand Function a useful and valuable addition to their clinical references.
Author: Olga Ciesco
Author: Olga Ciesco
Author: Mara de Gennaro
Author: Mahesse Kolé
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Author: Enikő Németh T.
Author: Alfred Cortot
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Author: Fanny de Sivers
Author: 
Author: Mehmet Tuncay Duruöz